Modern first editions[,] private press books[,] important books in literature and art[,] voyages & travels[.].Maggs Bros., booksellers, London. London, 1929 London: Maggs Bros., 1929. Square 8vo. 70,  pp. Catalogue 524. Original printed wrappers. Covers lightly soiled, front cover chipped at one corner and marked in blue crayon. Top outer corners of pages lightly creased. Overall, very good.
Maggs Bros., booksellers, London. London, 1969 London: Maggs Bros., 1969. Small 8vo. 54 pp.; illus. Catalogue 916. Spring 1969. 182 items. Printed paper wrappers. Just faint soiling on fore-edge of front cover. Very good.
Maggs Bros., booksellers, London. London, 1973 London: Maggs Bros., 1973. Small 8vo. 39 pp.; illus. Catalogue 954. Summer 1973. 163 items. Printed paper wrappers. Just faint soiling near edges of front cover. Very good.
A collection of nine annual reports from the Cincinnati Sanitarium, the Longview Asylum (of Carthage, Ohio), and the State Lunatic Asylum of New York.(Lunatic Asylums). Cincinnati, Albany, Utica, 184648 Cincinnati, Albany, Utica: Various publishers, 1846–48. Itemized below. Topics covered in these reports include the nature and supposed causes of the patients' disorders; details of their diet, clothing, and accommodations; notes on treatments and "mental exercises"; the educational and religious aspects of institutional life; and budgetary, housekeeping, and staffing concerns; they include demographic statistics, rules of patient admittance and duration of stays, and deaths and illnesses suffered on site along with references to laws regarding judicial discretion on insanity, incarceration, and institutionalization. The itemized gathering: Third annual report of the managers of the State Lunatic Asylum. Made to the Legislature, January 23, 1846. Albany, E. Mack, 1846. 8vo (25.2 cm, 9.92"). 61,  pp. Fifth annual report ... January 19, 1848. Albany: Charles Van Benthuysen, 1848. 8vo (23 cm, 9.05"). 76 pp. [and] Sixth annual report ... February 1, 1849. Albany: Weed, Parsons & Co., 1849. 8vo (24.9 cm, 9.8"). 60,  pp. [and] Fourteenth annual report ... January 7, 1857. Albany: C. Van Benthuysen, 1857. 8vo (22.6 cm, 8.89"). 46,  pp. [and] Fifteenth annual report ... February 7, 1858. Albany: C. Van Benthuysen, 1858. 8vo (22.6 cm, 8.89"). Frontis., 61,  pp.; 1 map. [and] Sixteenth annual report ... Jan. 29, 1859. Utica: Curtiss & White, 1859. (22.7 cm, 8.93"). Frontis., 47,  pp. [and] Sixth annual report of the superintendent of the Cincinnati Sanitarium for the year ending November 30th. 1879. Cincinnati: A.H. Pounsford & Co., 1880. 8vo (22.9 cm, 9"). 21,  pp. [and] Twenty-seventh annual report of the board of directors and superintendent of the Longview Asylum, Carthage, Ohio, to the governor of the state of Ohio, for the year 1886. Cincinnati: The Commercial Gazette Job Print., 1886. 8vo (23.3 cm, 9.17"). 43,  pp. [and] Twenty-ninth annual report of the board of directors and superintendent of the Longview Asylum, Carthage, Ohio, to the governor of the state of Ohio, for the year 1888. Cincinnati: The Commercial Gazette Job Print., 1888. 8vo (22.9 cm, 9"). 43,  pp. The 1858 and 1859 New York reports each open with a frontispiece depicting the asylum, engraved by H.B. Hall, and the former also includes a floor plan of the building. The 1879 Cincinnati report includes a tipped-in announcement of the death of Dr. W.S. Chipley, superintendent, which "occurred this morning," and also provides an application form for admittance and an obligation bond for payment. => These reports can be dry; they also, suddenly, can become quite interesting on the anecdotal, human-story level; and either way they embody significant social history. Provenance: Most recently in the library of Robert Sadoff, M.D., sans indicia. Longview: see Sabin 41938. Publisher's printed paper wrappers in light blue, rose, green, tan, brown, and yellow; four pamphlets with edge chips, one with spine and edges sunned. Two pamphlets with some signatures unopened. Fifteenth with offsetting from frontis. to map and title-page; Sixth Cincinnati with light waterstaining to lower outer corners. => These reports are all individually uncommon on the market. If you are interested in them as a category, please enquire as to our other holdings.
