Epistolae clarorum Virorum selectae de quamplurimis optimae, ad incandam nostrorum temporum eloquentiam
16mo. Contemporary French brown calf, blind fillet around sides, inner rectangle formed by two blind fillets with gilt fleuron at corners, large gilt fleuron in center; spine with raised bands in five compartments (but with leather from one compartment lacking, marguerites in each, edges gilt. Italic type, 28 lines plus headline. collation: A-Q8: 128 leaves, foliated, complete. Woodcut Aldine device on title- page and recto of final leaf. Joints cracked, internally some light staining. An sound copy of this work in a sweet little binding with early inscriptions to title, "Joannes de Malleroys" and "Empt. 10 ass. 1596" iAnother inscription to title reads, "Varillat chisy (?). References: UCLA 1049; Renouard 296/7; Grolier/Aldus 127; FB 69230; USTC 152040
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Cent-dix dessins inédits
Oblong 4to. Contemporary red Morocco (front board cracked at bottom), green inlaid and gilt border and spine, green suede endleaves, all edges gilt, Florentine paper slipcase. Numbered "503" of a stated edition of 500. A stunning, deluxe binding with unfortunate (but repairable) splitting along the spine at bottom of front board. Images available upon request. John Keats, the apothecary poet. First Edition inscribed by Osler
8vo. 18 [21pp.] 206 x 145 mm. Original printed wrappers, split along spine; some light soiling Inscribed by Osler on the title: "Mrs. Harry T. [i.e., Thomas]a) from W. O. [At foot of title:] 1) Would I were constant as thou art!" First Edition. Osler's appreciative account of the great English poet, "numbered among the inheritors of unfulfilled renown with Catullus and Marlowe, with Chatterton and Shelley, whom we mourn as doubly dead in that they died so young" (p. 17). Osler inscribed this copy to the wife of his colleague Harry M. Thomas (1861-1925), professor of clinical neurology at Johns Hopkins; see Cushing, Life, p. 892. The quotation that Osler inscribed at the foot of the title is from one of Keats's posthumously published poems, which begins "Bright star! Would I were constant as thou art!" Golden & Roland 935. This is a particularly nice double assocation copy as Osler had a close relationship with Dr. Thomas and his wife. Thomas would become chief of Neurology at Johns Hopkins. In the preface to the 6th edition of his famous textbook, Oster singled out Thomas with praise for his help with the section on the Nervous System. Osler quotes a line from the last poem Keats ever wrote and writen it on the title page of the paper, perhaps noting that it applies to her. Observations Historical, Critical, and Medical, on the Wines of the Ancients
4to (272 x 216 mm). Engraved frontispiece, vignettes on title. Rebacked contemporary calf, marbled endpapers. Covers scuffed, scattered browning and spotting, penciled marginalia. FIRST EDITION. Includes a 58-page Appendix on modern wines ('For some years the French and English have been particularly fond of the sparking, frothy Champaigns. The former have almost entirely quitted that depraved taste'), and observations on the quality of water. Vicaire p 67; Wellcome II, p 105. French Manuscript, “Idiotismes Francais et Proverbes proprement dits, recueillis, definis et mis dans un noucel ordre”
Period half sheep and marbled paper; 4to (197 x 254 mm); pp. 70, handwritten in black ink on the rectos only, in a tidy, tiny script. Backstrip chipped, with gatherings exposed (but everything holding just fine); boards a bit scuffed. An extensive compilation, in two parts, of French idioms and proverbs -- listed in alphabetical order, and with explanations. The preface suggests joint authorship, but Joachim-Simeon Lucet (the London-based author of "Langue Francaise," 1843) undoubtedly had some hand in the creation of this interesting, rigorous, and frequently amusing manuscript. Provenance: Brent Graton-Maxfield, with his ownership signature and notations on the front paste-down. Autograph Letter Signed (“J.S. Knowles”) to William Hazlitt
