The Mark J. Millard architectural collection. Volume 1. French books sixteenth through nineteenth centuries ; Volume 2. British books seventeenth through nineteenth centuries ; Volume 3. Northern European books sixteenth to early nineteenth centuries ; Volume 4. Italian and Spanish books fifteenth through nineteenth centuries. - Rare Book Insider
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(Millard)

The Mark J. Millard architectural collection. Volume 1. French books sixteenth through nineteenth centuries ; Volume 2. British books seventeenth through nineteenth centuries ; Volume 3. Northern European books sixteenth to early nineteenth centuries ; Volume 4. Italian and Spanish books fifteenth through nineteenth centuries.

Washington, National Gallery of Art 1993, 1998, 2000.: 2000
  • $360
A set of the four volumes recording the fine collection of architectural books formed by the New York banker Mark Millard (1908-1985). Accompanying scholarly essays and full collations make this a very useful work of reference (even if the first volume, devoted to French books, is not quite of the same high standard as the later ones), and it is an added pleasure that the volumes are particularly well printed and with plenty of intelligently selected illustrations. Folio. 4 vols. xxv + (1) + 511 + (1)pp, 172 ills ; xv + (1) + 392pp, numerous photo text ills ; xii+ 415+(1)pp, numerous text ills ; xxiii+(1)+545+(1)pp, numerous text ills. Publisher?s cloth, in dustwrappers
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(Catalogues Jan 1970 – Sep 2001)

Paul Breman Ltd A virtually complete set of the printed catalogues issued over a thirty year period by the antiquarian bookseller Paul Breman (1931-2008). Breman, having previously worked as a cataloguer for E.P.Goldschmidt and for Ben Weinreb, had then gone into partnership with Weinreb for a brief period, but was able to launch his own firm in 1970 with his share of the proceeds of the sale of much of the Weinreb and Breman stock to the University of Texas. His principal speciality as a bookseller was in sixteenth-eighteenth century books on architecture, art, perspective and fortification published on the European continent, but he was also interested in avant garde books of the twentieth century and in black literature (of which he made a pioneer collection), and his catalogue notes on all these subjects were well-informed and incisively expressed.His published catalogues fell into three series, separately numbered and in distinct formats. The numbering of Catalogues 1-44, issued between January 1970 and February 1994, and of Catalogues 144- 172, issued between February 1989 and September 2001, is straightforward, but the numbering of a third series of his catalogues, issued between 1979 and 1988, is perplexing and was doubtless intended by Breman to tease his customers and fellow members of the book trade. The basic explanation for the numbering sequence of this series is that Catalogue 179 was the first (and last) catalogue in this format issued in the year 1979, just as the final catalogue in the series, Catalogue 188, was the first (and last) catalogue in this format issued in 1988, while Catalogue 381 was the third catalogue in this format issued in 1981, but for some unaccountable reason Catalogue 280, which ought on this basis to have been the second catalogue issued in 1980, was actually issued in November 1981 and should really have been numbered 281.The varying formats and complex numbering of Breman?s catalogues have militated against the survival of complete sets of them, and this is probably the completest set currently available outside institutional collections. 8vo. (90) (ex 92 ?) catalogues, comprising : (a) Catalogues 1-48, slim upright format, issued between Jan 1970 and Feb 1994 (complete for period); (b) Catalogues 179, 180, 181, 280, 381, 183, 283, 184, 186, 286, 187, 287, 188, upright format, issued in this sequence between 1979 and 1988 (complete for period); (c) Catalogues 144-172 (lacking 162 and 169), all in oblong format except for 161 and 172 which are in upright format, issued between Feb 1989 and Sep 2001. All the catalogues are in original wrappers and are contained in two drop-back cloth boxes. An accompanying leaflet advertises Catalogues 173-5, not issued in printed form but made available by Breman on the internet.
  • $1,093
  • $1,093
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(Catalogues)