Conrad, Joseph; Robert Shore, illus. Avon, CT, 1975 Avon, CT: Printed for the members of The Limited Editions Club, 1975. 4to (29.3 cm, 11.5"). ix, , 212,  pp.; 12 col. plts. The TV personality, intellectual, and sought-after editor Clifton Fadiman introduced this edition of Joseph Conrad's second novel (first published in 1896), a story of isolation and love set in a tropical landscape. The edition was designed by John O.C. McCrillis and printed at The Stinehour Press in Lunenberg, VT, using monotype Bembo on creamy Curtis smooth-antique rag paper. Robert Shore contributed the => 12 full-page color illustrations, reproduced from his acrylic paintings by the Holyoke Lithograph Company. This is numbered copy 538 of 2000 printed and => signed by the artist at the colophon. The appropriate LEC prospectus and newsletter are laid in, in the original envelope. Binding: Bound at the Sendor Bindery in full cream linen printed in an all-over brown and black batik pattern, with the title gilt-stamped on a brown spine label. Bibliography of the Fine Books Published by the Limited Editions Club, 486. Bound as above, in original glassine wrapper and brown paper–covered slipcase with paper spine label; slipcase with spine very slightly sunned, wrapper chipped at spine head and foot, volume with minimal rubbing to extremities only. => A lovely copy, fresh and clean.
Lander, Sarah W. Boston & New York, 1866 & 1867 Boston & New York: Walker, Fuller & Co. and Sheldon & Co., 1866 & 1867. 16mo (17.3 cm, 6.81"). 7 vols. Berlin: Frontis., engr. t-p., 192, [2 (adv.)], 2 (adv.) pp.; 5 plts., illus. Boston: Frontis., engr. t.-p., 202, [6 (adv.)] pp.; 7 plts. Moscow: Frontis., engr. t.-p., 202, [2 (adv.)] pp.; 5 plts., illus. Pekin: Frontis., engr. t.-p., 218, [8 (adv.)] pp.; 4 plts., illus. Rome: Frontis., engr. t.-p., 194 pp.; 4 plts., illus. St. Petersburg: Frontis., engr. t.-p., 203, , [6 adv.)] pp.; 6 plts., illus. Zurich: Frontis., engr. t-p., 205, , [6 (adv.)] pp.; 6 plts., illus. (All frontis. & add. t.-p. incl. in pagination). Seven-volume matched set of early printings of these children's travelogues from the "Spectacles for Young Eyes" series by Sarah West Lander (1810–72), allowing => young travelers to see the culture, the people, and the geographic offerings of cities around the world. In her fictional voyages, Lander conveys travel information through characters who share stories and educate one other on the cities' histories. Many => picturesque wood engravings, both in-text and as plates, illustrate the cities and their traditions. The wood-engraved title-page found in each volume features a pair of glasses, with scenes of adventure and travel shown through the lenses. There were eventually eight cities covered by the series (the original publisher had proposed a total of 13, but in the end added only New York to the volumes listed here), with vols. 1–6 first printed by Walker, Wise, and Co. from 1861 through 1865. Boston is here in its first edition from Sheldon & Co., and the other volumes are all early Walker or Sheldon issues, ranging from second to eighth thousand printings — but all are in => matched bindings with the Sheldon name at the foot of the spine. A contemporary publisher's advertisement describes these as "the most attractive and instructive books for the young ever issued. Each volume describes, in a lively and interesting manner, the sights and sounds of the cities visited, as well as the national life, manners, and customs of the people." Bindings: Publisher's violet-brown cloth, covers with blind-embossed borders, spines with gilt-stamped decorative titles and ivy and spectacle motifs. Provenance: Boston and St. Petersburg (only) each with inked ownership inscription from Joseph King, dated 1869. Sternick, Bibliography of 19th-Century Children's Series Books, 730. All spines evenly sunned with extremities lightly rubbed but not pulled or broken, corners rubbed with some bumped. Boston with upper outer corner of one leaf torn away, taking one letter and just touching another, and with light offsetting to inner portions of two facing pages from something once laid in between them; Pekin with short tear from outer margin of one leaf. Pages gently and evenly age-toned; scattered small spots or areas of foxing or staining (especially to frontispiece guard leaves), overall clean and unmarked. => A decidedly nice, matched set of volumes that are much more frequently encountered individually.
