Can Quantum-Mechanical Description of Physical Reality Be Considered Complete? [Einstein, Podolsky, Rosen] WITH: Can Quantum-Mechanical Description of Physical Reality Be Considered Complete? [BOHR] - Rare Book Insider
Can Quantum-Mechanical Description of Physical Reality Be Considered Complete? [Einstein

EINSTEIN, ALBERT; PODOLSKY, BORIS; ROSEN, NATHAN; BOHR, NIELS

Can Quantum-Mechanical Description of Physical Reality Be Considered Complete? [Einstein, Podolsky, Rosen] WITH: Can Quantum-Mechanical Description of Physical Reality Be Considered Complete? [BOHR]

American Institue of Physics, Lancaster PA and New York NY: 1935
  • $8,900
FIRST EDITION of the famous "EPR" paper, one of the most discussed and debated papers of modern physics. WITH: Bohr's response. "In the May 15, 1935 issue of Physical Review Albert Einstein co-authored a paper with his two postdoctoral research associates at the Institute for Advanced Study, Boris Podolsky and Nathan Rosen. The article was entitled 'Can Quantum Mechanical Description of Physical Reality Be Considered Complete?' [.] Generally referred to as EPR, this paper quickly became a centerpiece in debates over the interpretation of quantum theory, debates that continue today. Ranked by impact, EPR is among the top ten of all papers ever published in Physical Review journals." (Stanford Encyclopedia of Philosophy). Indeed, like the verification of Einstein's earlier prediction of the gravitational deflection of light, EPR even got attention in the popular press. Eleven days before the paper was published: "The New York Times carried an extensive report under the provocative headline 'Einstein Attacks Quantum Theory,' which was summarized by the sentences: 'Professor Einstein will attack science's important theory of quantum mechanics, a theory of which he was sort of grandfather. He concluded that while it [the quantum mechanics], is "correct" it is not "complete."'" (Mehra and Rechenberg, p. 724-25). In essence, Einstein and his collaborators devised a thought-experiment involving two physical systems (say, A and B) with necessarily-correlated physical properties, that were widely separated in space. (For example, the two systems might have equal and opposite momenta and positions dictated by physical conservation laws.) From the perspective of quantum theory, the two systems could be described by a single wave function, or state vector. A measurement performed on A could precisely determine its position, which would also fix a precise position for B. The momenta of A and B could be determined in the same way. The central insight of EPR was that either the position and momentum of A and B were real, determinate and fixed prior to the measurement of A, or else B only took on a fixed and determinate value when A was measured. But the latter interpretation implied that the measurement event at A had somehow instantaneously fixed the (previously indeterminate) properties of B, despite the spatial separation between A and B, which could be made as great as one wished. Einstein argued that this implied one of two things: either that the quantum description of A and B was incomplete, in that each of them had a fixed, determinate position and momentum at all times; or that nature permitted actions such as measurement to have "nonlocal" influences on distant systems. Leon Rosenfeld, who was in Copenhagen at the time, remembered the fallout of these developments vividly: "This onslaught came down upon as a bolt from the blue [.] As soon as Bohr heard my report of Einstein's argument, everything else was abandoned: we had to clear up such a misunderstanding at once." (Pais, 430). According to Rosenfeld, the next day Bohr was heard muttering "Podolski, Opodolski, Iopodolski," etc. By mocking Podolsky-who was, after all, only a postdoctoral student and the second-named author of EPR-Bohr presumably was, even in his anger, avoiding saying anything that might be interpreted as a direct attack on Einstein. Bohr's argument proceeded with what some might describe as his characteristic lack of explanatory clarity. Indeed, in revisiting EPR fifteen years later, Bohr himself would admit, "[r]ereading these passages, I am deeply aware of the inefficiency of expression which must have made it very difficult to appreciate the trend of the argumentation" (Schilpp, p. 234; see also Lehner, p. 331, who describes Bohr's rebuttal of EPR as "obscure in content but confident in tone."). Generally speaking, however, Bohr's approach seems to boil down to a willingness to accept non-local or "contextual" theory of measurement interactions. In any event, it is clear that Bohr was more prepared than Einstein was to take quantum theory at face value as a complete theory, even if this meant abandoning notions of physical reality that are part of humanity's intuitive understanding of the world. Later in a famous 1964 paper, John Bell, using an EPR-like thought experiment, proved that the situation was even worse than Einstein had imagined: even a hidden variable theory that reproduced the empirical predictions of quantum mechanics would necessarily violate Einstein's desideratum of local realism. As Christoph Lehner puts it, "this proof is of great importance because it shows the impossibility of Einstein's idea that quantum mechanics could be understood as an incomplete description of a reality that is objective and locally definite." (Lehner, p. 234). Included are both papers - the original EPR paper and Bohr's response. IN: The Physical Review,pp.777-780 Vol. 47, No. 10 (whole issue offered), May 15, 1935. Quarto, original green wrappers. WITH: Physical Review, vol. 48, no. 8 (whole issue), October, 1935. Quarto, complete issues in original wrappers; housed together in custom box. Stamp of P.E.O. Memorial Library, Iowa Wesleyan College (now defunct). Mild toning around edges (as often) otherwise crisp, clean copies. RARE IN ORIGINAL WRAPPERS.
