THE EARTHSEA TRILOGY. Comprising: A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore. - Rare Book Insider
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THE EARTHSEA TRILOGY. Comprising: A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore.

First Folio Society editions and first printing with these illustrations. Three volumes. Original fully illustrated cloth with titles in gilt and silver to the spines and gilt decoration on the upper boards. Each housed in a slipcase. Illustrated throughout in colour by David Lupton. Map endpapers. A lovely fine set, the bindings square and tight, 'The Tombs of Atuan' with very light rubbing at the extremities, the contents clean and bright throughout. The slipcases are in fine condition. Uncommon in the first editions. A beautifully produced and illustrated Folio set of Ursula Le Guin's multi-award winning fantasy which has been praised by writers such as Margaret Atwood and David Mitchell, and has been turned into an animated film by Studio Ghibli. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.
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THE ROVER

First edition in book form, first printing. Limited edition, signed by the author. Publisher's original cream paper covered boards, illustrated and with titles in gilt to the upper board and spine, in both the original glassine and blue paper dustwrapper, housed in the publisher's card slipcase. Top edge gilt, all others uncut. Frontispiece portrait from an etching by Muirhead Bone, complete with printed tissue guard. A superb very near fine copy, the binding square and tight, the boards bright and fresh. The contents are clean throughout and without previous owner's inscriptions or stamps. There is a clean closed tear to the fore-edge of the rear endpaper. Complete with the fine plain glassine, underneath the very lightly rubbed blue paper jacket, printed in black to the spine. Both jackets remain without fading, loss or tears. Housed in the worn card slipcase, darkened to all sides and split to one side of the upper edge. The printed label to the backstrip (hand numbered 137 corresponding with that on the limitation page), although toned and a little rubbed at the corners remains without loss. An excellent example, seldom encountered thus. Conceived as a short story and expanded to become Conrad's last full novel, 'The Rover' was first serialised over four issues of Pictorial Review magazine between September and December 1923. The first edition in book form was issued in a limited edition of 377 copies, each individually numbered and signed by Joseph Conrad in black ink on the limitation page. Both the UK and US trade editions followed later. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.
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VICTORY OR VESTED INTEREST?

ORWELL, George; COLE, G. D. H.; WILLIAMS, Francis; LASKI, Harold; SUTHERLAND, Mary First edition in book form, first printing. Publisher's original light brown cloth with black titles to the spine, in dustwrapper. A very good copy, the binding square and firm, the cloth bright and fresh. Printed on war economy paper. The contents, spotted to the endpapers are otherwise clean and without inscriptions or stamps. Complete with the rubbed, nicked and darkened dustwrapper that has three short closed tears (secured with small pieces of tape to the underside) and some chipping to the spine tips. Not price-clipped (5s net to the lower front flap). Scarce. A thought-provoking analysis of wartime challenges, societal dynamics, and the pursuit of victory while navigating vested interests. Based on a series of lectures delivered in 1941 under the auspices of the Fabian Society. Contributors include: G. D. H. Cole 'Private Monopoly or Public Service'; Francis Williams 'Equality of Sacrifice'; Professor Harold Laski 'Democracy in War-Time'; Mary Sutherland 'Women and the War'; George Orwell 'Culture and Democracy'. Orwell delivered his lecture from notes and refused to provide a script. This subsequent publication incurred his ire, directed towards the Fabian Society, who had borne the responsibility for passing the stenographer's script "grossly altered without my knowledge" to George Routledge. 'Victory of Vested Interest?' was first published on the 15th May 1942 in an edition of 6,311 copies. (Fenwick B.17). Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.
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WARHOL: IL CENACOLO [THE LAST SUPPER].

WARHOL, Andy; edited by IOLAS, Alexandre First edition, first printing of the catalogue for the last Andy Warhol exhibition in his lifetime. Signed by the author. Publisher's original card covers with white titles to the upper panel. Illustrated with a black and white photographic portrait frontispiece, thirteen further black and white photographs and 20 colour reproductions of the artist's 'The Last Supper' (three of which are full page fold outs, with thumbnails). Text in Italian, with essays by Luisa Cogliati Arano and Carlo Bertelli. A near fine copy, the binding square and firm with a few tiny marks to the upper panel, the extremities lightly rubbed and otherwise free from fading, loss or tears. The contents, with a little creasing to lower corner of the frontispiece and some offsetting of Warhol's signature onto the inside cover and subsequent page, are otherwise clean throughout. Scarce in commerce, particularly in signed state, with only one other signed copy located at auction. Signed boldy (twice) by Andy Warhol in black marker on the front free endpaper 'Peter / love / Andy Warhol / Andy Warhol'. Published in conjunction with Warhol's final exhibition. In 1984, almost 500 years after Da Vinci's creation of 'The Last Supper' (1495 – 1498), the gallerist Alexandre Iolas commissioned Warhol to respond to Da Vinci's masterpiece, with the resulting series of paintings and prints shown in 1987 at the Galleria Refettorio delle Stelline, Milan. The venue was chosen for its proximity to the Santa Maria delle Grazie, where the original was painted by Da Vinci. Whilst twenty pieces were exhibited, Warhol spent two years creating over one hundred variations of 'The Last Supper'. Using reproductions of the original from mass media, rather than the original itself, he created works in various mediums, including works on paper, sculpture and large-scale paintings. The exhibition would prove to be his last, with his sudden death during gallbladder surgery, one month after the opening in Milan. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.
  • $1,938
  • $1,938