Boehm, Gottfried; JOSEF ALBERS
JOSEPH ALBERS: Homage to the Square 1950 – 1976
2023: 2023
- $95
Boehm, Gottfried. JOSEPH ALBERS: Homage to the Square 1950 - 1976. 356 pages, including 220 color plates. Folio, cloth. Stuttgart, Hatje Cantz, 2023. The essential account of Albers' enormously influential proto-Minimalist series, featuring studies and archival materials. This outstanding volume explores the secrets of Albers' subtle aesthetic and the questions it poses: what is the significance of the square? How did Albers' thoughts on color and its use as a material evolve over this span? Featuring studies on paper, archival materials and essays by Albers aficionados Margit Rowell and Donald Judd, among others, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.
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BASQUIAT: The Modena Paintings
Hasler, Iris (ed); JEAN-MICHEL BASQUIAT Hasler, Iris (ed). BASQUIAT: The Modena Paintings. 126 pages, including 38 color plates. Folio, cloth. Berlin, Hatje Cantz, 2023. This catalog focuses on eight paintings by Jean-Michel Basquiat made in the summer of 1982, when he traveled to Modena, Italy, for one of his first solo exhibitions in Europe at the gallery of Emilio Mazzoli. Within the span of just a few days, Basquiat painted a group of large-format paintings that surpassed his previous work in both scale and method. The conception and occasion of the exhibition ultimately proved fraught, and instead of conceding to pressure and expectations, Basquiat canceled the show. The paintings-including masterpieces that today are considered pivotal and among the most outstanding of his oeuvre-have never been shown together. This catalog revisits this crucial moment of Basquiat's career and reunites them for the first time.- $60
- $60
Catalogue des travaux de JEAN DUBUFFET. Complete set of 38 fascicules.
Paris. Editions de Minuit.; JEAN DUBUFFET Paris. Ed. Minuit. Catalogue des travaux de JEAN DUBUFFET. #s I to XXXVIII published to date. An exhaustive and well-illustrated publication begun in 1964 and covering the genesis and development of the artist's work through 1985. Each fascicule is illustrated largely in b&w with some color plates as well. 4to, wraps. Paris, Editions de Minuit, 1964- 1990. A catalogue raisonne. # 1: "Marionnettes." (1917-1945) # 2: "Mirobolus." (1945-1946) #3: "Plus beaus." (1946-1947) #4: "Roses d'Allah." (1947-1949) #5: "Paysages." (1949-1950) #6: "Corps de ." (1950-1951) #7: "Tables paysagees."(1950-1952) #8: "Lieux." (1952-1953) #9: "Assemblages." (1953-1954) #10: "Vaches." (1954) #11: "Charrettes." (1955) #12: "Tableaux." (1955-1957) #13: "Celebration." (1957-1958) #14: "Celebration II." (1958-1959) #15: "As-tu cueilli." (1959) #16: "Les Phenomenes" (1958-1963) #17: "Materiologies" (1958-1960) #18: "Dessins" (1960-1961) #19: "Paris Circus" (1961-1962) #20: "L'Hourloupe I" (1962-1964) #21: "L'Hourloupe II" (1964-1966) #22: "Cartes." (1964-1967) #23: "Sculptures" (1966-1967) #24: "Tour aux figures." (1967-1969) #25: "Arbres, murs." (1969-1972) #26: "Dessins." (1969-1972) #27: "Coucou Bazar." (1971-1973) #28: "Roman burlesque." (1973-1974) #29: "Crayonnages." (1974-1975) #30: "Parachiffres." (1975) #31: "Habitats." (1969-1977) #32: "Theatres." (1975-1979) #33: "Sites aux figurines." (1980-1981) #34: "Psycho-sites" (1981-1982) #35: "Sites aleatoires" (1982) #36: "Mires" (1983-1984) #37: "Non-lieux" (1984) #38: "Derniers dessins" (1983-1985)- $3,960
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PICASSO in Fontainebleau
Umland, Anne (ed); PABLO PICASSO Umland, Anne (ed). PICASSO in Fontainebleau. 232 pages, including 240 color plates. Folio, cloth. New York, Museum of Modern Art, 2023. Published to accompany an exhibition that reunites Three Women at the Spring and Three Musicians with the richly varied body of work that emerged from Picasso's Fontainebleau stay, this copiously illustrated catalog, including never-before-seen photographs and archival documents, offers an introduction by curator Anne Umland and 15 object-based essays coauthored by art historians and conservators.- $75