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Typed Letter Signed [TLS]

IMPORTANT AND REVEALING LETTER BY F. SCOTT FITZGERALD ON HIS LITERARY INFLUENCES AND GROWTH AS A WRITER. It is rare that we get to read first hand about a writer's influences, especially during the formative years, but in answer to a letter from the scholar Egbert S. Oliver, Fitzgerald - with his characteristic wit -offers us details about his early literary education. The letter, partially quoted in Matthew Bruccoli's definitive biography, Some Sort of Epic Grandeur, reads in full: 1307 Park Avenue Baltimore, Maryland January 7, 1934 Mr. Egbert S. Oliver Willamette University Salem Oregon Dear Mr. Oliver: The first help I ever had in writing in my life was from my father who read an utterly imitative Sherlock Holmes story of mine and pretended to like it. But after that I received the most invaluable aid from Mr. C. N. B. Wheeler then headmaster of the St. Paul Academy now the St. Paul Country Day School in St. Paul, Minnesota. 2. From [a] Mr. Hume, then co-headmaster of the Newman School and now headmaster of the Canterbury School. 3. From Courtland Van Winkle in freshman year at Princeton - now professor of literature at Yale (he gave us the book of Job to read and I don't think any of our preceptorial group ever quite recovered from it.) After that comes a lapse. Most of the professors seemed to me old and uninspired, or perhaps it was just that I was getting under way in my own field. I think this answers your question. This is also my permission to make full use of it with or without my name. Sorry I am unable from circumstances of time and pressure to go into it further. Sincerely, [signed] F. Scott Fitzgerald Fitzgerald attended the St. Paul Academy from 1908 - 1911 (from the ages of 12 to 16) and Broccoli underscores the influence in particular of C.N.B. Wheeler on Fitzgerald, noting that he was the only one of his teachers who encouraged him to write. (Fitzgerald published his first work of fiction in the school newspaper.) Fitzgerald's note that after Courtland Van Winkle in his freshman year at Princeton he "was getting under way in my own field" was certainly true, for it was shortly after his class with Van Winkle that Fitzgerald began work on what would become his sparkling debut novel, This Side of Paradise. The "circumstances of time and pressure" Fitzgerald mentions at the end of the letter were very real. This letter was written in January 1934 just as Tender is the Night was beginning to appear serially in Scribner's Magazine, and then in book form on April 12, 1934. The letters surrounding the Oliver letter in Fitzgerald's collected letters are frantic letters to his editor Max Perkins working out details for the first edition of Tender is the Night. The recipient, Egbert S. Oliver, was a prominent scholar of American literature. He was Professor of American Literature at Willamette University and Portland State University and wrote numerous books on American literature and American life. The Egbert S. Oliver papers now reside at the David M. Rubenstein Rare Book and Manuscript Library at Duke University. Provenance: Listed in F. Scott Fitzgerald in the Marketplace (Bruccoli and Baughman, 2009, p.31) as having been sold at Charles Hamilton Auction, 14 September, 1972. Typed letter signed with two hand-corrections in ink. Baltimore, Maryland, 1934. Two pages, 8.5'' x 11'' each; attractively matted and framed alongside a photo of Fitzgerald to an overall size of 32'' x 17.5''. Usual folds, paperclip imprint at top left of first page; otherwise fine. References: -Matthew J. Bruccoli, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald, Harcourt Brace Jovanovich, 1981. - Matthew J. Bruccoli, ed. F. Scott Fitzgerald, A Life in Letters, Scribner, 2010. (Published in full). -Matthew J. Bruccoli and Judith S. Baughman, editors. F. Scott Fitzgerald in the Marketplace, University of South Carolina Press, 2009.