Anarchia Anglicana, or the history of Independency. The second part. Being a continuation of relations and observations historicall and politique upon this present Parliament.Walker, Clement. [London], 1649 [London]: n.p., 1649. 4to (19.4 cm, 7.64"). , 264 pp. (lacking plt.) First edition: Walker decries lawlessness and religious factionalism in his follow-up to The History of Independency, with the Rise, Growth, and Practices of That Powerful and Restless Faction, which had been published in the previous year. A member of Parliament who was expelled in Pride's Purge, Walker (1595–1651) here provides much information of interest on the events surrounding the king's trial and Cromwell's rise — for which he was arrested and charged with treason, dying shortly thereafter in the Tower. Like the first part, this second part appeared under Walker's nom de plume "Theodorus Verax." The title-page was printed in red and black, as are a list of "persons who did actually sit upon Tryall of King Charles the First" and a secondary set of names omitted from the first (here found at the end of the postscript). There were a number of variant printings in the same year; in this copy, there is a colon after "Anglicana" and a period after "XL" in the imprint date. The engraved plate is not present here. ESTC R220959; Wing (2nd ed.) W317A; Goldsmiths'-Kress no. 01139 (for another 1649 ed.). Recent blue, brown, and cream marbled paper–covered boards, spine with gilt-stamped leather title-label; plate and two preliminary leaves lacking. Pages browned, most notably at edges, with intermittent light spotting and staining; waterstaining to lower portions of latter two thirds; final six leaves with small area of insect damage to lower outer corners. Main list of names with early inked annotation at foot noting addition; both lists with inked marks of emphasis. => A solid, very readable copy.
Wright, Caleb, ed. Northampton, M[as]S., [1846?] Northampton, M[as]S.: Pub. by Caleb Wright (stereotyped by John D. Flagg, Andover), [1846?]. 8vo (23.8 cm, 9.37"). Frontis., 415,  pp.; illus., ports. Collection of => almost 200 engraved illustrations with accompanying text descriptions: people, places, natural wonders, and inventions from around the world, including a Venetian palace, the Mississippi River, the Golden Island of China, a Newfoundland dog, Barnum's Oriental Villa, a hot-air balloon ascension, the Philadelphia waterworks, Harvard College, Queen Elizabeth, yellow ants, the London Stock Exchange, Ojibwa Indians, the mosque at Salonica, Jenny Lind, the Hotel de Cluny, an East Indian dancing girl, etc. The plates (which are printed on one side only and included in the pagination) are for the most part full-page illustrations, while some offer two or three vignettes. The title-page notes that this is a stereotype edition; it appears to be => the sole appearance of this work, with no other printing reported by WorldCat — although different publication dates have been assigned, the earliest possible being 1846 based on the presence of the Victoria Fountain (built in that year) and the last date mentioned in the text being 1845. Binding: Publisher's red cloth in imitation of morocco (Krupp Lea3, var. 1), both covers elaborately gilt-stamped with floral and foliate designs around a central urn-shaped motif in a bower with angels; spine with gilt-stamped palm tree and Chinese peasant design. All edges gilt. Provenance: Front pastedown with 19th-century rubber-stamp of J.A. Newhall. Krupp, Making a Case for Cloth, p. 37. Bound as above, with light rubbing only and spine gilt only slightly dimmed; endpapers foxed, and minor foxing to some pages and plates. => A remarkable collection of steel engravings, in an exuberant contemporary binding that STILL GLOWS!