Grinke, Paul (bookseller) These catalogues, issued by Paul Grinke respectively in the 1970s and between 2006 and 2011, represent the entirety of his catalogue output as a London-based bookseller before and after his years as a bookseller in Suffolk and Norfolk and the subsequent period in which he headed the art and architecture department at the Quaritch firm. The catalogues issued by him in the 1970s - regrettably for posterity printed without dates of publication - offer an astonishingly impressive range of English eighteenth century literature and other eighteenth-century books on art, architecture and antiquarian topics generally. Also of particular note are Catalogues 7 and 10, respectively offering seventeenth century and eighteenth century books from the libraries of the antiquaries Philip Morant and Thomas Astle. Oblong 8vo and 8vo. Catalogues 1-16 (First Series, complete) and 1-4 (New Series, complete). Original printed wrappers, preserved in drop-back box. These are offered together with Paul Grinke, Supplementary List, London, Spring 1976, stapled as issued; Paul Grinke, A Catalogue of a Collection of Books and Manuscripts relating to the county of Suffolk, Eye, 1984, original printed wrappers ; Paul Grinke and Paul Breman, Russian Art and Architecture, London, nd, stapled as issued; Grinke & Rodgers, Catalogue 1, Books on Art and Architecture,1700-1850, 1969, original printed wrappers; and 5 lists of books issued by Paul Grinke 2006-2016, stapled at upper right-hand corner
  • $708
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Catalogues 86-172 (lacking Cat 158 only); Supplements I-XVIII (of which no.XVII was issued as ?List XVII?); Stock Lists I-II; and four Book Fair Lists.

E.P.Goldschmidt Ltd An excellent uniformly bound run of the catalogues and lists issued by the E.P.Goldschmidt firm between the late 1940s and 1993. Catalogues 86-105 were issued while the firm was still being run by its founder Ernest Philip Goldschmidt (1887-1954), operating from premises in Bond Street, London. The remaining catalogues and lists were issued while the firm was under the management of Jacques Vellekoop (1926-2007), who had begun to work for the Goldschmidt firm in 1948 and remained the firm?s active proprietor until its closure in 1993. The catalogues offered here lack just one catalogue, no.158, of the 67 issued during the Vellekoop era, and form a permanent record of the high points of the stock offered for sale by the firm over this forty-year period. The firm specialised in illustrated books printed on the European continent between the end of the fifteenth century and the end of the eighteenth century, and all were very well catalogued for Vellekoop by a succession of trusted employees who included Paul Breman (responsible for Catalogues 115-126), Lord John Kerr, Richard von Hünersdorff, Hardy Grieb, Robin Halwas and Michael Douglas-Scott. We also offer, bound up with the run of numbered catalogues, a complete set of Supplements I-XVIII, issued at sporadic intervals between the 1950s and 1984, two Stock Lists, numbered I and II, and four lists of books exhibited by the firm at book fairs.A characteristic of the catalogues issued by the firm between the 1960s and its closure was that Jacques Vellekoop and his cataloguers were continually experimenting with different sizes and formats, and the differences in dimensions that resulted have proved a disincentive to having sets of the catalogues bound up. The present run must be one of a very few to exist in this form other than the complete sets of E.P.Goldschmidt Ltd catalogues bound up for the firm itself. 119 catalogues and lists, various sizes and formats, bound in 14 volumes, uniform brown cloth.
  • $2,380
  • $2,380
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Denkmäler des Theaters. Inszenierung/Dekoration Kostüm des Theaters under der grossen Feste aller Zeiten. Nach originalen der Theatersammlung der NationalBibliothek, der Albertina und verwandter Sammlungen.

