Nineteenth century art and architecture. The library of James O?Byrne. - Rare Book Insider
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(O?Byrne, James)

Nineteenth century art and architecture. The library of James O?Byrne.

London, Christie 22 July 1987.: 1987
  • $58
The extensive library of books on architecture and related topics put together by James O?Byrne (1835-1897), a Liverpool-based architect who had come under the influence of John Ruskin (his very extensive collection of titles by Ruskin is lot 186 in the sale). 4to. 56 + (8)pp. Recent cloth. Priced and annotated in ink.
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Domestic architecture : containing a history of the science, and the principles of designing public edifices, private dwelling-houses, country mansions and suburban villas . also, some observations on rural residences, their characteristic situation and scenery (etc).

A substantial volume which provided its readers with a wide selection of alternative designs for houses and villas, in styles ranging from Egyptian and Pompeian to Tudor and Anglo-Italian. It reflects the eclecticism of the period rather better than other architectural publications of the time, and its extensive text is revealing about the philosophy and objectives of English domestic architecture in the 1840s, not least in that Brown, like the generality of architects specialising in this type of building at this date, was not much interested in designing in the Gothic Revival style. Although Brown had some sort of architectural practice, his career commencing with a design exhibited at the Royal Academy as far back as 1804, his main claim to fame is his authorship of this book ; he also taught architectural drawing, and he was interested in landscape gardening, to which he devotes the last part of the book. 4to. xii (including engraved portrait frontispiece) + 342pp, 63 engraved plates, (4)pp publisher?s adverts. Publisher?s gilt-stamped cloth, neatly rebacked. An old stain at the blank lower margin of the portrait frontispiece, but otherwise a good copy, in better than usual condition for this title. George Atkinson?s copy.
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(Catalogues Jan 1970 – Sep 2001)

A virtually complete set of the printed catalogues issued over a thirty year period by the antiquarian bookseller Paul Breman (1931-2008). Breman, having previously worked as a cataloguer for E.P.Goldschmidt and for Ben Weinreb, had then gone into partnership with Weinreb for a brief period, but was able to launch his own firm in 1970 with his share of the proceeds of the sale of much of the Weinreb and Breman stock to the University of Texas. His principal speciality as a bookseller was in sixteenth-eighteenth century books on architecture, art, perspective and fortification published on the European continent, but he was also interested in avant garde books of the twentieth century and in black literature (of which he made a pioneer collection), and his catalogue notes on all these subjects were well-informed and incisively expressed.His published catalogues fell into three series, separately numbered and in distinct formats. The numbering of Catalogues 1-44, issued between January 1970 and February 1994, and of Catalogues 144- 172, issued between February 1989 and September 2001, is straightforward, but the numbering of a third series of his catalogues, issued between 1979 and 1988, is perplexing and was doubtless intended by Breman to tease his customers and fellow members of the book trade. The basic explanation for the numbering sequence of this series is that Catalogue 179 was the first (and last) catalogue in this format issued in the year 1979, just as the final catalogue in the series, Catalogue 188, was the first (and last) catalogue in this format issued in 1988, while Catalogue 381 was the third catalogue in this format issued in 1981, but for some unaccountable reason Catalogue 280, which ought on this basis to have been the second catalogue issued in 1980, was actually issued in November 1981 and should really have been numbered 281.The varying formats and complex numbering of Breman?s catalogues have militated against the survival of complete sets of them, and this is probably the completest set currently available outside institutional collections. 8vo. (90) (ex 92 ?) catalogues, comprising : (a) Catalogues 1-48, slim upright format, issued between Jan 1970 and Feb 1994 (complete for period); (b) Catalogues 179, 180, 181, 280, 381, 183, 283, 184, 186, 286, 187, 287, 188, upright format, issued in this sequence between 1979 and 1988 (complete for period); (c) Catalogues 144-172 (lacking 162 (Posters of the Weimar Republic) and 169 (Food and Drink)), all in oblong format except for 161 and 172 which are in upright format, issued between Feb 1989 and Sep 2001. All the catalogues are in original wrappers and are contained in two drop-back cloth boxes. An accompanying leaflet advertises Catalogues 173-5, not issued in printed form but made available by Breman on the internet.
book (2)

(Catalogues)