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Typed Letter Signed [TLS]

FITZGERALD, F. SCOTT IMPORTANT AND REVEALING LETTER BY F. SCOTT FITZGERALD ON HIS LITERARY INFLUENCES AND GROWTH AS A WRITER. It is rare that we get to read first hand about a writer's influences, especially during the formative years, but in answer to a letter from the scholar Egbert S. Oliver, Fitzgerald - with his characteristic wit -offers us details about his early literary education. The letter, partially quoted in Matthew Bruccoli's definitive biography, Some Sort of Epic Grandeur, reads in full: 1307 Park Avenue Baltimore, Maryland January 7, 1934 Mr. Egbert S. Oliver Willamette University Salem Oregon Dear Mr. Oliver: The first help I ever had in writing in my life was from my father who read an utterly imitative Sherlock Holmes story of mine and pretended to like it. But after that I received the most invaluable aid from Mr. C. N. B. Wheeler then headmaster of the St. Paul Academy now the St. Paul Country Day School in St. Paul, Minnesota. 2. From [a] Mr. Hume, then co-headmaster of the Newman School and now headmaster of the Canterbury School. 3. From Courtland Van Winkle in freshman year at Princeton - now professor of literature at Yale (he gave us the book of Job to read and I don't think any of our preceptorial group ever quite recovered from it.) After that comes a lapse. Most of the professors seemed to me old and uninspired, or perhaps it was just that I was getting under way in my own field. I think this answers your question. This is also my permission to make full use of it with or without my name. Sorry I am unable from circumstances of time and pressure to go into it further. Sincerely, [signed] F. Scott Fitzgerald Fitzgerald attended the St. Paul Academy from 1908 - 1911 (from the ages of 12 to 16) and Broccoli underscores the influence in particular of C.N.B. Wheeler on Fitzgerald, noting that he was the only one of his teachers who encouraged him to write. (Fitzgerald published his first work of fiction in the school newspaper.) Fitzgerald's note that after Courtland Van Winkle in his freshman year at Princeton he "was getting under way in my own field" was certainly true, for it was shortly after his class with Van Winkle that Fitzgerald began work on what would become his sparkling debut novel, This Side of Paradise. The "circumstances of time and pressure" Fitzgerald mentions at the end of the letter were very real. This letter was written in January 1934 just as Tender is the Night was beginning to appear serially in Scribner's Magazine, and then in book form on April 12, 1934. The letters surrounding the Oliver letter in Fitzgerald's collected letters are frantic letters to his editor Max Perkins working out details for the first edition of Tender is the Night. The recipient, Egbert S. Oliver, was a prominent scholar of American literature. He was Professor of American Literature at Willamette University and Portland State University and wrote numerous books on American literature and American life. The Egbert S. Oliver papers now reside at the David M. Rubenstein Rare Book and Manuscript Library at Duke University. Provenance: Listed in F. Scott Fitzgerald in the Marketplace (Bruccoli and Baughman, 2009, p.31) as having been sold at Charles Hamilton Auction, 14 September, 1972. Typed letter signed with two hand-corrections in ink. Baltimore, Maryland, 1934. Two pages, 8.5'' x 11'' each; attractively matted and framed alongside a photo of Fitzgerald to an overall size of 32'' x 17.5''. Usual folds, paperclip imprint at top left of first page; otherwise fine. References: -Matthew J. Bruccoli, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald, Harcourt Brace Jovanovich, 1981. - Matthew J. Bruccoli, ed. F. Scott Fitzgerald, A Life in Letters, Scribner, 2010. (Published in full). -Matthew J. Bruccoli and Judith S. Baughman, editors. F. Scott Fitzgerald in the Marketplace, University of South Carolina Press, 2009.
