Masami Teraoka, September 7-October 30, 1991. SIGNED by both contributors, with a warm note from the artist & 22 annotated color slides
B/w portrait & 8 color plates printed one side on very stiff paper, with facing descriptions, plus 4 pp. of biography, collections, and bibliography. Stiff, off-white paper covers printed in black. 28 x 21.5 cm. This copy belonged to my late friend Joan Hugo, the extraordinarily talented and much-lamented librarian of Otis Art Institute during its glory days neighboring MacArthur Park in Los Angeles. She would have been an untiring champion of Teraoka's brilliant updating of traditional ukiyoe woodblock prints. Inscribed lightly in pencil by Lynda and Masami on the title page. The laid-in card is an announcement for the "Forty-first annual exhibition, Artists of Hawaii, 1999." It is photocopied on greenish-yellow card stock 20.2 x 12.6 cm. The verso contains a long, holograph message by Masami about the work of Ann Hamilton and other subjects. The slides are in two plastic, "archival preservers." Slight browning on cover edges and some rubbing at extremities. **Free domestic shipping with direct order.
More from Laurence McGilvery
Twentyseven 27 photographs
Artist's book. 58/166 signed, numbered copies. 29 [sic] plates (21 color) using solarization and other techniques. 30 unnumbered leaves printed on rectos only. Cream-colored paper covers with titling in dull green. 20.2 x 15.2 cm. Near fine, with slight discoloration of cover. OCLC locates copies only at MoMA and Toronto Metropolitan University. **Free domestic shipping with direct order.A captain from Portugal (also described by UCLA as “[Untitled book]”)
Artist's book. [44] unnumbered pages, with a short musical score, a diagram, and 5 drawings illustrating a text made from a language created from codes and invented alphabets. Glossy white paper covers bearing the title in black. 17.8 x 22.2 cm. Near fine, tight copy. The previous owner's name is handprinted inside the front cover. The Cirrus Gallery stamp is inside the rear cover. Apparently, the book appeared in a case with the title [in English?] on the front. The case is not present. **Free domestic shipping with direct order.10 works
Artist's book. 82 unumbered pp. Tan paper covers.17.1 x 11 cm. Following the title page, the book is divided into 10 8-page sections. Each section features an English phrase on the first recto and its French equivalent on the verso, e.g.: "under and over" / "dessous et dessus"; following this are three more pairs of variants: "over and under", "and under and over", "and over and under." In effect, it amounts to 10 conceptual sculptures in the medium of words on pages. There is no limitation notice, but the edition must have been small. The previous owner's elegant ink signature inside the front cover. The cover is darker and warmer than the scan, at least on my screen. **Free domestic shipping with direct order.Tracce [=] Traces
Artist's book. ii + 52 unnumbered leaves printed on rectos only. Plain white paper covers with off-white dustjacket. 16.9 x 11.5 cm. Each printed leaf contains a term in Italian in the top half and its English equivalent in the bottom one, from "ridotto" / "reduced" to "ostruito" to "obstructed," thus forming a specialized vocabulary to fit the artist's concept. No indication of the size of the edition. Dustjacket pulled at head of backstrip and with a few minor faults. Previous owner's elegant ink signature on inside of cover. **Free domestic shipping with direct order.Val Telberg: photomontages, December 4 to 31 [1966]
12 b/w plates in Duotone (1 doublespread). [12] pp. Self covers. 21.5 x 14.1 cm. Striking work created from the combination of negatives to produce a very different and haunting work than any of its components. Modest signs of use. **Free domestic shipping with direct order.In a quiet grave: essays on Texas. INSCRIBED