These catalogues, issued by Paul Grinke respectively in the 1970s and between 2006 and 2011, represent the entirety of his catalogue output as a London-based bookseller before and after his years as a bookseller in Suffolk and Norfolk and the subsequent period in which he headed the art and architecture department at the Quaritch firm. The catalogues issued by him in the 1970s - regrettably for posterity printed without dates of publication - offer an astonishingly impressive range of English eighteenth century literature and other eighteenth-century books on art, architecture and antiquarian topics generally. Also of particular note are Catalogues 7 and 10, respectively offering seventeenth century and eighteenth century books from the libraries of the antiquaries Philip Morant and Thomas Astle. Oblong 8vo and 8vo. Catalogues 1-16 (First Series, complete) and 1-4 (New Series, complete). Original printed wrappers, preserved in drop-back box. These are offered together with Paul Grinke, Supplementary List, London, Spring 1976, stapled as issued; Paul Grinke, A Catalogue of a Collection of Books and Manuscripts relating to the county of Suffolk, Eye, 1984, original printed wrappers ; Paul Grinke and Paul Breman, Russian Art and Architecture, London, nd, stapled as issued; Grinke & Rodgers, Catalogue 1, Books on Art and Architecture,1700-1850, 1969, original printed wrappers; and 5 lists of books issued by Paul Grinke 2006-2016, stapled at upper right-hand corner
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Rural architecture : [First] (Second) series of designs for rustic, peasants?, and ornamental cottages, lodges, and villas, in various styles of architecture . second edition, with considerable additions (bound with) Cottage architecture; being a supplement to the First (Second) Series of Goodwin?s Rural architecture, lately published.

Goodwin, Francis A reissue under the new title Rural Architecture of the author?s Domestic Architecture, published in two volumes in 1833-4, with added designs at the end of each volume, in both cases prefixed by a Cottage Architecture title leaf. Francis Goodwin (1784-1835) had built up a significant architectural practice in the West Midlands, Lancashire and the West Riding of Yorkshire, specialising in churches and municipal public buildings, but his finances were shaky and by the early 1830s he was seeking commissions to design houses, gate lodges and cottages. The present volumes are designed to show off his abilities in this field, which they do very effectively, and feature buildings of this nature that he had very recently designed for a number of Irish Protestant landowners, and also a gate lodge which he had designed for E.J.Littleton (afterwards Lord Hatherton) at Teddesley Hall, Staffordshire. Goodwin was a skilful self-publicist and the second volume contains an introduction, apparently written for Goodwin by the architectural critic W.H.Leeds, in which there is a glowing write-up of Goodwin?s executed design for Manchester Town Hall. Sadly, Goodwin?s architectural career was brought to an abrupt halt by his sudden death on 30 August 1835, but the volumes were sufficiently impressive that new editions of them were issued in 1843 and 1850. The complicated bibliographical history of these volumes is set out by the compilers of the British Architectural Library catalogue (their no.1247). It is necessary to explain that in the present catalogue description the word {First] has been placed within square brackets because the publishers have in this copy inadvertently used the Second Series title leaf for both volumes, as in the Avery Library copy noted in the BAL Catalogue. It should also be recorded that the plates of both volumes are printed in black and white, whereas in some copies the plates of vol.I are printed in sepia. 4to. 2 vols. Engraved frontispiece, (6) (ex viii, no half-title leaf) + (28)pp, (41) engraved plates (numbered 1-40 with two plates numbered 40), followed by (Cottage Architecture) 4+ 4pp, 9 engraved plates; engraved frontispiece, (14) (ex xvi, no half-title leaf) + (54)pp, (41) engraved plates (numbered 1-39 and 41, with two plates numbered 38), followed by (Cottage Architecture) 4 + 4 + (6)pp (last group of pages numbered 71-75 + (1 blank)), 7 engraved plates. Publisher?s cloth, first volume neatly recased. Contemporary ink ownership inscriptions of John Worlledge, Ingham, Suffolk. Early twentieth century bookplates of George Vernon. Some offsetting from plates on facing leaves, and also some browning and spotting, chiefly in outer margins. George Atkinson?s copy.
  • $510
book (2)

Domestic architecture : containing a history of the science, and the principles of designing public edifices, private dwelling-houses, country mansions and suburban villas . also, some observations on rural residences, their characteristic situation and scenery (etc).