A rare and wonderful letter from James Sheridan Knowles to William Hazlitt. Letters written to Hazlitt are even scarcer than those written by him. 1 1/2pp, 4to, Glasgow, 28 November 1823. A letter to William Hazlitt, beseeching Hazlitt to help him further his literary career: "You know what you can do for me -- for your old & grateful Pupil, who only wants to . tell the world what he owes you. You can do more for me than any man alive. I have written a better play than Virginius. . [YJou can appreciate me above all other men. . Now Hazlitt be the guardian of your 'boy poet'. . See how scurvily the Examiner has used me - how shamefully it has swerved from its first love -- It cannot be Leigh Hunt -- I know it cannot. I have directed a copy of ['Alfred'] to be forwarded to you. It is dedicated to Mr. John Patterson to whom I promised to dedicate it eight years ago. ." Integral leaf cut away; mounted to a larger ruled sheet; folds and one marginal tear (repaired); with a few slight ink smudges (all text still legible). In good condition, despite the defects noted. From the collection formed by Payson G. Gates, later in the possession of his daughter, Eleanor M. Gates. The text of this letter has been published in "Leigh Hunt: A Life In Letters / Together With Some Correspondence of William Hazlitt," edited and introduced by Eleanor M. Gates (Essex, CT: 1998), who notes: "Letters written to Hazlitt are even scarcer than those written by him. . The 'Alfred' on which Knowles was apparently pinning his future hopes, was 'Alfred the Great, or the Patriot King,' which remained unproduced until . eight months after Hazlitt's death. As a dramatist, Knowles [(1784-1862)] enjoyed increasing popularity, and a long list of stage successes. Hazlitt called [his boyhood friend] 'the first tragic writer of the age. Knowles in turn freely admitted his debt to Hazlitt for 'early counsel and encouragement,' without which, he felt, 'he would probably never have been a dramatist." (p. 657). La Foi qui Guérit. Unique set of page proofs.
Page proofs (first 8 pages only) with autograph signed note by Gilles de la Tourette on the first page and ms. editorial corrections possibly his throughout. 8pp., printed on one side of a single sheet (555 x 437 mm.) and folded to make 8 pages. N.p., n.d. [Paris, 1884 or after]. Somewhat soiled and spotted, light wear and chipping along horizontal fold. These page proofs of the first eight pages of the French neurologist J.-M. Charcot's article on faith healing, first appeared in English in the New Review; the French version was published in the Revue hebdomadaire. On the first page of the proofs is a partly illegible autograph note by Charcot's colleague Gilles de la Tourette, discoverer of Tourette's syndrome (see G-M 4848); the note relates to the proof's editorial corrections, which may also be in Tourette's hand. Tourette's association with Charcot began in 1884, when he began working under Charcot at the Salpêtrière, which at the time was a center of research for the emerging disciplines of neurology and neuropathology. 38731 Babbitt
Advance review copy of the first edition of Sinclair Lewis's classic novel. Stamped in red on the title page: "Sample Copy - Publication Date September 14, 1922". Original orange and blue publisher's cloth in a rare variant dust jacket (very worn with significant losses to base of spine and bottom rear panel, and smaller chipping along the top). Cyder. A Poem in two books.
8vo; plain modern white wraps. pp. 89. A nice clean copy. Fine engraved fronispiece of garden workers. Later impression of first edition with p.74 correctly numbered, pp. 44 and 46 are signed * at the bottom. The last word in 44:12 is 'destitute.' ESTC T78745. ROTHSCHILD 1535. Samuel Johnson wrote of the poem: "It is grounded in truth; that the precepts which it contains are exact and just, and that it is therefore at once a book of entertainment and of science. This I was told by Miller, the great gardener and botanist, whose expression was, that 'there were many books written on the same subject in prose, which do not contain so much truth as that poem.' " Novelas exemplares de Miguel de Cervantes Saavedra. Dirigidas á Don Pedro Fernandez de Castro, Conde de Lemos. Nueva impresion, corregida y adornada con láminas.
Two volumes. 8vo. Complete with the six engraved plates (after Ximeno and Barranco) in each volume. Bookplate of Kenneth Rapoport. A very handsome set in contemporary Spanish marbled calf, spines gilt, labels in red and green.- $1,250
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In omnes M. Tullii Ciceronis Orationes . Lucubrationes.
