New Illustrations of Zoology, containing fifty coloured plates of new, curious, and non-descript birds, with a few quadrupeds, reptiles and insects. - Rare Book Insider
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BROWN, Peter.

New Illustrations of Zoology, containing fifty coloured plates of new, curious, and non-descript birds, with a few quadrupeds, reptiles and insects.

London B. White: 1776
  • $7,865
First edition; 4to; titles and text in English and French, 50 hand-coloured engraved plates after the author, some numbered in manuscript; modern red crushed morocco gilt, all edges gilt by Sangorski & Sutcliffe, a very good, clean copy. Notable for being the first book to include an illustration of an Australian bird. Brown (fl.1766-1791) was reported by Thomas Pennant to be a Dane by birth, and 'a very neat limner' (a painter of ornamental decoration). He was appointed Botanical Painter to the Prince of Wales in 1783. The Australian bird was the Blue bellied parrot, painted by Brown in 1774, following Captain Cook's first voyage. The book also contains an engraving of a New Zealand Creeper. The work is principally based on specimens in the natural history collections of Marmaduke Tunstall who kept a museum in London, and Thomas Pennant. It also includes plates after drawings by the Ceylonese artist P.C. de Bevere in Java and Ceylon. Forty-two of the plates depict birds, 5 mammals, 2 insects and one an amphibian. Much of the text was supplied by Pennant, whilst the work was published by Gilbert White's brother, Benjamin. Nissen IVB, 151; Wood p.264; Zimmer pp101-102.
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Histoire Naturelle des Perroquets.

LEVAILLANT, François; BARRABAND, Jacques (illustrator). First edition, first state; 2 vols; folio (53 x 35 cm); half-titles, 145 etched plates after illustrations by Jacques Barraband printed in colour and finished by hand, table of contents to end of each vol., occasional light spotting, mostly to margins; contemporary burgundy straight-grained morocco gilt, upper and lower panels with wide gilt borders of palmettes, enclosing Meander roll in blind and inner gilt panel, gilt spine in 7 compartments, all edges gilt, minor restoration to corners and spine caps, each vol. housed in red cloth clamshell case with contrasting black calf lettering-pieces to spine. First edition in the preferred folio format of this celebrated work, which stands in the front rank of ornithological books. An excellent copy of Levaillant's celebrated Histoire Naturelle des Perroquets, illustrated with 145 hand-finished etched colour-plates after original drawings by the French artist Jacques Barraband (d.1809), often considered one of the most beautiful colour-plate books of Napoleonic France. This copy has the title of volume one in its first state, with the date An IX (1801). 'After he had made himself Emperor, it was part of Napoleon's deliberate policy to initiate a series of magnificent publications that would vie with those undertaken to the orders of Louis XIV. These were sent as presents to crowned heads, men of science, and learned bodies, in evidence of the splendours of the Empire. In this manner many glorious books came into being, and it is in this light that we should see Redouté's Les Liliacées and his two works on the flowers of La Malmaison. The works of Levaillant owe their sumptuous character to the same impetus' (Fine Bird Books). Levaillant (1753-1824) inherited a passion for observation and travel from his childhood in Dutch Guiana, where his father was the French consul. He returned to France with his family, where he eventually became a merchant of natural history specimens. At 27, he travelled to Southern Africa with the Dutch East India Company, likely sponsored by Jacob Temminck to collect specimens for his collection. Levaillant was among the first explorer-naturalists to venture into the field to see and study birds in their natural habitats, resulting in some of the finest ornithological works ever produced. He was also a pioneer of travel writing; his colourful accounts of his journeys describe him as wearing 'court suits of "Blue-Boy" silk, with white gloves, ostrich-plume hat, and lace ruffs' to show respect for the animals he hunted (Fine Bird Books). He writes extensively about his close relationships with African companions and condemns the Dutch for their violence against Indigenous people in the region. His work is also notable for his use of French descriptive names for birds such as La Perrouche à face bleue, as opposed to the standard binomial nomenclature introduced by Carl Linnaeus. The artist Jacques Barraband had honed his skills as a draughtsman at the renowned Gobelins tapestry manufacturer in Paris, allowing him to create illustrations unparalleled in their delicacy and beauty. His drawings for the present work were printed in colour by Langlois, the great master of French colour printing in the early 19th century. The names of three of the birds described commemorate the artists involved in the production of the plates: Barraband, Langlois, and Bouquet, who executed the engravings. Anker 303; Fine Bird Books p.90; Zimmer p.392.
  • $151,250
  • $151,250
Men at Work. Photographic Studies of Modern Men and Machines.

Men at Work. Photographic Studies of Modern Men and Machines.

HINE, Lewis W[ickes]. First edition, presentation copy inscribed on the front free endpaper; 4to (253 x 203 mm, 10 x 8 in); black-and-white photographs printed in gravure; minor foxing to endpapers, green cloth-covered boards, titles to upper side in black, mottling to boards along fore-edge, photo-illustrated dust-jacket, minor wear to edges, minor foxing to verso, price-clipped for presentation, a near-fine copy in a remarkable example of the rare dust-jacket; [48]pp. [With:] LOVEJOY, Owen R. The Negro Children of New York. New York, The Children's Aid Society, 1932. An important presentation copy in a remarkable example of the rare dust-jacket, inscribed: 'To Owen R. Lovejoy / for his never-failing appreciation / of our work, – many of the results / being the direct outgrowth of his / suggestions and optimistic criticism. / May his vision never grow dim.' Owen R. Lovejoy was a vehement opposer of child labour. He served as the general secretary of the National Child Labor Committee from 1907 to 1926, where Lewis Hine was a staff photographer and art director of their magazine 'Charities and Commons (later 'The Survey') between 1908 and 1917. Men at Work contains photographs made between 1920 and 1931, issued amid the worst employment crisis the United States had ever known. Hine saw it as a way of reaching out to schoolchildren, providing them with constructive role models and emphasising the human element of industry, with photographs of railroad employees, coal miners, aeroplane assemblers, steelworkers, and others. Among the most striking photographs are Hine's images of the construction of the Empire State Building, which Empire State, Incorporated, had used widely for publicity purposes. Hine always insisted on exerting control over the layout of his photographs, regularly requesting to see magazine proofs before publication. It is probably for this reason that he was not selected to work for the Farm Security Administration during the 1930s, with Roy Stryker, head of the Historical Division of the FSA, expressing concern that Hine may be difficult to employ and that it would be impossible to make the type of arrangements that he would have found satisfactory. Men at Work is the only book of Hine's photographs published in his lifetime. The Photobook: A History I, p126; The Open Book pp108–9; Auer Collection p187.
  • $18,150
  • $18,150