Town and Country Planning 1943-1951 Progress Planning to Parliament by Command of His Majesty April 1951. report by the minister of local government and planning on the work of the ministry of town and country planning. Presented by the Minister of Local Government and - Rare Book Insider
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Town and Country Planning 1943-1951 Progress Planning to Parliament by Command of His Majesty April 1951. report by the minister of local government and planning on the work of the ministry of town and country planning. Presented by the Minister of Local Government and

London, HMSO, 1953.: 1953
  • $32
Tall 8vo. vii + (1) + 215pp. With 2 folding plates. Publisher’s printed wrappers. A summary of five major Acts published between 1943 & 1949 & their progress regarding restoration after war damage, & planned developments, notably New Towns (Harlow, Welwyn, Stevenage, Crawley, Hatfield, Basildon, Bracknell, Hemel Hempstead), the preservation of historic buildings, and the establishment and planting of National Parks. The three parts and 11 Appendices outline the practical works accomplished around the country, listing the reports for individual areas, naming their many eminent planners including such as Geoffrey Jellicoe, Patrick Abercrombie, Stanley Adshead. Thomas Sharp. The preface is by the Minister who oversaw the government department, Hugh Dalton (1887-1962).
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Gradostroitel’stvo (Urban Planning).

Bunin, A.V., L. Ilyin, N.Ch. Poliakov, V.A. Shkvarikov. 4to. 326 + (2)pp. Chapter headings decorated with ornamental capital & linear key pattern in rust brown. With coloured lithograph frontispiece & 367 illustrations in text from plans, photographs, engravings & diagrams, several full-page or half-page, 5 folding. Contemporary publisher’s cloth, gilt title on cover, & within red base on spine, small photographic view of Moscow pasted on front cover, spine & corners a little worn. A history of town planning in respect of possibilities for Moscow. Extensively illustrated, showing classical forms of architecture from Egypt, Greece, Rome, Europe, England & the USA. Specific features are enlarged for commentary, and there is a bibliography in 14 sections (5pp) of relevant publications including works on Indian architecture. The architects who compiled the work during the Stalinist era (Andrei Bunin 1905-77, Lev Ilyin 1880-1942, Nicolai Polyakov 1898-1969, Vacheslav Shkvarikov, 1908-71) were members of the Architectural Academy. In good condition, binding a little worn at spine, & corners, unobtrusive stamp below title, ‘printed in Soviet Union’, & at end, stamp of Buenos Aires bookshop. The volume was owned by the eminent Argentinian architect & town planner, Carlos della Paolera (1890-1960) and has a few neat pencil notes. He lived in Paris during the early part of the 20th century, travelled widely & built an extensive working library.
  • $491
Handbook on breeding

Handbook on breeding, training, nomenclature and colours of horses remarkable for its exceptionally life-like illustrations of the typical movements, behavioural patterns and anatomical detail of 63 animals in a series of 34 lively hand-coloured woodblocks

Hirasawa, Kyokuzan. Kayo Hiso (on training horses) Hirasawa, Kyokuzan. Kayo Hiso (on training horsesHandbook on breeding, training, nomenclature and colours of horses.Koto (Edo) Suhara Mohe shi, Kansei Gannen [1789]. 3 vols in large 8vo (267 x 183mm). I: Title inside front cover + 46 pages within meander patterned ornamental border including a 2nd title, [26] pages of calligraphic text & 19 full-page hand-coloured woodblock illustrations; II: [64] pages within meander patterned ornamental border including title, 44 pages of calligraphic text & 15 full-page hand-coloured woodblock illustrations of horses; III: Supplement entitled Draft : 32 pages of calligraphic text within line border. Publisher s paper boards decorated in blind with title slips pasted on upper covers; stitched & folded in Japanese style. Preserved in modern cloth folder. Influential treatise on the breeding, training, nomenclature and colours of horses remarkable for its exceptionally life-like illustrations of the typical movements, behavioural patterns and anatomical detail of 63 animals in a series of 34 lively hand-coloured woodblocks by Sekine Shinbukoku after designs by the artist Fuyo-gi Suzuki (c1749-1816). 12 full-page images represent individual horses, 16 show pairs and 6 are playful compositions of 3 animals interacting. The poignancy of observation evident in the illustrations suggests that the artist might have been a horse breeder himself. The author, Kyokuzan Hirasawa (1733-91), also known as Gengai Yamauchi, was a Confucian writer from Kyoto.Some worming in edges of blank margins neatly repaired, light traces of wear in corners and some outer edges, otherwise very well preserved. See: Hawks & Perry, Japan opened: compiled chiefly from the narrative of the American expedition to Japan, in the years 1852-3-4 (1858): One of [the] specimens of art presented to the commodore is a book . illustrated . from woodcuts of bold outline. printed with a tint to distinguish each in the various groups of the animal by sober grays, reds, and blacks. a breed of small stature and finely formed limbs . There is great freedom of hand shown in the drawing. The animals are represented in various attitudes, curving, gambling, and rolling upon the ground - positions requiring and exhibiting an ability in fore-shortening which is found . in Asiatic art . (2) Bartlett and Shohara, Japanese Botany During the Period of Wood-block Printing (1961): the pictures of horses which so greatly impressed the Americans . appeared much earlier in a work of Kyokuzan. entitled Kayo Hiso .
  • $4,461
  • $4,461
Hojutsu densho-kan (Secret Gun Book).