  • $35,000
  • $35,000
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Autograph Letter Signed [ALS]

LEWIS, C.S. [CLIVE STAPLES] WONDERFUL C.S. LEWIS LETTER RESPONDING TO A YOUNG FAN ABOUT THE NARNIA SERIES. Dated October 26, 1955, and written on Lewis's Magdalene College stationery, the letter reads in full: Dear -- Thank you for your nice letter. I am so glad you like the books. There will be one more, and that will be the last. Seven is a good number. The The M's Nephew of course ought to have come first, but one doesn't always write things in the proper order. With Love Yours [signed]C.S. Lewis This letter was acquired directly from the original recipient, who provided the background story: "This is why C.S. Lewis wrote to me: One day, when I was a child, I wrote a letter to him (on my clown stationary), because I loved his books and was hoping he'd write another one. Being 10, I told him what I hoped he would include in his next book, and also informed him that his 6th book in the Narnia series should have come first. I've treasured that letter all my life. He was nice enough to take the time to write back to me in such a kind way." Note: As the letter indicates, The Magician's Nephew, published on May 2, 1955, was the sixth book in the series (as published) but the first chronologically in terms of the world of Narnia. Autograph Letter Signed [ALS]. 5x8 in (128x204 mm). On Lewis's Magdalene College, Cambridge stationery. With original mailing envelope. Housed in custom presentation folder. Center mailing fold, otherwise fine.
  • $7,800
  • $7,800
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Dutch Details

RUSCHA, ED FIRST EDITION OF THE RAREST RUSCHA BOOK; ONE OF ONLY AN ESTIMATED 200 COPIES. IN OUTSTANDING CONDITION. "In December 1970, Ruscha was invited to produce a photobook in conjunction with the Sonsbeek 71 exhibition in the Netherlands. Wim Beeren, the commissioner of the international festival, chose the location (Stadskanaal-a village in Groningen built along both sides of a straight canal) for the commission, but left the specifics of the project up to Ruscha. Once on site, Ruscha began photographing the facades of the houses along the canal, undoubtedly informed by his panorama of Los Angeles, Every Building on the Sunset Strip (1966). The topography of the Dutch village led Ruscha to a different approach, however, and the book is conceptually more performative than the earlier work, inasmuch as it directly encompasses a site-specific action: the artist's journey back and forth across the bridges of the canal, with each trip documented by six photographs, which progress from a distant view to a close-up detail of the house directly across both sides of a given bridge. The oversized horizontal format of the book, with each leaf a gatefold representing the two sequences of photographs made on a single bridge, is also unique in Ruscha's oeuvre. Although the book was supposed to have an open edition, available by mail order, it did not sell well and the printer removed and disposed all extra copies from its warehouse. Dutch Details is thus the rarest of Ruscha's books" with an estimated 200 copies in existence. (The Metropolitan Museum of Art (NY) collection website). Deventer: The Octopus Foundation and Sonsbeek 71, 1971. Oblong folio (approx. 4 1/2 x 15 in / 112 x 380mm), original white card covers printed in black; custom box. Complete with 116 black and white photographs on 10 fold-out leaves. Some spots of foxing on extreme edges, but otherwise fine; most importantly without the band of toning of the front cover evident in so many copies. By far, the nicest copy we've handled. RARE.