Inscribed at time of publication: "For Dirk Peter with friendship Larry." Dirk Pieter van Nouhuys was the sophisticated Dutch father of Larry's and my mutual friend, the writer Dirk Holmsland van Nouhuys. Dirk the Elder sometimes confused the two of us because of our similar names. We both held him in high regard. Dirk the Younger met Larry in the writing program at Stanford and introduced we Larrys to each other some six decades ago, a gift for which I will forever be grateful. Tan cloth with unclipped dustjacket. xviii + 177 pp. 23 x 14.7 cm. In his introduction, McMurtry writes, "As a regionalist, and a regionalist from an unpopular region, I find the problem of how to get heard rather a fascinating one." He goes on to describe the surefire route to success for a Texas writer: "(1) explain the assassination and (2) make it possible for President Johnson to be impeached." He continues, "If he ever gets to New York he may even meet Susan Sontag. I don't understand the assassination and I doubt that i can do anything about the President. My chances of meeting Miss Sontag are accordingly pretty slim and I had as well forget about it and go on and write a book about the place where my characters live." As events turned out, he succeeded Susan Sontag as president of the American Center of the writers' group PEN in 1989, and they became good friends. I missed her by a week on my first visit to Larry's mansion in Archer City. First edition, second state, with "skyscrapers" corrected on p. 105, line 12. Fine in unclipped dustjacket with a little chipping at head and tail. The scan is lighter and more yellow than the actual tan of the jacket. **Free domestic shipping with direct order.Claude Genzling: corps, matière, géometrie; le dessin de la performance
Photographs, diagrams, tables. 175 pp. Blue dustjacket over plain card covers. 30 x 22 cm. A detailed view of the cycling designs and studies of Genzling, architect, mathematics professor, and artist. Repair from inside at the top edge of the dustjacket spine; otherwise, fine.Marcel Duchamp, original French edition
Mounted color frontispiece + 179 illustrations (6 in color & mounted). [vi] + 192 pp. The final color plate "Coeurs Volants," is a die-cut heart in blue and red measuring 23 cm in both directions. Text in original French. The book was designed by Marcel Duchamp and Arnold Fawcus, and the plates were printed under the personal supervision of the artist. Very fine in cloth with dustjacket. 31 x 23.5 cm. Catalogue raisonné. **Free domestic shipping with direct order.Fancies and goodnights. 2nd printing (?), INSCRIBED
INSCRIBED: "To Martha and Walter affectionately, John. He came ever in the re-ward of the fashion; and sung those tunes to the overscutched huswifes that he heard the carmen whistle, and swore that they were his fancies or his good-nights. King Henry IV." This passage, part of Falstaff's closing monologue to the audience in Act 3, scene 2 of Henry IV, part ii, describes the young Justice Shallow, thus providing Collier with the title of his most famous book. It does not appear in some standard editions of the plays, but I found it, bracketed, in a version supplied on line by the Folger Shakespeare Library. Earlier in the scene, where the two of them have been "pricking" soldiers to go off to war, Falstaff, recalling their wild youths, utters this: "We have heard the chimes at midnight, Master Shallow," thus providing another great title: for Orson Welles' superb film on Falstaff. Publisher's black cloth, with unclipped dustjacket. Closed tear 3 cm in upper edge of dj front panel (easily repaired), plus some wear and slight chipping. Solid copy, with browned margins of paper, as expected. [16] + 364 pp. **Free domestic shipping with direct order.Anti-illusion: procedures/materials
Approximately 200 plates & ills. (some doublespread). 61 + [2] pp. Decorated paper covers. 26.5 x 21.5 cm. Texts by James Monte, Marcia Tucker, and Steve Reich. A key early compilation of Conceptualism in the connected visual, aural, and moving arts. Includes biographical and chronological notes on the participants: Carl André, Michael Asher, Lynda Benglis, William Bollinger, John Duff, Rafael Ferrer, Robert Fiore, Philip Glass, Eva Hesse, Neil Jenney, Barry LeVa, Robert Lobe, Robert Morris, Bruce Naumann, Steve Reich, Robert Rohm, Robert Ryman, Richard Serra, Joel Shapiro, Michael Snow, Keith Sonnier, and Richard Tuttle.Fine. **Free domestic shipping with direct order.Air architecture. Ed. by Peter Noever and François Perrin