(Gregor, Joseph) A complete set of this great publication, issued under the joint auspices of the Austrian National Library and of the Gesellschaft zur Herausgabe der Denkmäler des Theaters. The objective of its promoters was to provide high-class reproductions of some of the most iconic original drawings and engravings in the world-famous collections of theatre-related materials in the Austrian National Library and the Albertina, with accompanying descriptive text by the theatre historian Joseph Gregor. Two of the early volumes are devoted to handsome reproductions of design drawings for costumes, respectively by Lodovico Ottavio Burnacini (1636-1707) and by Antoine Daniel Bertoli (1678-1745), but the intended character of the publication as a whole is established by the second of the volumes, devoted to stage set architecture and providing illustrations of some of the most spectacular drawings and engravings of stage sets produced in the 16th, 17th and 18th centuries. Each of the subsequent volumes provides a feast of visual splendours, and the best that one can do here is to note that Vols IV and VI reproduce two celebrated festival books from particularly handsome hand-coloured copies, that vol.VII is devoted to images of gardens by stage set designers, that vol.VIII provides a remarkable selection of images of Harlequin and Columbine, and that vol.X offers a marvellous range of representations of allegorical subjects. Five hundred and forty-four sets of these volumes were issued in all. Of these, five hundred were issued for general sale (300 in a German-language version, and 200 in an English-language version, this under the title Monumenta Scenica). The remaining forty-four sets, of the German-language version, were issued to members of the governing body of the Gesellschaft zur Herausgabe der Denkmäler des Theaters, and the present set is one of these, issued to the celebrated Austrian musicologist Otto Deutsch (and with Otto Deutsch?s printed name as the recipient on the last page of eleven of the twelve text parts).The substantial size and varying dimensions of the portfolios have told against their survival in complete sets as issued, and this is only the third set known to us that has appeared on the market within the last fifteen years (of the two other sets, one was affected by damp, and the other was purchased at auction by our firm on commission for a client). Large folio and atlas folio. 12 vols, each comprising large mounted plates in publisher?s quarter vellum portfolios of varying sizes, marbled paper boards (some of the portfolios neatly rebacked or repaired), and each with a 16-page octavo text in publisher?s printed wrappers loosely inserted. Vol.I (L.O.Burnacini Maschere) : 20 plates. Vol.II (Szenische Architektur und Architektur-Phantasien) : 22 plates. Vol.III (A.D.Bertoli Desseins) : 32 plates. Vol.IV (Pompe funèbre de S.A.R.Charles III Duc de Lorraine) : 13 plates. Vol.V (Altvlaemisches und altniederlaendisches Theater) : 22 plates. Vol.VI (Cours de Testes et de Bague faites par le Roy en l?année 1662) : 21 plates. Vol.VII (Theater und Garten) : 29 plates (on 23 mounts). Vol.VIII (Groteskkomödie und Stegreifstuck) : 39 plates (on 25 mounts). Vol.IX (Theater des Mittelaltes) : 27 plates (on 20 mounts). Vol.X (Magna Allegoria Mortis Imagines) : 35 plates (on 22 mounts). Vol.XI (Feste des Sonnenkoenigs) : 51 plates (on 23 mounts). Vol.XII (Wiens letzte grosse Theaterzeit) : 44 plates (on 29 mounts). Some minor spotting on mounts of Vol.I, and some of the wrappers of the text parts slightly creased, but the plates are in very good condition throughout.
  • $4,116
  • $4,116
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Catalogues 86-172 (lacking Cat 158 only); Supplements I-XVIII (of which no.XVII was issued as ?List XVII?); Stock Lists I-II; and four Book Fair Lists.

E.P.Goldschmidt Ltd An excellent uniformly bound run of the catalogues and lists issued by the E.P.Goldschmidt firm between the late 1940s and 1993. Catalogues 86-105 were issued while the firm was still being run by its founder Ernest Philip Goldschmidt (1887-1954), operating from premises in Bond Street, London. The remaining catalogues and lists were issued while the firm was under the management of Jacques Vellekoop (1926-2007), who had begun to work for the Goldschmidt firm in 1948 and remained the firm?s active proprietor until its closure in 1993. The catalogues offered here lack just one catalogue, no.158, of the 67 issued during the Vellekoop era, and form a permanent record of the high points of the stock offered for sale by the firm over this forty-year period. The firm specialised in illustrated books printed on the European continent between the end of the fifteenth century and the end of the eighteenth century, and all were very well catalogued for Vellekoop by a succession of trusted employees who included Paul Breman (responsible for Catalogues 115-126), Lord John Kerr, Richard von Hünersdorff, Hardy Grieb, Robin Halwas and Michael Douglas-Scott. We also offer, bound up with the run of numbered catalogues, a complete set of Supplements I-XVIII, issued at sporadic intervals between the 1950s and 1984, two Stock Lists, numbered I and II, and four lists of books exhibited by the firm at book fairs.A characteristic of the catalogues issued by the firm between the 1960s and its closure was that Jacques Vellekoop and his cataloguers were continually experimenting with different sizes and formats, and the differences in dimensions that resulted have proved a disincentive to having sets of the catalogues bound up. The present run must be one of a very few to exist in this form other than the complete sets of E.P.Goldschmidt Ltd catalogues bound up for the firm itself. 119 catalogues and lists, various sizes and formats, bound in 14 volumes, uniform brown cloth.
  • $2,380
  • $2,380
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Denkmäler des Theaters. Inszenierung/Dekoration Kostüm des Theaters under der grossen Feste aller Zeiten. Nach originalen der Theatersammlung der NationalBibliothek, der Albertina und verwandter Sammlungen.