  • $20,000
  • $20,000
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The Adventures of Sherlock Holmes. WITH: The Memoirs of Sherlock Holmes

DOYLE, ARTHUR CONAN FIRST EDITIONS OF TWO MASTERPIECES OF ENGLISH LITERATURE. The story of Arthur Conan Doyle, Sherlock Holmes, and Strand Magazine began in April, 1891, when Doyle sent three stories, "A Case of Identity," "The Red-Headed League," and The Boscombe Valley Mystery" to The Strand for publication in their issues. Doyle had imagined a creating a series of stories centered around his detective Sherlock Holmes, but with each one self-contained in case a reader missed an issue. The series, however, was intended to be limited, but the editor of The Strand kept asking for more. As Doyle later explained, "The more he asked for the more I turned out until I had a dozen. That dozen stories being finished I determined they should be the end of all Sherlock's doings." (Green and Gibson, A10). After appearing in magazine form, those original twelve stories were collected together in book form as The Adventures of Sherlock Holmes. "The proprietor of the magazine published the book himself using the same presses and many of the same materials as the magazine and was printed on thick cheap paper which was too heavy for the binding." (Green and Gibson). This heavy paper has been a source of frustration to collectors, since the weight of the text has destroyed so many of the original bindings over the years. The volume was published on 14 October 1892, and sold out quickly. Doyle had earlier threatened to kill off Sherlock Holmes (apparently he was persuaded not to by his mother) but now, in the next series of stories he was determined to do so. "If I don't [kill Sherlock Holmes]," Doyle announced, "he'll kill me." The second series, The Memoirs of Sherlock Holmes contains many of Doyle's most famous stories, before concluding, famously, with "The Final Problem," where Holmes apparently plummets to his death at Reichenbach Falls while wrestling Professor Moriarty. (Years later Doyle would, of course, succumb to the demands of a grieving public -and hefty payments from The Strand - to "resurrect" Holmes in "The Adventure of the Empty House".) Both volumes are the correct first editions, first printings: Adventures with the correct first printing points: "Miss Violent Hunter" on p. 317 and the blank street sign in the cover vignette; there are no comparable points for Memoirs. With wonderful illustrations throughout by Sidney Paget. London: George Newnes, 1892, 1894. Tall octavo, original publisher's decorated cloth gilt, patterned endpapers, all edges gilt. Housed in custom box. Adventures with light, general soiling and wear to cloth, some rubbing to gilt; front free endpaper with old newspaper clipping about the death of Sherlock Holmes neatly pasted on recto and owner signatures on verso. An excellent copy of a book that is notoriously difficult to find in collectible condition. Memoirs in outstanding condition with clean cloth and very bright gilt on front panel. Spine gilt with a touch of rubbing. Front free endpaper with small embossed stamp of the London bookseller "W.H. Smith"; mild toning on both front and rear endpapers. A beautiful set. References: Green and Gibson, A Bibliography of A. Conan Doyle, A10; A14.
  • $11,500
  • $11,500
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As We May Think

BUSH, VANNEVAR FIRST EDITION of Vannevar Bush's landmark paper credited for originating the idea of hypertext and, by extension, providing many of the theoretical underpinnings for the world wide web. "In a 1945 article entitled "As We May Think," published in the Atlantic Monthly, Bush proposed a device that he called the Memex-an indexed, archival, microfilm machine for cross-referencing and retrieving information. For Bush, this article was an extension of his work in analog computing and microfilm technology. To the modern reader it portends the creation of hypertext and the World Wide Web" (Britannica). "Different people place the origins of the Internet at different times. The earliest accounts put it in the mind of Vannevar Bush, as long ago as 1945. Bush, the man who had played such a prominent role in the building of the atomic bomb, envisaged a machine that would allow the entire compendium of human knowledge to be 'accessed'" (Peter Watson, The Modern Mind). Bush's Memex device for storing and accessing vast quantities of information was the direct influence and inspiration for the later invention of hypertext by Ted Nelson and Douglas Engelbart (see Engelbart's classic 1962 paper, Augmenting Human Intellect). IN: The Atlantic Monthly 176, no. 1 (July 1945), pp. 101-8. Rumsford Press, Concord, N.H., 1945. Quarto, original wrappers.The subscription issue (as opposed to the newstand issue). The subscription issue has several additional pages of ads, and an additional five pages of short reviews of new books and is presumed to have been issued before the newsstand issue. (The Bush article is identical in each issue.) Light, general wear. An outstanding copy. RARE.