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KEITH HARING: Subway Drawings
Faust, Wolfgang Max et al.; KEITH HARING Faust, Wolfgang Max et al. KEITH HARING: Subway Drawings. 85 pages, illustrated throughout in color and black & white. Folio, cloth. Berlin, Galerie Nikolaus Sonne, 1990. Some wear to the corners and spine of the dust jacket.- $400
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Gauguin: The Master, the Monster, the Myth
Friborg, Flemming; PAUL GAUGUIN Friborg, Flemming. Gauguin: The Master, the Monster, the Myth. 316 pages, including 170 color and 50 b&w plates. Folio, cloth. Copenhagen, Strandberg Publishing, 2023. Hailed as a pivotal figure of early modernist art yet also long denounced for his personal conduct, Paul Gauguin (1848-1903) remains an ambiguous figure. Danish art historian and curator Flemming Friborg reveals the fascinating story of the artist's life and times in and around the circle of Impressionists and Symbolists, as well as his travels in France, Denmark and Tahiti, by analyzing hitherto neglected material and themes. This handsomely designed volume visually maps Gauguin's intricate web of influences, linking painterly, musical and literary traces throughout his artistic output and writings. It is an attempt to approach the artist and his work from new angles, in order to align the seemingly disparate traits in Gauguin and to present an image which accommodates both the Master and the Monster.- $65
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RICHARD PRINCE: The Entertainers 1982-1983
Prince, Richard; RICHARD PRINCE Prince, Richard. RICHARD PRINCE: The Entertainers 1982-1983. 152 pages, including 135 color plates. Folio, cloth. New York, Fulton Ryder, 2023. This new artist's book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself."- $85
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MARTIN KIPPENBERGER: Catalogue Raisonne of the Paintings, Volume Two: 1983-86
Capitain, Gisela (ed.); MARTIN KIPPENBERGER Capitain, Gisela (ed.). MARTIN KIPPENBERGER: Catalogue Raisonne of the Paintings, Volume Two: 1983-86. 576 pages, including 676 color plates. Folio, cloth. Koln, Walther Konig, 2023. Volume 2 of Martin Kippenberger's (1953-97) catalogue raisonné covers the years 1983 to 1986. Over 300 paintings are illustrated in color and listed with catalog number, title, year, technique, dimensions, inscriptions, provenance, exhibitions and bibliography. A variety of sources, historical photographs, archival materials and references by Kippenberger to works of his own and by other artists complement individual entries.- $450
- $450
DORIS SALCEDO
Hesse, Fiona (ed); DORIS SALCEDO Hesse, Fiona (ed). DORIS SALCEDO. 248 pages, including 160 color plates. Folio, cloth. Berlin, Hatje Cantz, 2023. Using commonplace and domestic objects such as wooden furniture, clothing, concrete, grass, hair and rose petals, Salcedo subtly transforms them by charging them with meaning and highlighting the painfully absent. Coedited by the artist herself and featuring more than 100 key works from different phases of her career between 1992 and 2021, this catalog is an unrivaled study of Salcedo's work of the past three decades.- $85
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JEFF WALL: Catalogue Raisonne 2005-2021
Dufour, Gary; JEFF WALL Dufour, Gary. JEFF WALL: Catalogue Raisonné 2005-2021. 352 pages, including 85 color plates. cloth. New Haven, Yale University Press, 2022. A catalogue raisonné. Best known for his large-scale photographs, carefully constructed "near documentaries" created in collaboration with the subjects, Jeff Wall (b. 1946) is one of the most influential photographers of the late twentieth and early twenty-first centuries. Often displayed as backlit color transparencies, Wall's works have helped define the use of color and painterly sensibilities in contemporary art photography. This volume collects over fifteen years' worth of new work from Jeff Wall in a lavish presentation that includes multiple gatefolds to better convey the scale of Wall's work. As a collection of Wall's most recent work, this volume will include numerous pieces that are as-yet unfamiliar to many of his fans. Chevrier's essay deftly summarizes the varied directions of Wall's recent work and contextualizes them within the body of work that precedes this volume; de Duve's and Campany's wide-ranging conversations with the artist cover the role of performance and the effects of spontaneity and scale, respectively.- $200
