Dalziel, George and Edward
. Edward Dalziel (1817-1905), George Dalziel (1815-1902).Compilation of the works of several contemporary book writers and illustrators richly illustrated. 4to. xiii + 369pp. TEG. A presentation copy signed and dedicated to William F. Dalziel from George and Edward Dalziel in pen on title page. Bound in full green morocco with gold title on the spine. Illustrated throughout by Sir J.E. Millais, Sir. E. J. Poynter, Holman Hunt, Dante G. Rossetti, Sir John Tenniel, Sir E. Burne-Jones, John Ruskin, Arthur Hughes, Birket Foster, and many others Edward Dalziel (1817-1905), George Dalziel (1815-1902 )Library of Congress NE1217.D3 A3 Bound in full green morocco with gold title on the spine.
RICKETTS, CHARLES (1866-1931)
London, Elkin Mathews and John Lane, at the Sign of the the Bodley Head, 1893 Clark p 38. Edition of 600 Including:Title page, POEMS: DRAMATIC AND LYRICAL, BY LORD DE TABLEY, printed in red and black type, margins: 85 x 13cm:; The Honorable JB Leicester Warren, 3 1/4 cx 3 1/2; Nimrod, 3 13/16 x 3, margins 85cm x 13cm ; The Knight in the Wood, 3 x 3, margins 85 x 13cm ; The Two Old Kings, 3 x 3 ; The Defeat of Glory, 3 þ x 3 ý, margins 85cm x 12cm Ref: Charles Ricketts, Subtle and fantastic decorator Stephen Calloway Forword by Kenneth Clark, Thames Hudson All in good to fine condition.
CLEMENTE, FRANCESCO
Folio. Anthony D'Offay Gallery, .[ff. 48]. white, beige, yellow, peach, blue. pink, red, orange, green, & cream-coloured hand-made papers from the Sri Aurobindo Ashram in Pondicherry. 85 tipped-in colour plates. endpapers & inside pages designed by Ettore Sottsass. Original half cloth, Sides covered with embossed copper. In publisher's cardboard box. First Edition, Limited to 1,000 copies, signed by the artist. The eighty-five pastels reproduced here were drawn in the spring of 1980, in Pondicherry on the eastern coast of India. Printed at the Kalakshetra Press, under the direction of C.T. Nachiappan.
George Barbier (1882âÂÂ"1932), Pierre Brissaud (1885-1964)
Barbier: La Fontaine de Coquillages, Robe de Soir de Paquin. G.d.B.T. #3, March, pl. 27. L'Etourdissant Petit Poisson, Robe d'àtà, G.d.B.T. #5 May, pl.44.Brissaud: Ta Maman va Bien? Tailler du Matin et Robe de filete de Jeanne Lanvin. G.d.B.T. #4 April, pl. 37.Sais-Tu Ta Leçon? Costumes Tailler de Fantasie de Jeanne Lanvin. Gd.B.T. #5 May, pl. 40.A published in G.d.B.T. Gazette du Bon Ton, 1914
Felixmuller, Conrad (1897-1977)
1917 Sohn 118 Woodcut, on Japan paper Signed and numbered "24" in pencil of 100 h: 118 x w: 118 in. h: 30 x w: 30cm In very good condition.GEBÃÂRT (BIRTH). 1917. Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100. h: 11.8 x w: 11.8 in / h: 30 x w: 30 cm. RARE. In very good condition.Friedrich W. Heckmanns, Conrad Felixmüller: Das druckgraphische Werk 1912 bis 1976 (Düsseldorf: Kunstmuseum Düsseldorf, 1986); Gerhart Sohn, Conrad Felixmüller: Das Graphische Werk 1912-1974 and 1975-1977. 2 vol. (Düsseldorf: GS Editions, 1987); Heinz Spielmann, Conrad Felixmüller: Monographie und Werkverzeichnis der Gemalde (Cologne: Wienand, 1996)Printmaker, painter. The youngest of a second generation of Expressionists who emerged in Dresden in the wake of the Brücke artists. By age eighteen, was working as an independent artist and had taught himself the various printmaking techniques. In 1915 began making regular visits to Berlin, where he shared a studio with Ludwig Meidner, frequented Expressionist soiràes, and, in 1916, exhibited at the Galerie Der Sturm.In 1917âÂÂ"18 worked as a medical orderly; war, and friendship with socialist publisher Franz Pfemfert, fostered increasingly radical political stance. From 1917 to 1923 published many drawings and woodcuts in Pfemfert's journal, Die Aktion, as well as other leftist Expressionist periodicals