  • $2,900
  • $2,900
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Communication / Information Theory: A Collection

SHANNON, CLAUDE; NYQUIST, HARRY; HARTLEY, RALPH; WIENER, NORBERT; et al. A remarkably complete collection of works documenting the history of the theory of communication of information - what 'information' actually is, and what are the theoretical restrictions on the accurate transmission of information from source to receiver. Note: The numbers in brackets correspond to the titles listed in the accompanying pdf, accessible via the link below the images. The first group of works details the development and proof of what is now called the 'Nyquist-Shannon sampling theorem'. If an analog signal (e.g., voice or music) has to be converted to a digital signal, consisting of binary zeros and ones ('bits'), the theorem states that a sample of twice the highest signal frequency rate captures the signal perfectly thereby making it possible to reconstruct the original signal. This theorem laid the foundation for many advances in telecommunications. The first evidence for the sampling theorem was found experimentally by Miner in 1903 [8]. It was formally proposed by Nyquist in 1924 [9, 10] and by Küpfmüller in 1928 [8], but first proved by Nyquist [12] and later by Küpfmüller's student Raabe [8]. In 1941, Bennett [15] referred to Raabe's work and generalized it. A result equivalent to the sampling theorem had, however, been proved by Whittaker as early as 1915 [8, 14] in the context of interpolation theory. Finally, in 1948 Shannon [8, 19] published a proof of both the sampling theorem and the interpolation formula as one part of his broader development of information theory. The term 'information', as a precise concept susceptible of measurement, was coined by Hartley in 1928 [11]. "Hartley distinguished between meaning and information. The latter he defined as the number of possible messages independent of whether they are meaningful. He used this definition of information to give a logarithmic law for the transmission of information in discrete messages . Hartley had arrived at many of the most important ideas of the mathematical theory of communication: the difference between information and meaning, information as a physical quantity, the logarithmic rule for transmission of information, and the concept of noise as an impediment in the transmission of information" (Origins of Cyberspace 316). In the following year, the physicist Szilard established the connection between information and the thermodynamic quantity 'entropy'. "Szilard described a theoretical model that served both as a heat engine and an information engine, establishing the relationship between information (manipulation and transmission of bits) and thermodynamics (manipulation and transfer of energy and entropy). He was one of the first to show that 'Nature seems to talk in terms of information'" (Seife, Decoding the Universe, 2007, p. 77). Another physicist, Gabor, pointed out the relation between the sampling theorem and the uncertainty principle in quantum mechanics [16]: "Signals do not have arbitrarily precise time and frequency localization. It doesn't matter how you compute a spectrum, if you want time information, you must pay for it with frequency information. Specifically, the product of time uncertainty and frequency uncertainty must be at least 1/4π." In 1942 Wiener issued a classified memorandum (published in 1949 [23]) which combining ideas from statistics and time-series analysis, and used Gauss's method of shaping the characteristic of a detector to allow for the maximal recognition of signals in the presence of noise. This method came to be known as the 'Wiener filter'. In his Mathematical Theory of Communication (1948) [19], Shannon notes: "Communication theory is heavily indebted to Wiener for much of its basic philosophy and theory. His classic NDRC report 'The Interpolation, Extrapolation, and Smoothing of Stationary Time Series', to appear soon in book form, contains the first clear-cut formulation of communication theory as a statistical problem, the study of operations on time series." Many of the developments in communications theory up to 1948 were summarized and systematized in Weiner's famous book on cybernetics [17]. It is this work of Shannon's that represents the real birth of modern information theory. "Claude Shannon's creation in the 1940s of the subject of information theory is one of the great intellectual achievements of the twentieth century" (Sloane & Wyner, Claude Elwood Shannon Collected Papers, 1993, p. 3). "Probably no single work in this century has more profoundly altered man's understanding of communication than C. E. Shannon's article, 'A mathematical theory of communication', first published in 1948" (Slepian, Key papers in the development of information theory, 1974). "Th[is] paper gave rise to 'information theory', which includes metaphorical applications in very different disciplines, ranging from biology to linguistics via thermodynamics or quantum physics on the one hand, and a technical discipline of mathematical essence, based on crucial concepts like that of channel capacity, on the other . The 1948 paper rapidly became very famous; it was published one year later as a book, with a postscript by Warren Weaver regarding the semantic aspects of information" (DSB). "The revolutionary elements of Shannon's contribution were the invention of the source-encoder-channel-decoder-destination model, and the elegant and remarkably general solution of the fundamental problems which he was able to pose in terms of this model. Particularly significant is the demonstration of the power of coding with delay in a communication system, the separation of the source and channel coding problems, and the establishment of fundamental natural limits on communication. "Shannon created several original mathematical concepts. Primary among these is the notion of the 'entropy' of a random variable (and by extension of a random sequence), the 'mutual information' between two random variables or sequences, and an algebra that relates these quantities and their derivatives.