Antique gems from the Greek and Latin. Anacreon: Odes [with] Sappho: Odes, bridal songs, epigrams [and] Virgil: The Bucolics [with] Catullus: Odes to Lesbia and the Nuptial song of Peleus and Thetis.Anacreon, Sappho, & Publius Virgilius Maro; Paul Avril, illus. Philadelphia, 1902 Philadelphia: George Barrie & Son, 1902. 8vo (21.6 cm, 8.5"). 2 vols. Anacreon: , xviii, 201, , xviii, 65,  pp.; col. illus. Virgil: , xxix, , 199, , xxi, , 151,  pp.; col. illus. Connoisseur edition": wide-margined, lavishly bound set of Greek and Latin poems printed for subscribers only, with English translations done by a variety of eminent names, and numerous illustrations by Édouard-Henri Avril (using his pseudonym Paul Avril). The text on each page is framed by a floral or architectural border in French style, printed in blue-green for the former style and bistre for the latter. Present here are four volumes of the "Antique Gems" series bound into two, with this set marked as => numbered copy XI (eleven) of only twelve printed featuring "duplicate impressions of the illustrations, finished with watercolors" — the Greek or Latin and the English versions appearing here on facing pages with the engravings repeated on each side, the classical-side vignettes left unadorned and the English-side versions => hand-painted with remarkable delicacy and precision. In one instance, what would have been the unpainted duplicate has been colored and used as the doublure inlay (see below), and in two other cases hand-colored vignettes appear without any uncolored opposites; all other illustrations are doubled as described above with an apparently extra engraving having been colored to serve on the doublure in one case. Binding: Publisher's dark green morocco framed in double gilt fillets, spines with raised bands, gilt-stamped titles, gilt-stamped motifs in compartments, and => stunning doublures of inlaid violet and teal morocco with ornate gilt tooling. Each inside front cover bears a different small delicately color-printed medallion derived from an engraving associated with a poem, inlaid at center, and the rear inside covers feature similarly sized and placed classical heads of inlaid tan and cream gilt-tooled leather. Patterned silk endpapers; all edges gilt. => A signed binding, with rear doublures stamped "Bound by Barrie. Bound as above, spines evenly sunned to slightly lighter green, minor rubbing to extremities. Doublures virtually pristine, pages clean and crisp. => A simply, gloriously luxurious set, inspired by European elegance but produced by an American firm for American bibliophiles.
The story of Doctor Manente being the tenth and last story from the suppers of A.F. Grazzini called Il Lasca.Lawrence, D.H., trans. Florence, 1929 Florence: G. Orioli, 1929. 8vo (20.1 cm, 7.91"). Frontis., xxiv, 119,  pp.; 2 plts. First edition of the first book of the "Lungarno Series": the tale of a wicked practical joke, originally part of a Boccaccio-esque story collection by Antonio Francesco Grazzini (a.k.a. Il Lasca) and appearing here translated and introduced by novelist D.H. Lawrence. The volume is illustrated with three plates: a frontispiece portrait of Grazzini, a reproduction of a coin depicting Lorenzo de' Medici, and a map of the region surrounding Florence, as well as a rather nice title-page vignette. This is => numbered copy 380 of 1200 printed according to the edition statement, although it is generally accepted that Orioli actually had 2400 copies printed. Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear. Publisher's printed paper–covered boards in original dust jacket; spine and board edges darkened, front board slightly warped, jacket in unusually good condition with only tiny nicks at spine extremities and gentle sunning. Text with areas of a few pages and one plate conspicuously affected by foxing that is almost entirely absent otherwise.