Klein, Yves (1928-1962) Approx. 122 plates & ills. (27 color & 5 double-spread). Unpaginated [approx. 140 pp.] Plain white covers with clear plastic jacket, with title and decoration printed on the verso. 25.4 x 20 cm. The text includes several writings by Klein and others by the editors, plus letters and interviews "40 years later" by Claude Parent, Roger Tallon, Werner Ruhnau, and Pierre Restany; and "Essays" by Mark Wigley, Juli Carson, Sylvere Lofringer, and François Perrin. Chronology and bibliography. Laid in: a 4-page program to the MAK exhibition printed both sides on newsprint 50.8 x 34.5 cm and folded in 4ths to about 25.4 x 17.4 cm. Very fine. **Free domestic shipping with direct order.Communists must give revolutionary leadership in culture: appendix 1-7 only. Poster
Flynt, Henry. Maciunas, George, design. Fluxus Proof. Flat, unfolded & untrimmed in a single sheet of red-orange paper comprising 4 pp. 43.2 x 86.4 cm / 17 x 34 in. Illustrations, plans, projections. Contents, Appendices1-5: 1, Soviet prefabricated building system; 2, Maciunas' prefabricated building system; 3, Buckminster Fuller's Geodesic Dome; 4, Citroen 2CV; 5, Electric guitar and organ. The half-sheet text portion of the document is not present. A little shallow creasing. Ref: Fluxus Codex, pp. 250-251. Copies only at Northwestern and the University of Minnesota. **Free domestic or international shipping with direct order.Three directions: Agnes Denes, Channa Horwitz, Joyce Cutler Shaw. October 23-November 28, 1976: an exhibition
Denes, Agnes; Horwitz, Channa; Shaw, Joyce Cutler 12 b/w plates + [24] pp. White paper covers. 21.1 x 27.7 cm (oversquare). This grouping of drawings by three remarkable artists was curated by Betty Trumbull. Essays by Lucy R. Lippard, Channa Horwitz, and Joyce Cutler Shaw. Agnes Denes' work involves speculation on maps and geometrical figures and their imaginative possibilities. Channa Horwitz used mathematical progressions in time to create wonderful visual effects. Joyce Cutler Shaw, an important environmental artist, also did a great deal of work exploring verbal elements, alphabets, and artists' books. This show featured fields and rivers of handwriting based on repeated personal names: Abigail, Adeline, Agatha, etc. Somewhat browned at the edges; a small, rough patch at the top, front edge. Scarce.All combinations of arcs from four corners, arcs from four sides, straight lines, not straight lines, and broken lines [Cover title: Arcs and lines]
LeWitt, Sol (1928-2007) 52 diagrams on 56 pp. List on p. [3]: "190 combinations of all arcs and lines." Glossy white paper covers printed in black. 20.4 cm square. Covers yellowed, as usual and the elegant signature of the previous owner on the inside front cover. **Free domestic shipping with direct order.The location of lines
LeWitt, Sol (1928-2007) Artist's book. 48 pp.with 23 paired descriptions and examples comprising a manual of straight lines of differing lengths, angles, and positions, with the descriptions on the versos of the pages and the examples on the facing rectos: e.g., at random, "a line from the midpoint of the left side to the centre of the page." Glossy white paper covers printed in black. 20.1 x 20.4 cm. Near fine, with slight signs of handling and the elegant signature of the previous owner on the inside front cover. **Free domestic shipping with direct order.Inherent innate tension. 1 March-22 April 2017 [Poster]
Weiner, Lawrence (1942-2021) Single sheet of coated paper printed one side in orange, blue, and red, with buff background. Approximately 68.6 cm / 27 in. square, folded in ninths to approximately 23 cm / 9 in. square. Alfred MacAdam writes in Art News for April 12, 2017, "We may wonder what the 'inherent destiny of any object' at hand might be, above and beyond decay and dissolution, but the 'abrogation (or abolition or cancellation) of inherent destiny'implies the removal of 'the object at hand' from the flux of time or contingency. It is only possible through the translation of the word-object into a work of art, whose alternate language is Wiener's dazzling deployment of color." Near fine, folded, with one small, shallow crease at one corner. The fragment in the scan represents about 1/5 of the whole image. **Free domestic shipping with direct order.Left of center / Middle of the road / Right of center