  • $90,000
  • $90,000
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Typed Letter Signed [TLS] introducing The Lord of the Rings

TOLKIEN, J.R.R. EIGHT MONTHS BEFORE PUBLICATION, TOLKIEN ANXIOUSLY INTRODUCES HIS MASTERPIECE, THE LORD OF THE RINGS, TO A FAN OF THE HOBBIT. Tolkien had begun work on The Lord of the Rings in December of 1937 and by early 1950, after over twelve years of labor, the writing was essentially complete. The road to publication, however, was not an easy one, for Tolkien feared his book would have difficulty finding an audience. In February, 1950, he wrote about his concerns to his publisher (Allen & Unwin): "My work has escaped from my control and I have produced a monster: an immensely long, complex, rather bitter, and rather terrifying romance, quite unfit for children (if fit for anybody)." (Carpenter, 213). Tolkien's admission that he had produced a "monster" turned out to be prescient, for seeing the book through publication proved to be a challenge for both him and his publisher and three years after completion, the first volume (The Fellowship of the Rings) was still not in print. At the time of the present letter -December 2, 1953 -publication finally seemed imminent, and Tolkien was understandably nervous. Writing to Mrs. F.L. Perry, a fan of The Hobbit, he explains the delays in publication (it was supposed to be published by Christmas, 1953), worries that the book will be too long and expensive to reach a wide audience, introduces the world of The Lord of the Rings and expresses his hopes that she will like the book despite humbly worrying that it is filled with too much history, geography, and genealogy. His was right to be concerned about further delays in publication -the first edition of The Fellowship of the Ring wouldn't actually appear until July 29, 1954 - but of course his other major concern -that the book would not find an audience - was wildly misguided. The letter reads in full: December 2nd, 1953 Dear Mrs. Perry, Thank you very much for your letter, and kind words. All I can say is that, if you have so much enjoyed The Hobbit, then at least you will not be disappointed with The Lord of the Rings. Unfortunately, I have not only been crushingly busy this year, but also during October and November often ill, and certain adjuncts, necessary to publication, which only I can supply (e.g. maps) have been so long delayed that issue of Vol. I for Christmas, as planned, has become impossible. I hope it will appear early in 1954, and the next two vols. in quick succession. I am correcting the proofs of Vol. II at the moment. I do not know the price yet. Alas! Having put so much into this sequel, it has grown to such a large book that size and cost alone will, I fear, keep it out of many hands that would enjoy it. But I hear that the Americans are taking it up, after seeing an advance copy of Vol. I, and I am told that may make a larger issue and a rather lower price possible on the side of the Water. There is no more about Mirkwood or the northern countries, I am afraid; and the story moves away down the Great River to the kingdoms of the South. But there is a great deal of Ancient History and geography and genealogy in it: too much, I dare say, for all but the most devoted friends of Hobbits. I would send you some proof-copies, if I had any to spare, and if I did not think that you would enjoy it more, when it is complete, and has maps and appendices and all. But I hope very much that when at last you get it you will not be disappointed. It will take a very long time to read, even once, and even quickly! Yours sincerely, [signed] JRR Tolkien Typed Letter Signed ("J.R.R. Tolkien") to Mrs. F.L. Perry, two pages, on one half-sheet (both sides) of Tolkien's 76 Sandfield Road stationery. Center mailing fold, two tiny closed tears at extreme edges; generally fine. Housed in custom presentation folder. As far as we can tell, this letter is unpublished. References: Carpenter, Humphrey. J.R.R. Tolkien: A Biography. Boston: Houghton Mifflin, 2000.