Foster, Myles Birket, & John Absolon, illus. London, 1860 London: Sampson Low, Son, & Co. (pr. by G. Barclay), 1860. 12mo (19 cm, 7.48"). 48 pp.; 16 col. plts. First edition of this collection of poems attributed to "Aunt Mary," M.S.C., and others. Two of the most successful illustrators of the day, Foster and Absolon, supplied eight each of the => 16 chromolithographed plates, many of pastoral scenes. Binding: Publisher's ribbon-embossed green cloth, covers framed in blind, front cover and spine with decorative gilt-stamped title. All edges gilt. Provenance: Gift inscription on front free endpaper dated 1868: "Presented to Master Willie Grosland from his foster sister Isabella Fisher." Most recently in the children's book collection of Albert A. Howard, small booklabel ("AHA") at rear. Opie PP 705; Osborne Collection, pp. 78-79. Binding as above, spine and edges rubbed, front cover with two small scuffs; spine extremities and hinges neatly and unobtrusively refurbished. => Pages age-toned; plates lovely.
Saint-Pierre, Bernardin de; Edward Augustus Kendall, trans. Philadelphia, 1794 Philadelphia: William Spotswood, 1794. 12mo (16.3 cm, 6.41"). Frontis., 79,  pp. (lacking 4 final adv. pp.). First U.S. edition: A gently satirical tale in which an English man of letters, tasked by the Royal Society of London with => traveling the world to discover ultimate truth, arrives in India and is first disappointed by the chief Brahmin but then enlightened by a humble pariah living in the woods. This piece from the author of Paul et Virginie was translated from the original French (La Chaumière indienne, published in 1791) by Edward Augustus Kendall and paired here with Jean-François Marmontel's "Palaemon, a Pastoral Tale." Spotswood also issued the two attached to the longer Paul and Mary, and there is some bibliographic overlap in citations; the signatures commencing here with "I" suggest that this shorter, presumably less expensive volume was produced from sheets printed for the longer three-part collection but, given the completely separate title-page, always intended to be able to stand on its own. The => delightful copperplate frontispiece was engraved by James Smither, a skilled artisan employed by the Continental Congress to produce currency plates — after which, an outspoken Tory, he was charged with counterfeiting and treason, and transported to Nova Scotia before eventually returning to Philadelphia in 1786. Smither's "Pastoral Scene" features a rustically clad couple, he playing pipe while she holds a book of music, with a child frolicking with the sheep at their feet. Provenance: With early inked inscription of Mary Batchelder on rear free endpaper; most recently in the children's book collection of Albert A. Howard, small booklabel ("AHA") at rear. Welch 1139.1 (cf. 1140.1); Evans 27667; ESTC W27590. Contemporary quarter sheep and marbled paper–covered sides; rubbed and scuffed overall, paper cracked at hinges (inside) but sewing holding strongly. Title-page with upper outer corner excised, with loss of most of an early inked inscription by Batchelder; second inscription on back free endpaper. Two leaves of publisher's advertisements (only) not present here. Pages age-toned with occasional spots of foxing; two pages of second story with areas of more pronounced staining (candle wax?). => A solid and pleasing copy of this interesting, uncommon item.
Canones et decreta sacrosancti oecumenici et genelalis Concilii Tridentini. Sub Paulo III, Iulio III, Pio IIII. pont. max.Catholic Church (Council of Trent). Dillingen, 1565 Dillingen: Sebald Mayer, 1565. 8vo (15.8 cm, 6.22"). 274, , 40 ff. The Church responds to the Reformation with this set of decrees from the Council of Trent, a landmark of Catholic history providing important clarification and reform of many of the doctrines contested by Protestants. => The doctrinal statements are accompanied by the Index librorum prohibitorum, a list of banned books and authors. This is the third German appearance and the second, corrected Mayer issue, following his printing of the previous year; the text is nicely printed, with decorative capitals. These Dillingen printings are even less commonly seen than the early Roman editions: a search of WorldCat finds only nine U.S. institutional holdings of this 1565 edition, none west of Chicago. Binding: Contemporary limp vellum with yapp edges, spine with hand-inked title and large shelving case-letter, original ties partially intact and all edges blue. Evidence of Readership: Early inked annotations in Latin, ranging from the simple addition of a date to commentaries of several lines. Provenance: Front free endpaper with one shelving label and one decorative bookplate, both of Dr. Joachim Haas; the ex libris reflecting Haas's status as a lawyer. Adams C2804; VD16 K 2038. Index librorum: VD16 K 180. Bound as above with vellum darkened and dust-soiled; limited areas of insect damage not affecting structure, this also to rear pastedown and endpaper; all points of tie attachment reinforced from inside covers. Bookplates as above; title-page with several early inked inscriptions; annotations as above and occasional small marks of emphasis. Some sections with water- or dampstaining ranging from faint to barely moderate (never worse); one decorative capital "V" partially obscured with a neat ink spot (seemingly deliberately and with slight bleed-through to subsequent leaves); pages generally clean. => A solid, attractive copy of this early German appearance of an important text, in a contemporary binding and with intriguing marginalia.