Hojutsu densho-kan (Secret Gun Book).

[Anonymous author & artist]. Pictorial manuscript paper scroll (1062 x 25 cm). Dated on stylistic grounds to 17th or early 18th century. Emakimono manuscript paper tutorial scroll depicting the traditional Japanese martial art hojutsu, or the art of gunnery in 130 segments containing forty-five large multi-coloured drawings mostly of wild life suitable for hunting and shooting in their habitat but also including a design of a gun posed on a barrel, portrayals of 3 armed huntsmen (one galloping) and 4 target panels including a large fan. Among the exquisite paintings are a deer, a wild boar, a fox, a fish, a heron, cranes, pheasants and other wildfowl, a falcon, geese, ducks, a butterfly and a dragonfly; the birds are shown in their habitat of plants, trees and rocks. The images of wild life selected are marked with red target points and sometimes additional red lines to indicate the precise manner of shooting them which is explained in the accompanying calligraphic text. The arms of the three huntsmen (one gallopping on a horse) are also marked and discussed for their use. The scroll is in near fine condition considering its age; a few folds and wormholes expertly repaired, occasional light offsetting and minimal traces of wear, otherwise in excellent condition, intact with its original gilt floral decorative paper wrappers; lightly worn at edges. Shooting with guns was considered a privileged sport for the Japanese aristocracy rather than a weapon used for fighting in battle. The first matchlock guns were imported to western Japan and Tanegashima Island in 1543 from South East Asia, where they were first introduced by the Portuguese. They were initially used in Japan as gifts, or for hunting, but were then gradually adopted by the Samurai warrior class.
  • $10,833
  • $10,833
Habilitado por el Rey N[ues]tro S[eño]r D[on].

Habilitado por el Rey N[ues]tro S[eño]r D[on].

Ferdinand VII King of Spain (1808, 1813-1833) Fernando VII. Manuscript in brown ink on paper penned in a neat legible hand including corrections, deletions and footnotes, dated at end 1 May 1833. 39 pages of written text in folio, 1 double-page in octavo, last page blank. Each recto page headed with rectangular stencilled royal seal dated 1823 incorporating circular royal arms in the centre. Comprehensive ministerial manuscript draft proposal to the king (‘Ex[elentisi]mo Señor’) to incorporate the Junta de Cria Caballar (Horse breeding Board) into the recently created Ministerio de Fomento (Ministry of Development) in order to achieve a more economic and efficient administration of national studs. The substantial draft in 44 paragraphs discusses various aspects of the proposed reforms and for the legislation on horse breeding in Spain from both the technical and political point of view with interesting comments. It argues in favour of removing the Junta de Cria Caballar (Horse Breeding Board) from the Secretaria de Despacho de Guerra (War Ministry) in order to incorporate it into the recently formed Ministerio de Fomento (Ministry of Development) for both economic and technical reasons, dwelling on the expenses of the Suprema Junta de Caballeria in transformation. The draft represents an attempt at modernising the cumbersome Bourbon administration of Ferdinand VII who died in September of the same year. The writer stresses the benefits of improved horse breeding for national agriculture, trade and for effective formation of cavalry. Referring to ancient times, he seeks to recreate the famous breeds of Spanish horses, calling Spain the ‘Arabia of Europe’ and he emphasises the importance of royal encouragement and direction. The writer actually suggests that the king’s younger brother, Infante Carlos Maria, later the Carlist pretender to the throne, should become protector of horse breeding in Spain. Special attention is given to the management of studs in Andalucia, Murcia and Estramadura and to the importance of regular and diligent government inspection. The draft covers 34 pages dated ‘Madrid, 1 May 1833’ at the end; it is followed by 2 supplementary pages entitled ‘Gastos’ providing the considerable annual administrative expenses of the present Suprema Junta de Caballeria (Horse Breeding Board) for the year 1832 and by three pages entitled ‘Productos’ containing actual figures of the numbers of foals born to mares in the same year to date. Edges tailend corners of 2 leaves affected by water staining, otherwise the manuscript is in excellent archival condition.
  • $4,461
  • $4,461
book (2)

