Dunn, Ashley; Wolohijian, Stephan; EDGAR DEGAS; ED
Manet / Degas
2023: 2023
- $75
Dunn, Ashley. Manet / Degas. 352 pages, including 250 color plates. Folio, cloth. New Haven, Yale University Press, 2023. Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other's artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists' family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in the context of wars in France and the United States; compare their artistic practices; and examine how Degas built his personal collection of works by Manet after his friend's premature death. An illustrated biographical chronology charts their intersecting lives and careers. This lavishly illustrated, in-depth study offers an opportunity to reevaluate some of the most canonical French artworks of the nineteenth century.
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BASQUIAT: The Modena Paintings
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Catalogue des travaux de JEAN DUBUFFET. Complete set of 38 fascicules.
Paris. Editions de Minuit.; JEAN DUBUFFET Paris. Ed. Minuit. Catalogue des travaux de JEAN DUBUFFET. #s I to XXXVIII published to date. An exhaustive and well-illustrated publication begun in 1964 and covering the genesis and development of the artist's work through 1985. Each fascicule is illustrated largely in b&w with some color plates as well. 4to, wraps. Paris, Editions de Minuit, 1964- 1990. A catalogue raisonne. # 1: "Marionnettes." (1917-1945) # 2: "Mirobolus." (1945-1946) #3: "Plus beaus." (1946-1947) #4: "Roses d'Allah." (1947-1949) #5: "Paysages." (1949-1950) #6: "Corps de ." (1950-1951) #7: "Tables paysagees."(1950-1952) #8: "Lieux." (1952-1953) #9: "Assemblages." (1953-1954) #10: "Vaches." (1954) #11: "Charrettes." (1955) #12: "Tableaux." (1955-1957) #13: "Celebration." (1957-1958) #14: "Celebration II." (1958-1959) #15: "As-tu cueilli." (1959) #16: "Les Phenomenes" (1958-1963) #17: "Materiologies" (1958-1960) #18: "Dessins" (1960-1961) #19: "Paris Circus" (1961-1962) #20: "L'Hourloupe I" (1962-1964) #21: "L'Hourloupe II" (1964-1966) #22: "Cartes." (1964-1967) #23: "Sculptures" (1966-1967) #24: "Tour aux figures." (1967-1969) #25: "Arbres, murs." (1969-1972) #26: "Dessins." (1969-1972) #27: "Coucou Bazar." (1971-1973) #28: "Roman burlesque." (1973-1974) #29: "Crayonnages." (1974-1975) #30: "Parachiffres." (1975) #31: "Habitats." (1969-1977) #32: "Theatres." (1975-1979) #33: "Sites aux figurines." (1980-1981) #34: "Psycho-sites" (1981-1982) #35: "Sites aleatoires" (1982) #36: "Mires" (1983-1984) #37: "Non-lieux" (1984) #38: "Derniers dessins" (1983-1985)- $3,960
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PICASSO in Fontainebleau
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KEITH HARING: Subway Drawings
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Gauguin: The Master, the Monster, the Myth
Friborg, Flemming; PAUL GAUGUIN Friborg, Flemming. Gauguin: The Master, the Monster, the Myth. 316 pages, including 170 color and 50 b&w plates. Folio, cloth. Copenhagen, Strandberg Publishing, 2023. Hailed as a pivotal figure of early modernist art yet also long denounced for his personal conduct, Paul Gauguin (1848-1903) remains an ambiguous figure. Danish art historian and curator Flemming Friborg reveals the fascinating story of the artist's life and times in and around the circle of Impressionists and Symbolists, as well as his travels in France, Denmark and Tahiti, by analyzing hitherto neglected material and themes. This handsomely designed volume visually maps Gauguin's intricate web of influences, linking painterly, musical and literary traces throughout his artistic output and writings. It is an attempt to approach the artist and his work from new angles, in order to align the seemingly disparate traits in Gauguin and to present an image which accommodates both the Master and the Monster.- $65
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RICHARD PRINCE: The Entertainers 1982-1983
Prince, Richard; RICHARD PRINCE Prince, Richard. RICHARD PRINCE: The Entertainers 1982-1983. 152 pages, including 135 color plates. Folio, cloth. New York, Fulton Ryder, 2023. This new artist's book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself."- $85
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MARTIN KIPPENBERGER: Catalogue Raisonne of the Paintings, Volume Two: 1983-86
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DORIS SALCEDO
Hesse, Fiona (ed); DORIS SALCEDO Hesse, Fiona (ed). DORIS SALCEDO. 248 pages, including 160 color plates. Folio, cloth. Berlin, Hatje Cantz, 2023. Using commonplace and domestic objects such as wooden furniture, clothing, concrete, grass, hair and rose petals, Salcedo subtly transforms them by charging them with meaning and highlighting the painfully absent. Coedited by the artist herself and featuring more than 100 key works from different phases of her career between 1992 and 2021, this catalog is an unrivaled study of Salcedo's work of the past three decades.- $85
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JEFF WALL: Catalogue Raisonne 2005-2021
Dufour, Gary; JEFF WALL Dufour, Gary. JEFF WALL: Catalogue Raisonné 2005-2021. 352 pages, including 85 color plates. cloth. New Haven, Yale University Press, 2022. A catalogue raisonné. Best known for his large-scale photographs, carefully constructed "near documentaries" created in collaboration with the subjects, Jeff Wall (b. 1946) is one of the most influential photographers of the late twentieth and early twenty-first centuries. Often displayed as backlit color transparencies, Wall's works have helped define the use of color and painterly sensibilities in contemporary art photography. This volume collects over fifteen years' worth of new work from Jeff Wall in a lavish presentation that includes multiple gatefolds to better convey the scale of Wall's work. As a collection of Wall's most recent work, this volume will include numerous pieces that are as-yet unfamiliar to many of his fans. Chevrier's essay deftly summarizes the varied directions of Wall's recent work and contextualizes them within the body of work that precedes this volume; de Duve's and Campany's wide-ranging conversations with the artist cover the role of performance and the effects of spontaneity and scale, respectively.- $200