Byron, George Gordon Byron, Baron; Francis Cyril Rose, illus. New York / Paris,  New York / Paris: Minton, Balch & Co. / Harrison of Paris, . 8vo (27 cm, 10.62"). 236,  pp.; col. illus. Designed by Monroe Wheeler and printed by Ducros & Colas, this limited edition of Byron's melancholy narrative marks => the first book-form appearance of eccentric artist and man-about-town Francis Cyril Rose, who supplied 28 delicately tinted wash drawings printed in collotype by Daniel Jacomet. This is numbered copy 322 of 660 printed. The common "eccentric" and "man-about-town" labels applied to Rose are suitably "period" but also euphemistic or just timid; he was, it is clear from a variety of sources, a "noted homosexual" — as, in fact, was Wheeler. Rose had notably close ties with the Stein/Toklas set. Publisher's rose-colored cloth–covered boards with beveled edges, front cover with black-stamped vignette and spine with black-stamped title, spine sunned and binding otherwise pristine; original slipcase with printed label present although with top and bottom edges gone so that the book resides, effectively, in a portfolio. All guard leaves present; some pages with very faint offsetting from guard leaf edges, otherwise everything clean and crisp.
Millay, Edna St. Vincent. New York & London, 1931 New York & London: Harper & Brothers, 1931. 8vo (21.2 cm, 8.34"). x, , 52 pp. First edition, stated second printing (with publisher code "C-F" on copyright page): a cycle of 52 sonnets tracing a passionate but doomed affair. Quarter black cloth with dusky purple paper–covered boards, spine with printed paper label; dust jacket lacking, paper edges slightly sunned, spine label darkened and with small edge chip. Pages gently age-toned, otherwise fresh. A clean, solid copy.
Houx-Marc, Eugène. Paris,  Paris: Ame?de?e Be?delet, . 16mo (15.8 cm, 6.22"). 48 pp.; 14 col. plts. Scarce children's book from the "Bibliothèque du premier age" series: a "traduction libre et imitation de l'anglais" of the time-honored tale of a cumulative set of obstacles that must each be dealt with in turn in order to get the old woman and her pig safely home. This is the first French appearance of this prose reworking of John Harris's second English edition, both => enlarged and featuring 14 hand-colored plates based on the Harris woodcuts. A search of WorldCat finds => no institutional locations outside of France. Provenance: From the children's book collection of Albert A. Howard, small booklabel ("AHA") at rear. Opie T 548. Publisher's color-printed paper–covered boards; spine and board edges darkened, spine paper chipped, front cover detached, back hinge tender. Offsetting to endpapers. => A pretty book, internally clean and with plates in crisp, fresh condition.