  • $37,500
  • $37,500
Autograph Letter Signed [ALS] on The Lord of the Rings

Autograph Letter Signed [ALS] on The Lord of the Rings

TOLKIEN, J.R.R. A REMARKABLY REVEALING LETTER: TOLKIEN DISCUSSES HIS SPECIFIC FEARS ABOUT THE TWO TOWERS AND DEFINES "THE FOUNDATION" OF THE LORD OF THE RINGS AND CONNECTS IT TO HIS LIFE'S WORK. The Fellowship of the Ring (the first volume of The Lord of the Rings trilogy) was published on July 29, 1954. There were a number of rave reviews (mostly notably from Tolkien's friend C.S. Lewis) but there were also enough harsh or critical assessments (particularly the reviews in the Daily Telegraph and Sunday Times) to concern Tolkien and make him anxious about the reception of the second volume, The Two Towers. Professional reviews were one worry, but Tolkien always seemed even more eager to discover if his works connected with "regular" readers as well. One such reader whose opinion he held in high regards, was one of his early supporters, Miss F.L. Perry, whom he had corresponded with earlier about The Hobbit and The Fellowship of the Ring. The present letter was written on November 22, 1954 -only eleven days after the publication of The Two Towers - but the opening of the letter implies that Tolkien has already written her for her thoughts on his new book ("I did not mean to put you to any trouble") and has been eagerly awaiting her reply. Then, in a revealing passage that gives insight into Tolkien's thinking on potential failures of The Two Towers, he confesses that he worried about how his readers would accept the return of Gandalf (who was presumed dead at the end of The Fellowship of the Ring), and more generally, "would feel a falling off on a failure of their expectations," or "feel they had had enough after the novelty had worn off, and perhaps regret the decrease of hobbitry and elfishness as the darkness increases and war and terror come out of the East." With relief - and evidently pleased with Miss Perry's previous response - he writes that "All this is answered! Though by no means all are so satisfied by Gandalf." It's clear that Miss Perry was curious to learn more about Tolkien's writing and the history of Middle-earth, for Tolkien then goes on a wonderful digression first focusing on The Lord of the Rings before shifting to a discussion of his previously published work grounded in Anglo-Saxon history (noting, interestingly, that he is at his best when he is writing "verses arising from the emotions of a story, and written to represent the feelings of other 'characters' than myself"). He concludes with an important statement identifying the theme that unites all his work, both reality-based and fantasy-based. The historical work, he writes, "is really on the theme which has always engrossed me and is the foundation of 'The Lord of the Rings': the noble and the ignoble. For hobbitry you have the plain farmer-soldier; for the chivalry, a young minstrel or poet." He concludes his letter with the hope that Miss Perry will stay with him through volume III, "when all the complicated plot, and many characters, must be drawn together." The text reads in full: Nov. 22nd 1954 Dear Miss Perry It was very nice indeed of you to write; but I did not mean to put you to any trouble, specially not when unwell. Still, I was anxious about one or two points: specially about the return of Gandalf; and generally whether my friends would feel a falling off on a failure of their expectations; or feel they had had enough after the novelty had worn off, and perhaps regret the decrease of hobbitry and elfishness as the darkness increases and war and terror come out of the East. All this is answered! Though by no means all are so satisfied by Gandalf. However, all the reviews of the T.T. so far have been good, and Edwin Muir (Observer) is much less patronizing. As for the Chronicles: it has been impossible to include all that I have written or sketched out in this book. But there is really quite a lot of stray information about Arwen scattered about. It was the northern Númenórean realm of Isildur with its capitals at Annúminas and Fornost of which a good deal is said in the 'Council of Elrond.' The King of Angmar becomes the Lord of the Ringwraiths, who appears in Book 1, and will appear again. I have written a good deal of verse (of very varying merit), and some of it has been published here and there. But I have never collected it. I think I am best at the kind of thing seen in the present book - verses arising from the emotions of a story, and written to represent the feelings of other 'characters' than myself. The very long narrative poems, I do not suppose will be ever published. They may! Of longer things a 'Breton Lay,' Aotrou and Itroun was published in the 'Welsh Review' (now deceased); and on Dec. 3 you can hear (if you wish) a dramatic dialogue in alliterative verse concerning the 'Battle of Maldon (fought A.D. 991), broadcast by the B.B.C. It might interest you since it concerns one of the most heroic events in Anglo-Saxon history, and is the history of Essex; the death of the great Duke Byrhhnoth of Essex in battle with the Vikings of Anlaf (Olaf Tryggvason) of Norway. And also because it is really on the theme which has always engrossed me and is the foundation of 'The Lord of the Rings': the noble and the ignoble. For hobbitry you have the plain farmer-soldier; for the chivalry, a young minstrel or poet. I hope you will soon be better. And I hope, too, that you will continue to approve of Vol III, when all the complicated plot, and many characters, must be drawn together. Thank you once more for your kindness in writing, and for the great encouragement you have given. Yours sincerely, [signed] J.R.R. Tolkien Autograph Letter Signed. Four pages on two sheets (170 x 132 mm) of Tolkien's 76 Sandfield Road stationery. Custom presentation folder. Usual mailing folds, a few spots, particularly on last page; visually very attractive, showcasing Tolkien's famous calligraphic handwriting. As far as we can tell, this letter is unpublished. References: Carpenter, Humphrey. J.R.R. Tolkien: A Biography. Boston: Hou
  • $48,000
  • $48,000