Folio. Italic and Roman type, 64 lines plus headline, text printed in single and double columns. collation: a-z8 A-V8 X10 Y8 Z6: 368 leaves. Woodcut Aldine device on title-page and final verso, woodcut initials. Modern half-calf and marbled paper-covered boards, preserving earlier gilt-lettered red morocco label, red and green dappled edges. A long closed tear to x8 and a repair to final leaf, along with occasional marginal worming and intermittent browning. Still, overall a nice copy, with quite interesting provenance. An embossed stamp to the title reads: "Ex libris Ioan Com de Tarnow". Almost certainly a member of the Tarnowski von Tarnów family, either Count Jan Dzier ys aw Tarnowski z Tarnowa (1835-1894), Jan Józef (1826-1898), or Jan Tytus (1888-1947). References: UCLA 428; Renouard 153/4; Edit16 27026; USTC 803551.- $1,250
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Viage al Parnaso
8vo. Complete with the three engraved plates; a very good copy in contemporary tree calf, gilt spine, red leather label. Scuffs to rear board but still quite pleasing overall. An important edition, supplemented by the first printing of Cervantes's two early plays, El Trato de Argel, imitated by Lope de Vega and confessedly autobiographical, and El Cerco de Numancia, the best tragedy in Spanish before Lope. Palau, 53878. Bookplates of John Cuthbertson and Kenneth Rapoport. Signature of George Taylor.- $950
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Zwo Schriften des heiligen Augustinus von der wahren Religion und von den Sitten der katholischen Kirche. Mit Beilagen und Anmerkungen von Friedrich Leopold Grafen zu Stolberg
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Vida de Miguel de Cervantes Saaveara, escrita e ilustrada con varias noticias y documentos ineditos pertenecientes a la historia y literatura de su tiempo
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Histoire de l’admirable Don Quichotte de la Manche, traduction de Filleau de Saint-Martin ; avec un essai sur la vie et les ouvrages de Cervantés par M. Auger
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Il Picariglio Castigliano, cioe la vita di Lazariglio di Tormes (Tr. Barezzo Barezzi).
[Cervantes, Miguel de] Lazarillo de Tormes. Small 8vo. Woodcut device on title and at the end. Contemporary vellum; some minor stains. Bookplate of Kenneth Rapoport. Collates complete, aside from final bank (T8). Second edition in Italian (first was 1622) of the anonymous Spanish novel which is generally accounted as a prototype and precursor of the picaresques genre; it was placed on the Index for its vigorous anticlerical satire. The problem of the work's authorship is still unresolved: it has been attributed variously to Fray Juan de Ortega and to Diego Hurtado de Mendoza. This Italian edition contains much extraneous material, including Cervantes' La Gitanilla, one of the Novelas ejemplares.- $850
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The Scottish Chiefs: A Romance
PORTER, Jane [Miss] (17761850) 3 volumes, 8vo (139 x 90mm). Pagination: 240pp.; 238pp.; 246pp. Original calf embossed with design of Gothic architecture and gold tooled border. Bindings rubbed; internally some foxing, per usual. Each title signed "T. H. Kerr" in a contemporary hand.- $150
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English Seamen in the Sixteenth Century, Lectures Delivered at Oxford Easter Terms 1893-4
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[The Exemplary Novels]. Nouvelles de Michel de Cervantes Saavedra [with]. La Vie de l’Auteur.
Cervantes, Miguel de 2 vols. 8vo. 166 x 180 mm. Contemporary mottled calf, gilt ruled covers with fleurons at corners, gilt spines, a.e.g. Chipping to extremities but still a nice set. Bookplate of Kenneth Rapoport in each volume. Illustrated with portrait (in vol.1) by Folkema after G.Kent, and 13 full-page engraved plates by Folkema, one at the head of each story, both title-pages with engraved vignettes of the three bawdiest "novelas exemplares." The Curious Impertinent, The Glass Licentiate, and Rinconet and Corta-dillo. All three are regarded as among the best of the thirteen novelas. Each story is accompanied by a full-page illustration by Folkema. A fine rococco illustrated book. Lewine, Bibl. of Eighteenth-Century Art and Illustrated Books, p.104; Cohen, Guide de l'amateur de Livres de figures, p. 105. RIus 1, 906.- $750
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