(Botanical Medicine). Malden, Mass., [ca. 19001910] Malden, Mass.: S.W. Gould & Bros., & three other companies, [ca. 1900–1910]. 9 boxes of various sizes (largest 7 x 7 x 3.8 cm; 2.75 x 2.75 x 1.5"). A curious and appealing gathering of early-20th-century household survivors: Eight commercially sold individual packets of dried chestnut leaves, horsemint, mullein, peppermint, Queen of the Meadow (Eupatorium purpureum, i.e. Joe Pye weed), tansy, thyme, and yarrow — primarily intended for medical use but potentially for culinary purposes as well and all unopened — along with a full box of ammonia inhalants (a.k.a. “smelling salts”) advertising additions of lemon, lavender, and nutmeg oils (plus alcohol, 38%). Several of the packets list the ailments for which they might be beneficial: for instance, tansy's properties are "Tonic, Emmenagogue, Anthelmintic, used in Amenorrhea, Hysteria, and for the expulsion of worms"; some also give the dose and means of administration ("a wine-glassful" of an infusion of one ounce to the pint of hot water for the tansy). These items showcase advertisements, design, and packaging from four different drug companies of the period. Six packages come from S.W. Gould & Brothers of Malden, MA; they are offered in similarly designed, differently colored wrappers displaying the contents’ medicinal names, common names, and curative properties, along with the blazoned promise of their being "Always Fresh and Reliable." The horsemint was sold by Allaire, Woodward, & Co. of Peoria, IL, and the "Initial Line" chestnut leaves, “loose pressed,” were sent forth from S.B. Penick & Co. Crude Drugs, based in NYC, Asheville, Chicago, and Jersey City. (Penick & Co. claimed to be the first producer of hermetically sealed botanical drugs of uniform medicinal strength "untouched by human hands"; see The Pharmaceutical Era, vol. 49, p. 132). The Mine Safety Appliances Co., which is still in business, supplied the package of ten ammonia inhalants, with the directions for use on the back of the box offering advice by way of => two illustrations. The era represented here is remembered as a great one for “patent medicines,” being typically manufactured compounds touting their variously scientific, exotic, or modern “secret” formulas; but these productions represent and serve a counter-thread in popular medical self- and family care — a desire and a market for => natural, pure, familiar, and even “traditional” curatives. Gould herbs with printed paper wrappers and others in printed boxes, all but two later wrapped in plastic to better contain the contents, with some starting to unfold; some wrappers faded and rubbed but all generally intact. PLEASE NOTE THAT THESE ARE HISTORICAL ARTIFACTS NOT INTENDED FOR CONSUMPTION, although the herbs still bear a pleasant scent! => A multipurpose educational gathering of items more commonly found individually as loners.
Abbott à Beckett, Gilbert; John Leech, illus. London, [between 1872 & 1887] London: Bradbury, Agnew, & Co., [between 1872 & 1887]. 8vo (22 cm, 8.66"). Engr. t.-p., [v]–xii, 308 pp.; 10 col. plts. Sequel to the Comic History of England: An amusingly interpreted — but, broadly speaking, generally accurate — history of Rome from its founding through the fall of Caesar. Written by one of the original staff members of Punch and originally issued serially in parts, the work first appeared in book form in 1852; our suggested publication date is based on the name and address given for the firm. John Leech supplied the illustrations, including => 10 hand-colored plates as well as numerous in-text steel engravings and woodcuts. Leech's designs feature historic figures with a delightful contemporary spin, including Romans wearing top hats and greatcoats, dancing ballroom waltzes, and checking pocket watches, with the clever visual allusions and the tone of the text combining to suggest => trenchant commentary on Victorian society and mores. Binding: Contemporary half red morocco and marbled paper–covered sides, spine with gilt-stamped leather title-label and gilt-tooled compartment decorations. Marbled endpapers AND marbled edges, to match sides! Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear. NCBEL, III, 1143. Bound as above, moderate overall rubbing with scuffing to paper, spine darkened. Pages with light age-toning and intermittent scatterings of faint to moderate foxing. => A nice copy, with plates more brightly tinted than sometimes seen.