Brown, Richard A substantial volume which provided its readers with a wide selection of alternative designs for houses and villas, in styles ranging from Egyptian and Pompeian to Tudor and Anglo-Italian. It reflects the eclecticism of the period rather better than other architectural publications of the time, and its extensive text is revealing about the philosophy and objectives of English domestic architecture in the 1840s, not least in that Brown, like the generality of architects specialising in this type of building at this date, was not much interested in designing in the Gothic Revival style. Although Brown had some sort of architectural practice, his career commencing with a design exhibited at the Royal Academy as far back as 1804, his main claim to fame is his authorship of this book ; he also taught architectural drawing, and he was interested in landscape gardening, to which he devotes the last part of the book. 4to. xii (including engraved portrait frontispiece) + 342pp, 63 engraved plates, (4)pp publisher?s adverts. Publisher?s gilt-stamped cloth, neatly rebacked. An old stain at the blank lower margin of the portrait frontispiece, but otherwise a good copy, in better than usual condition for this title. George Atkinson?s copy.
  • $619
book (2)

(Catalogues Jan 1970 – Sep 2001)

Paul Breman Ltd A virtually complete set of the printed catalogues issued over a thirty year period by the antiquarian bookseller Paul Breman (1931-2008). Breman, having previously worked as a cataloguer for E.P.Goldschmidt and for Ben Weinreb, had then gone into partnership with Weinreb for a brief period, but was able to launch his own firm in 1970 with his share of the proceeds of the sale of much of the Weinreb and Breman stock to the University of Texas. His principal speciality as a bookseller was in sixteenth-eighteenth century books on architecture, art, perspective and fortification published on the European continent, but he was also interested in avant garde books of the twentieth century and in black literature (of which he made a pioneer collection), and his catalogue notes on all these subjects were well-informed and incisively expressed.His published catalogues fell into three series, separately numbered and in distinct formats. The numbering of Catalogues 1-44, issued between January 1970 and February 1994, and of Catalogues 144- 172, issued between February 1989 and September 2001, is straightforward, but the numbering of a third series of his catalogues, issued between 1979 and 1988, is perplexing and was doubtless intended by Breman to tease his customers and fellow members of the book trade. The basic explanation for the numbering sequence of this series is that Catalogue 179 was the first (and last) catalogue in this format issued in the year 1979, just as the final catalogue in the series, Catalogue 188, was the first (and last) catalogue in this format issued in 1988, while Catalogue 381 was the third catalogue in this format issued in 1981, but for some unaccountable reason Catalogue 280, which ought on this basis to have been the second catalogue issued in 1980, was actually issued in November 1981 and should really have been numbered 281.The varying formats and complex numbering of Breman?s catalogues have militated against the survival of complete sets of them, and this is probably the completest set currently available outside institutional collections. 8vo. (90) (ex 92 ?) catalogues, comprising : (a) Catalogues 1-48, slim upright format, issued between Jan 1970 and Feb 1994 (complete for period); (b) Catalogues 179, 180, 181, 280, 381, 183, 283, 184, 186, 286, 187, 287, 188, upright format, issued in this sequence between 1979 and 1988 (complete for period); (c) Catalogues 144-172 (lacking 162 (Posters of the Weimar Republic) and 169 (Food and Drink)), all in oblong format except for 161 and 172 which are in upright format, issued between Feb 1989 and Sep 2001. All the catalogues are in original wrappers and are contained in two drop-back cloth boxes. An accompanying leaflet advertises Catalogues 173-5, not issued in printed form but made available by Breman on the internet.
  • $1,096
  • $1,096
book (2)

(Catalogues)

Grinke, Paul (bookseller) These catalogues, issued by Paul Grinke respectively in the 1970s and between 2006 and 2011, represent the entirety of his catalogue output as a London-based bookseller before and after his years as a bookseller in Suffolk and Norfolk and the subsequent period in which he headed the art and architecture department at the Quaritch firm. The catalogues issued by him in the 1970s - regrettably for posterity printed without dates of publication - offer an astonishingly impressive range of English eighteenth century literature and other eighteenth-century books on art, architecture and antiquarian topics generally. Also of particular note are Catalogues 7 and 10, respectively offering seventeenth century and eighteenth century books from the libraries of the antiquaries Philip Morant and Thomas Astle. Oblong 8vo and 8vo. Catalogues 1-16 (First Series, complete) and 1-4 (New Series, complete). Original printed wrappers, preserved in drop-back box. These are offered together with Paul Grinke, Supplementary List, London, Spring 1976, stapled as issued; Paul Grinke, A Catalogue of a Collection of Books and Manuscripts relating to the county of Suffolk, Eye, 1984, original printed wrappers ; Paul Grinke and Paul Breman, Russian Art and Architecture, London, nd, stapled as issued; Grinke & Rodgers, Catalogue 1, Books on Art and Architecture,1700-1850, 1969, original printed wrappers; and 5 lists of books issued by Paul Grinke 2006-2016, stapled at upper right-hand corner
  • $510