Semen Kirsanov, S.B. Telingater design, photomontages
Octavo 20x14cm., original decorated cloth, 176pp., 10000 copies. Book design with 8 double-sided photgravures by Solomon Telingater. "The Five-Year Plan" is a major poem. The author Semen Kirsanov (1906-1972) established the Southern Association of Futurists as a teenage poet, and apprenticed under Mayakovsky and Aseev. He was a strong promoter and member of LEF, and felt that he had inherited Mayakovsky's torch after the latter's death in 1930. At that time Mayakovsky had sketched a beginning to the plan and Kirsanov felt the urgency to complete it for him in a paeon to the vision of Lenin and Stalin and the forthcoming triumph of their aims. He collaborated with the design wizard S.B. Telingater (1903-69) here, who provides a stunning example of Constructivist book design, with photomontages and typography living up to the aspirations of the poem. OCLC locates seven North American holdings. Getty 331. Provenance: S. Polivanskii, N.A. Drachev, with their bookplates and stamps. Near fine with slight edgewear.
V. Babushkin
Octavo 19.5x14 cm., decorated boards, 127pp. Two-color photomontage cover by N. Pinus (Natalia Sergeevna Bukharova, 1901-1980). Pinus studied at VKhUTEMAS-VKhUTEIN and was a member of the Artists Union of the USSR. She is best known for her powerful agit-prop posters. She devoted her later life to painting. Along with Valentina Kulagina, she was among the top of the Soviet women photomontage artists of her generation. Viktor Babushkin (1894-1958) was a Soviet editor, author and journalist from Saratov. After a varied background he participated in the First Congress of Soviet writers, headed various newspapers and magazines, and flourished until he was expelled from the party as a double-dealer and participant in the Sapronov leftist opposition, was tried and sentenced for three years in the gulag. Prohibited from writing, he distinguished himself as a mechanic during WWII and received numerous honors. He was finally reinstated in the party and the Writers' Union in 1954. OCLC locates copies at LOC, Columbia.
S. Marshak, D. Mitrokhin illus.
Square octavo 22.5x19 cm., wrappers, (10) pp. A slovenly boy severely abuses the books in his household, leaving missing covers, torn pages, and other damage in such classics as The Brothers Grimm, Don Quixote, and Robinson Crusoe, among others. The books decide to escape, and flee en masse to the public library where they are greeted by a strong, stern, library catalog. They are repaired and put to bed to convalesce. When the boy discovers that all of his books are missing, he goes to the library to inquire about borrowing. The books recognize the boy, alert the library catalog, and - as the final illustration implies - fly off the shelves to chase or attack him. Author Samuil Marshak (1887-1964) was one of the great children's story tellers of the 20th century, authoring some of the most significant works for children in the Soviet era. Dmitry Mitrokhin (1883-1973) was a major graphic artist. He illustrated this 4th edition in a wonderful collaboration.
Nikolai Sedelnikov and V. Ignatovich. Quarto 26.5x18 cm., wrappers, 112pp., with 26.5x17 cm. foldout. Cover and book design by The book addresses the work done to develop the Lenin District of Moscow, its communal economy, cultural objectives, etc. The Leninsky District was an administrative unit that existed from 1930 to 1991. Nikolai Sedelnikov (1904-1995) was a highly talented graphic designer and illustrator who excelled in photocollage. Includes Constructivist design work by Iofan, Kucherov, Vlasov, photo-portraits. Rare, with no worldcat holdings. A near fine copy. 2700
Octavo 18x13 cm., wrappers, 228 (5) pp. Erenburg wrote this set of satirical stories using one of the pipes from his collection. Cover design by Liubov' Kozintsova or Kozintseva (1898-1978) wife of Erenburg. She studied under Aleksandra Ekster, Robert Falk and Rodchenko and exhibited in Berlin, participating in the 1st Russian art exhibition, in Der Sturm Gallery and the left wing of the joint exhibition of the Berlin Union artists and Union of German Architects, collaborated in the journal Veshch-Objet-Gegenstand, exhibited constructivist graphics in Hanover, Prague, Brno and Antwerp, and from 1924 in Paris with the Autumn Salon. She illustrated several books of her husband and on returning to the USSR in 1940 and ceased exhibiting. The present work is the second edition and differs from her cover design in 1923 with a more complex composition. The book was widely translated and received fine cover designs by Heartfield, Zarnower, Strakhov. OCLC finds 3 holdings for the 1924 edition (Columbia, Amherst, UBC).
Octavo 22x17.5 cm., original wrappers, 111, 112 pp. Nos. 1-2 (all published). Illustrated with drawings by Kuznetsov, Lopukhin, and with photographs. Contributors include A. Tairov, K. Bal'mont, Shpet, Toporkov, inter alia. OCLC locates six North American institutional holdings. No.1 has light stains on first two pages, No. 2 fine.