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LOUISE NEVELSON’s Sculpture
Bryan-Wilson, Julia; LOUISE NEVELSON Bryan-Wilson, Julia. LOUISE NEVELSON's Sculpture. 352 pages, including 105 color and 24 b&w plates. Folio, wraps. New Haven, Yale University Press, 2023. In this radical rethinking of the art of Louise Nevelson, Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction - in which she assembled found pieces of wood into elaborate structures, usually painted black - have been little studied.- $70
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HIROSHI SUGIMOTO: Time Machine
Attlee, James; HIROSHI SUGIMOTO Attlee, James. HIROSHI SUGIMOTO: Time Machine. 216 pages, including 130 b&w plates. Folio, cloth. Berlin, Hatje Cantz, 2023. Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto's major series, as well as lesser-known works that illuminate his innovative, conceptually driven approach to making pictures. The texts highlight his work's philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium so well suited to both documenting and invention.- $65
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ELLSWORTH KELLY
Rales, Emily Wei; ELLSWORTH KELLY Rales, Emily Wei. ELLSWORTH KELLY. 314 pages, including 115 color plates. Folio, cloth. D.C., Glenstone Museum, 2023. Accompanying the large-scale traveling exhibition Ellsworth Kelly at 100, this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art-from his lifelong drawing practice through his later explorations of layered canvas panels. It highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces and unpublished archival materials from the artist's studio and the Glenstone archives.- $80
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MARINA ABRAMOVIC
Archey, Karen; MARINA ABRAMOVIC Archey, Karen. MARINA ABRAMOVIC. 264 pages, including 200 color plates. Folio, cloth. London, Royal Academy of Arts, 2023. In the fall of 2023 the Royal Academy in London is staging a massive exhibition featuring works from her entire career. Re-performances of some of her best-known and most radical works join new works created for the exhibition. Produced in collaboration with the artist, this important publication brings expert voices into the debate that Abramovic's work engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?- $60
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Manet / Degas
Dunn, Ashley; Wolohijian, Stephan; EDGAR DEGAS; ED Dunn, Ashley. Manet / Degas. 352 pages, including 250 color plates. Folio, cloth. New Haven, Yale University Press, 2023. Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other's artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists' family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in the context of wars in France and the United States; compare their artistic practices; and examine how Degas built his personal collection of works by Manet after his friend's premature death. An illustrated biographical chronology charts their intersecting lives and careers. This lavishly illustrated, in-depth study offers an opportunity to reevaluate some of the most canonical French artworks of the nineteenth century.- $75
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MONET’s Minutes
Dombrowski, Andre; CLAUDE MONET Dombrowski, Andre. MONET's Minutes. 264 pages, including 91 color and 41 b&w plates. Folio, cloth. New Haven, Yale University Press, 2023. Monet's Minutes is a revelatory account charting the relationship between the works of Claude Monet (1840-1926)-founder of French Impressionism and one of the world's best-known painters-and the modern experience of time. André Dombrowski illuminates Monet's celebration of instantaneity in the context of the late nineteenth-century time technologies that underwrote it. Grounded in exceptional research and analyses, this book offers new interpretations of key paintings by Monet and a fresh perspective on late nineteenth-century art, society, and modern temporality.- $75