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LOUISE NEVELSON’s Sculpture
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HIROSHI SUGIMOTO: Time Machine
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ELLSWORTH KELLY
Rales, Emily Wei; ELLSWORTH KELLY Rales, Emily Wei. ELLSWORTH KELLY. 314 pages, including 115 color plates. Folio, cloth. D.C., Glenstone Museum, 2023. Accompanying the large-scale traveling exhibition Ellsworth Kelly at 100, this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art-from his lifelong drawing practice through his later explorations of layered canvas panels. It highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces and unpublished archival materials from the artist's studio and the Glenstone archives.- $80
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MARINA ABRAMOVIC
Archey, Karen; MARINA ABRAMOVIC Archey, Karen. MARINA ABRAMOVIC. 264 pages, including 200 color plates. Folio, cloth. London, Royal Academy of Arts, 2023. In the fall of 2023 the Royal Academy in London is staging a massive exhibition featuring works from her entire career. Re-performances of some of her best-known and most radical works join new works created for the exhibition. Produced in collaboration with the artist, this important publication brings expert voices into the debate that Abramovic's work engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?- $60
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JOSEPH ALBERS: Homage to the Square 1950 – 1976
Boehm, Gottfried; JOSEF ALBERS Boehm, Gottfried. JOSEPH ALBERS: Homage to the Square 1950 - 1976. 356 pages, including 220 color plates. Folio, cloth. Stuttgart, Hatje Cantz, 2023. The essential account of Albers' enormously influential proto-Minimalist series, featuring studies and archival materials. This outstanding volume explores the secrets of Albers' subtle aesthetic and the questions it poses: what is the significance of the square? How did Albers' thoughts on color and its use as a material evolve over this span? Featuring studies on paper, archival materials and essays by Albers aficionados Margit Rowell and Donald Judd, among others, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.- $95
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MONET’s Minutes
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ADRIAN GHENIE: The Fear of Now
Gurnos-Davies, Kitty; ADRIAN GHENIE Gurnos-Davies, Kitty. ADRIAN GHENIE: The Fear of Now. 96 pages, including 45 color plates. Folio, cloth. Paris, Thaddaeus Ropac, 2023. Romanian-born, Berlin-based painter Adrian Ghenie (born 1977) merges art historical and contemporary cultural references-the art of Otto Dix and Philip Guston fused with the hybrid, monstrous aliens in the animated series Rick and Morty, for example. The Fear of Now follows this method, interrogating the intrusive influence of technology on everyday life while experimenting with technical processes that evoke both the heavily lined figures of Egon Schiele as well as the sensuality of the Baroque greats. This catalog presents this new body of oil paintings alongside their corresponding charcoal preparatory drawings.- $55
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GIORGIO MORANDI: Works from the Antonio and Matilde Catanese Collection
Gnani, Mariella; GIORGIO MORANDI Gnani, Mariella. GIORGIO MORANDI: Works from the Antonio and Matilde Catanese Collection. 240 pages, including 215 color plates. Folio, cloth. Milan, Silvana Editoriale, 2023. Antonio and Matilde Catanese were avid collectors of Giorgio Morandi (1890-1964). Acquiring his works in the 1930s, the Milanese couple became among the first to contribute to his fame. The Catanese collection, presented in this monograph, functions as a microcosm of the artist's oeuvre, thanks to its quantity and chronological spread covering almost all the years of the artist's activity as well as the breadth of techniques and themes represented in its holdings. The collection includes 15 paintings made between 1914 and 1959, and three watercolors representing the abiding themes of Morandi's work, as indicated by titles such as Still Life, Landscape and Flowers. Also included is a Self-Portrait of 1914. Another integral part of the collection is its almost complete series of etchings. All of the works have been the subjects of scientific investigations, preliminary to restoration and conservation, conducted by the University of Urbino, the results of which are presented here.- $60
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PETER HALLEY: Conduits
Cotton, Michelle (ed); PETER HALLEY Cotton, Michelle (ed). PETER HALLEY: Conduits. 224 pages, including 150 color plates. Folio, wraps. Berlin, Hatje Cantz, 2023. This survey revisits the first decade of Peter Halley's (born 1953) career. Assembling over 30 paintings from public and private collections, it presents iconic works alongside previously unseen drawings, sketches and notes.- $60
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KEITH HARING: Art is for Everybody
Loyer, Sarah; KEITH HARING Loyer, Sarah. KEITH HARING: Art is for Everybody. 256 pages, including 150 color and 25 b&w plates. Folio, boards. New York, DelMonico Books, 2023. Haring as activist and egalitarian: a fresh, accessible and dynamic look at one of New York's most exhilarating artists. Titled after a quote from Haring's journals, Art Is for Everybody centers on the artist's activism, the emphasis he placed on community and his egalitarian approach to art and life. The volume is organized chronologically and thematically, emphasizing Haring's work made with publics in mind such as the subway drawings and murals, his collaborative practice and his unflinching belief that art is essential in making a better world.- $70
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WIFREDO LAM
David, Catherine; Paris. Pompidou Center; WIFREDO David, Catherine. WIFREDO LAM. 240 pp., illustrated throughout. 4to, wraps. Paris, Centre Pompidou, 2015. This major retrospective at the Pompidou Center (9/30/15 - 2/15/16) will showcase around 300 works, including paintings, drawings, engravings, and ceramics. The show will travel to the Reina Sofia in Madrid and the Tate Modern in London. Text in French.- $255
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