Exposition Universelle de 1855.

Royal copy of Paris Universal Exhibition Arts Catalogue 1855 PARIS - Exposition Universelle de 1855. Explication des ouvrages de peinture, sculpture, gravure, lithographie et architecture des artistes vivants étrangers et Français. Exposés au Palais des Beaux-Arts Avenue Montaigne, le 15 Mai 1855. Paris, Vinchon imprimeur des Musées Imperiaux, 1855. 8vo. lix + [1] + 626p (to include 3 supplements listed in contents page, cited frequently in text). Original cloth-backed chagrin boards, title label and Royal Hannovarian cypher (crowned stag crest) gilt-stamped on spine; shelf label numbered in ink pasted in top corner of back cover. Book-block in red. Light wear to edges. The international exhibition was held in the Champs-Élysées from May to November 1855. The catalogue lists 5112 exhibits displaying the work of painters, sculptors, architects, engravers and lithographers. Artists are represented from 26 countries round the world including France, Great Britain, Belgium, Portugal, Greece, Sweden, Switzerland, Austro-Hungary, Tuscany, the German states, Prussia, the USA, Mexico, Turkey and Peru. Where known, ownership previous exhibitions, address & short biography of artist are given, sometimes with notes on the piece. The preliminaries provide rules for exhibiting and lists of judges in the various sections, as well as details of medals awarded in the 1853 Exhibition. In very good condition. From the library of George V (1819-78), last King of Hannover exiled at Gmunden.
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book (2)

Dresden Baroque connoisseur Christian Ludwig von Hagedorn advertises his choice collection of paintings for sale

Lettre à un Amateur de la Peinture avec des Eclaircissemens Historiques sur un Cabinet et les Auteurs des Tableaux qui le composent. Ouvrage entremêlé de Digressions sur la vie des plusieurs Peintres modernes Hagedorn, Christian Ludwig von & Franz Christoph Janneck. Lettre à un Amateur de la Peinture avec des Eclaircissemens Historiques sur un Cabinet et les Auteurs des Tableaux qui le composent. Ouvrage entremêlé de Digressions sur la vie des plusieurs Peintres modernes. Dresden, George Conrad Walther, Libraire du Roi, 1755. 8vo. Engraved frontispiece + [1]f title + 368 p text + [8]p with index of artists mentioned + [6]p of errata. Contemporary speckled boards, rubbed, with crowned ownership initials C.L. v. B.P. stamped in blank margins of title. First edition of a promotional letter advertising a distinguished private collection of paintings for sale at Dresden. Hagedorn (1712-80), Director of the Art Gallery of the Prince Elector of Saxony, here advertises his own choice collection of paintings in the first twenty pages and discussing some of the highlights, followed by a detailed discussion of individual paintings and artists mentioned by Franz Christoph Janneck (1703-61), a celebrated Austrian painter of festive gatherings much admired by his friend Hagedorn. Janneck provides biogrphical sketches of both greater and lesser artists represented in the collection as well as others only mentioned; the artists thought to feature for the first time in a volume about painting are marked with an asterisk. The frontispiece etching by Pierre-Jules Hutin (ca. 1720-1763) is notable for including a female figure engaged in aesthetic debate; two groups of figures are deep in discussion in an artist s studio; a painting of Leda and the Swan on an easel in the left foreground is studied by two male connoisseurs and a woman; one of the men wearing glasses is seated in front of the painting, the other holds up an eye glass to it; the woman stands facing them with a paint brush in animated comversation. Cicognara 1162.
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  • $1,083