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ADRIAN GHENIE: The Fear of Now
Gurnos-Davies, Kitty; ADRIAN GHENIE Gurnos-Davies, Kitty. ADRIAN GHENIE: The Fear of Now. 96 pages, including 45 color plates. Folio, cloth. Paris, Thaddaeus Ropac, 2023. Romanian-born, Berlin-based painter Adrian Ghenie (born 1977) merges art historical and contemporary cultural references-the art of Otto Dix and Philip Guston fused with the hybrid, monstrous aliens in the animated series Rick and Morty, for example. The Fear of Now follows this method, interrogating the intrusive influence of technology on everyday life while experimenting with technical processes that evoke both the heavily lined figures of Egon Schiele as well as the sensuality of the Baroque greats. This catalog presents this new body of oil paintings alongside their corresponding charcoal preparatory drawings.- $55
- $55
GIORGIO MORANDI: Works from the Antonio and Matilde Catanese Collection
Gnani, Mariella; GIORGIO MORANDI Gnani, Mariella. GIORGIO MORANDI: Works from the Antonio and Matilde Catanese Collection. 240 pages, including 215 color plates. Folio, cloth. Milan, Silvana Editoriale, 2023. Antonio and Matilde Catanese were avid collectors of Giorgio Morandi (1890-1964). Acquiring his works in the 1930s, the Milanese couple became among the first to contribute to his fame. The Catanese collection, presented in this monograph, functions as a microcosm of the artist's oeuvre, thanks to its quantity and chronological spread covering almost all the years of the artist's activity as well as the breadth of techniques and themes represented in its holdings. The collection includes 15 paintings made between 1914 and 1959, and three watercolors representing the abiding themes of Morandi's work, as indicated by titles such as Still Life, Landscape and Flowers. Also included is a Self-Portrait of 1914. Another integral part of the collection is its almost complete series of etchings. All of the works have been the subjects of scientific investigations, preliminary to restoration and conservation, conducted by the University of Urbino, the results of which are presented here.- $60
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PETER HALLEY: Conduits
Cotton, Michelle (ed); PETER HALLEY Cotton, Michelle (ed). PETER HALLEY: Conduits. 224 pages, including 150 color plates. Folio, wraps. Berlin, Hatje Cantz, 2023. This survey revisits the first decade of Peter Halley's (born 1953) career. Assembling over 30 paintings from public and private collections, it presents iconic works alongside previously unseen drawings, sketches and notes.- $60
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KEITH HARING: Art is for Everybody
Loyer, Sarah; KEITH HARING Loyer, Sarah. KEITH HARING: Art is for Everybody. 256 pages, including 150 color and 25 b&w plates. Folio, boards. New York, DelMonico Books, 2023. Haring as activist and egalitarian: a fresh, accessible and dynamic look at one of New York's most exhilarating artists. Titled after a quote from Haring's journals, Art Is for Everybody centers on the artist's activism, the emphasis he placed on community and his egalitarian approach to art and life. The volume is organized chronologically and thematically, emphasizing Haring's work made with publics in mind such as the subway drawings and murals, his collaborative practice and his unflinching belief that art is essential in making a better world.- $70
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WIFREDO LAM
David, Catherine; Paris. Pompidou Center; WIFREDO David, Catherine. WIFREDO LAM. 240 pp., illustrated throughout. 4to, wraps. Paris, Centre Pompidou, 2015. This major retrospective at the Pompidou Center (9/30/15 - 2/15/16) will showcase around 300 works, including paintings, drawings, engravings, and ceramics. The show will travel to the Reina Sofia in Madrid and the Tate Modern in London. Text in French.- $255
- $255