Weiner, Lawrence (1942-2021) Ephemera. Three small sheets of offwhite paper, printed in the following style: "Lawrence Weiner | 1970 | Left of center | Under responsibility and collection of H. & N. Daled." Herman and Nicole Daled had close relationships with several artists, notably Marcel Broodthaers, Daniel Buren, James Lee Byars, Niele Toroni, and Lawrence Weiner. 15.5 x 10.5 cm / 6-1/8 x 4-1/8 in. Removed from a perforated pad as issued, with a toothed upper edge. **Free domestic shipping with direct order.The ceramic work of Gertrud and Otto Natzler: a retrospective exhibition
Natzler, Otto and Gertrud 24 plates (8 in color). [48] pp. Stiff paper covers with full-page color plate. 20.4 x 21.7 cm. The Natzlers were the most civilized people I have ever met. They fled Vienna in 1938 during the Nazi takeover, after they already had become established as important potters. The studio at their modest home on Mulholland Drive along the ridge of the Santa Monica Mountains in Los Angeles produced some of the most beautiful ceramics ever made. She threw the delicate, classically elegant pots, while he, with some background in chemistry, experimented endlessly to produce one extraordinary glaze after another. The "lava" and "crater" and reduction glazes are justly famous. 175 pieces described. "Museum collections," "Exhibitions," "Selected bibliography." 2500 copies. Top corner bumped; light scrape near top edge and some small wear at the bottom edge.Sounds. SIGNED
Godard, Keith Artist's book. "Except for what you are reading on this page, this book has no words or printed images. It is as the title suggests a book of sounds. The pages in sequence make a quiet drama of subtle noises. "By turning, fumbling and rustling the pages, you will find all that is intended." [From the copyright page.] One leaf of lightweight tan paper bearing title and copyright pages; 4 leaves of what appears to be fine, lightweight, handmade white paper; 5 leaves of natural waxed paper; 3 leaves of unbleached tissue; 4 leaves of brownish yellow-orange tissue; 3 leaves of tan tissue; 4 leaves of lighweight parchment (the first with light foxing on the front); three leaves of silver foil paper, facing verso, the verso and recto to make a reflective opening); and concluding with two leaves of stiff paper fastened together in the middle with what undoubtedly was a sound-making device a half century ago but now is silent. 26 leaves total. Stiff, coated white covers. 21 cm square. Signed and dated "73" at the bottom inside cover. The neatly printed name of the previous owner, a filmmaker, written at the top of the inside cover. Signs of light handling. Near fine, except as noted. A poetic and ingenious concept, the book was created and produced while the artist was on the part-time faculty of the California Institute of the Arts (CalArts) between 1971 and 1973. The black border in the scan is background, not part of the cover design. **Free domestic shipping with direct order.Masami Teraoka, September 7-October 30, 1991. SIGNED by both contributors, with a warm note from the artist & 22 annotated color slides
Teraoka, Masami. Hess, Lynda B/w portrait & 8 color plates printed one side on very stiff paper, with facing descriptions, plus 4 pp. of biography, collections, and bibliography. Stiff, off-white paper covers printed in black. 28 x 21.5 cm. This copy belonged to my late friend Joan Hugo, the extraordinarily talented and much-lamented librarian of Otis Art Institute during its glory days neighboring MacArthur Park in Los Angeles. She would have been an untiring champion of Teraoka's brilliant updating of traditional ukiyoe woodblock prints. Inscribed lightly in pencil by Lynda and Masami on the title page. The laid-in card is an announcement for the "Forty-first annual exhibition, Artists of Hawaii, 1999." It is photocopied on greenish-yellow card stock 20.2 x 12.6 cm. The verso contains a long, holograph message by Masami about the work of Ann Hamilton and other subjects. The slides are in two plastic, "archival preservers." Slight browning on cover edges and some rubbing at extremities. **Free domestic shipping with direct order.Masami Teraoka, September 7-October 30, 1991. SIGNED by both contributors, with a warm note from the artist & 22 annotated color slides: https://rarebookinsider.com/rare-books/masami-teraoka-september-7-october-30-1991-signed-by-both-contributors-with-a-warm-note-from-the-artist-22-annotated-color-slides-2/