(Gregor, Joseph) A complete set of this great publication, issued under the joint auspices of the Austrian National Library and of the Gesellschaft zur Herausgabe der Denkmäler des Theaters. The objective of its promoters was to provide high-class reproductions of some of the most iconic original drawings and engravings in the world-famous collections of theatre-related materials in the Austrian National Library and the Albertina, with accompanying descriptive text by the theatre historian Joseph Gregor. Two of the early volumes are devoted to handsome reproductions of design drawings for costumes, respectively by Lodovico Ottavio Burnacini (1636-1707) and by Antoine Daniel Bertoli (1678-1745), but the intended character of the publication as a whole is established by the second of the volumes, devoted to stage set architecture and providing illustrations of some of the most spectacular drawings and engravings of stage sets produced in the 16th, 17th and 18th centuries. Each of the subsequent volumes provides a feast of visual splendours, and the best that one can do here is to note that Vols IV and VI reproduce two celebrated festival books from particularly handsome hand-coloured copies, that vol.VII is devoted to images of gardens by stage set designers, that vol.VIII provides a remarkable selection of images of Harlequin and Columbine, and that vol.X offers a marvellous range of representations of allegorical subjects. Five hundred and forty-four sets of these volumes were issued in all. Of these, five hundred were issued for general sale (300 in a German-language version, and 200 in an English-language version, this under the title Monumenta Scenica). The remaining forty-four sets, of the German-language version, were issued to members of the governing body of the Gesellschaft zur Herausgabe der Denkmäler des Theaters, and the present set is one of these, issued to the celebrated Austrian musicologist Otto Deutsch (and with Otto Deutsch?s printed name as the recipient on the last page of eleven of the twelve text parts).The substantial size and varying dimensions of the portfolios have told against their survival in complete sets as issued, and this is only the third set known to us that has appeared on the market within the last fifteen years (of the two other sets, one was affected by damp, and the other was purchased at auction by our firm on commission for a client). Large folio and atlas folio. 12 vols, each comprising large mounted plates in publisher?s quarter vellum portfolios of varying sizes, marbled paper boards (some of the portfolios neatly rebacked or repaired), and each with a 16-page octavo text in publisher?s printed wrappers loosely inserted. Vol.I (L.O.Burnacini Maschere) : 20 plates. Vol.II (Szenische Architektur und Architektur-Phantasien) : 22 plates. Vol.III (A.D.Bertoli Desseins) : 32 plates. Vol.IV (Pompe funèbre de S.A.R.Charles III Duc de Lorraine) : 13 plates. Vol.V (Altvlaemisches und altniederlaendisches Theater) : 22 plates. Vol.VI (Cours de Testes et de Bague faites par le Roy en l?année 1662) : 21 plates. Vol.VII (Theater und Garten) : 29 plates (on 23 mounts). Vol.VIII (Groteskkomödie und Stegreifstuck) : 39 plates (on 25 mounts). Vol.IX (Theater des Mittelaltes) : 27 plates (on 20 mounts). Vol.X (Magna Allegoria Mortis Imagines) : 35 plates (on 22 mounts). Vol.XI (Feste des Sonnenkoenigs) : 51 plates (on 23 mounts). Vol.XII (Wiens letzte grosse Theaterzeit) : 44 plates (on 29 mounts). Some minor spotting on mounts of Vol.I, and some of the wrappers of the text parts slightly creased, but the plates are in very good condition throughout.
  • $4,116
  • $4,116