(Theatrical Souvenir: "Now I Lay Me Down to Sleep"). [New York], 1950 [New York], 1950. 8vo (25 cm, 9.84"). [5 ff. used (of approx. 100)].. Unique Broadway memento: a celebratory autograph book/friendship volume => presented by Fredric March to his wife Florence Eldridge on the occasion of the opening night of their play "Now I Lay Me Down to Sleep." The production was adapted by Elaine Ryan from a novel by Ludwig Bemelmans (best known for his beloved children's books about Madeline) and directed by Hume Cronyn. Clifford Odets was an enthusiastic fan ("one of the best entertainments I've seen in years"), as was Eleanor Roosevelt, who wrote in her diary: "Last evening Miss Thompson and I had the pleasure of dining and going to a play with Henry Morgenthau Jr. and his family. At my request we went to see 'Now I Lay Me Down To Sleep,' with Fredric March and Florence Eldridge. I enjoyed the evening very much . . . The play was fantastic and amusing in spots and serious in others." March and Eldridge starred as General Leonidas Erosa and governess Leonora Graves, and => March inscribed this volume to "my Leonora" from "Leonidas" (though the Oscar and Tony winner did also provide his own real signature on the next leaf). Among the other signers were Barbara Bemelmans (Ludwig's daughter), actor-playwright Elliott Nugent, George Nichols III (the show's producer), actress Betty Wharton and her husband the theatre lawyer John F. Wharton, socialite Pamela T. Colin (later Lady Pamela Harlech), New York Times correspondent Delbert Clark (who signed himself "a new friend, perhaps, but nonetheless true"), actress-author Cornelia Otis Skinner, publisher George Macy (who left a charming bit of doggerel), cast member Charlie Chaplin Jr., and many other famous names. Binding: Green morocco with unusual partly bevelled edges, front cover framed and panelled in blind and gilt with central blind-stamped diamond medallion in enclosing gilt-stamped decorations; spine with gilt-tooled raised bands, turn-ins with gilt roll, green marbled endpapers and all edges deckle. Binding stamped by London Harness Company, marked "made in Italy. Bound as above, sunned to varying degrees, leather split at front joint with spine leather lifting from spine, sides scuffed, edges and extremities rubbed. => While only a few leaves of this remarkable volume have been used, what is here is a treasure trove of theatrical association.
Der erneuwerte Teutsche Florus Eberhard Wassenbergs. Mit Animadversionen, Additionen und Correctionen deren in vorigen eingeruckten ungleichen Historien widerum in vilen durch-auss verbessert der Wahrheit restituirt, und bis Anno 1647 continuirt.Wassenberg, Eberhard. Amsterdam, 1647 Amsterdam: Ludwig Elzevier, 1647. 16mo (14 cm, 5.5"). Engr. t.-p., , 729, [3 (index)] pp. (pp. 525/26 lacking); illus. Uncommon Elzevier edition of a bestselling early 17th–century account of contemporary political and military events, later mined extensively by von Grimmelshausen for his novels. The work was originally published in Latin in 1635 (39?) as Florus Germanicus; this is => the first Elzevir printing, expanded and corrected from the first German edition of 1643. The text is printed in minute black letter and => illustrated with over 60 full-page engraved portraits (this copy lacking the portrait of Louis de Bourbon). Evidence of Readership: Front fly-leaf with two sets of annotations in different early inked hands. Title-page with small, neatly inked capital S between vignette and publication line; title-page verso with small, interestingly scripted initials dated 1822. Provenance: With laid-in printed label preserved from original pastedown, reading "Lipsiae ex Joh. Gottl. Imman. Breitkopfii Bibliotheca" (Johann Gottlob Immanuel Breitkopf, 1719–1794, a music printer and publisher known for his self-named fraktur font). Faber du Faur 1190; Graesse, VI, 423; Willems 1055 (see also "Remarques," 309); VD17 23:242001R. Later marbled paper–covered boards, spine with gilt-stamped leather title and publication labels; minimal rubbing to corners, otherwise unworn. Title-page with markings as above, and with signs of now-effaced inscription at foot of verso. One leaf separated; pp. 525/26 (with portrait of Louis de Bourbon) lacking. Intermittent small spots of foxing and staining; lower outer corners (only) of some sections lightly waterstained; last few leaves with small area of worming to outer edges not reaching text or even sidenotes. => A nice little book!