Shop-books - Page 10 of 15 - Rare Book Insider

Showing 541–600 of 869 results

View all
  • Showing 541–600 of 869 results

[Text in Russian] Atlas Trinadtsati Chastei S. Peterburga s podrobnym izobrazheniem naberezhnykh

[Text in Russian] Atlas Trinadtsati Chastei S. Peterburga s podrobnym izobrazheniem naberezhnykh, ulits, pereulkov, kazennykh i obyvatel’nykh domov [WITH] Alfabitnyi ukazatel’ k Atlasu 13-ti chastei S. Peterburga [An Atlas of the Thirteen Parts of St. Petersburg with a detailed image of its embankments, streets, alleyways, and town houses [WITH] An Alphabetical Index] [Inscribed and Signed to Dmitry Yegorovich Benardaki]

TSYLOV, Nikolai Ivanovich St. Petersburg: s.i., 1849. First Edition. Two volumes; small quarto (26.5cm.); uniformly bound in publisher's blind-ruled purple cloth, gilt-lettered spines; atlas volume includes 392 numbered street plans as well as one hand-colored map of the city and 13 hand-colored district maps (collated and complete); index volume: [6],279,[1],39pp. Cloth extremities rather faded, spines uniformly sunned to tan, a few plates trimmed a bit close touching numbers, else a Very Good, internally fine set of the first atlas of St. Petersburg, albeit lacking errata leaf. Front free endpaper of the atlas inscribed and signed by Tsylov "To Dmitry Yegorovich Benardaki / With the sincerest devotion / From the author / Nikolai Tsylov"). The seed of St. Petersburg was first planted in 1610 as a small but powerful fortress built where the Neva meets the Okhta River. The Swedish, having recently annexed a large swathe of land from the Russians during the "Smuta" (a.k.a. the Time of Troubles, 1598-1613), were in need of a stronghold to preserve their rule over the newly-acquired region of Ingria and thus Nyenschantz was built. For almost a hundred years the fortress remained under threat of invasion, rebuffing at least one major attack, in 1656. By the mid-1670s the fortress had been modernized and expanded to house as many as six hundred. But while the Swedish saw the location as a protective measure, Peter the Great saw something much more powerful: a gate to the Western world. By 1700 the Great Northern War had broken out and by 1703 the fortress had fallen and Ingria was once again Russian soil. With deliberation Peter the Great made plans to establish a city on the estuary of the Neva River, and that city would be the new capital of Russia, St. Petersburg. Situated as a port town and a link between Russia and the West, St. Petersburg was for the next two hundred years a cosmopolitan and Western-looking capital city, while Moscow came to represent Russia's medieval and Orthodox origins. Fittingly, the first topographical description of the city, which appeared in 1713, was published not in Russia, but in Leipzig, anonymously, and in German. Speculation has been made that the work was commissioned by Peter himself, who saw the need to paint a positive portrait of the city amongst his Western peers. Apparently he saw no need to win over his own subjects, and for much of the 18th century there remained a dearth of secular Russian literature, printed in Russia, about Russia. The first full-length book about St. Petersburg in Russian arrived on the scene in 1749 by the hand of a zealous librarian named Andrei Bogdanov, but his oversized folio was never published. The most popular description of the city published in the 18th century was by a German, Johann Gottlieb Georgi. The title translates as "Description of the Russian Imperial Capital City St. Petersburg and the Memorable Sites in Its Suburbs, with a Map" (1794), and included detailed descriptions of the school, churches, hospitals, charitable institutions, and government agencies throughout the city. The work was hugely influential, saw several editions in its original German, as well as a French translation, but most importantly, it was translated into Russian. Its thumbprint can be seen on Tsylov's atlas. Between the publication of Georgi's "Description" and Tsylov's "Atlas," however, another sixty years and the Napoleonic Wars intervened. St. Petersburg had now been scrutinized by Fyodor Dostoevsky and Nikolai Gogol, among others, yet some still decried the lack of literature devoted exclusively to the city itself. Significantly, in 1845, a leading member of the Westernizing faction of Russia's budding intelligentisia named Vissarion Belinsky, published an anthology titled "A Physiology of Petersburg," in which the author accused Russian society of missing proper "belletristic works in the form of travel narratives, [puteshestriviia], accounts of tours [poezdki], sketches, stories, and geographic descriptions [opisaniia] that would acquaint [the public] with the various parts of boundless and diverse Russia" (cf. Emily D. Johnson, "How St. Petersburg Learned to Study Itself" (2006), p. 35). In the next five years a flood of travelogues and topographical studies appeared on the market, best among them the first atlas of St. Petersburg, compiled by the high-ranking officer Nikolai Ivanovich Tsylov (1801-1879). Tsylov's atlas was born of a smaller such work he had compiled, of a single district of the city. This had been received with such warmth that he felt compelled to produce the present work, a democratic and nearly microscopic depiction of the city in which the street plans are even demarcated by building materials (stone, wood, or a mix). The atlas is accompanied by a substantial index of the buildings, including a directory of the major townhouses, their inhabitants, and even the number of floors (rarely exceeding four). Of special note are the thirteen maps preceding each section, expertly hand-colored in all extant copies. Based on auction records and library holdings it can be surmised that very few sets were issued, possibly by subscription or privately: of the three copies located in OCLC (Harvard, NYPL, Wisconsin) at least the Wisconsin copy is also inscribed by Tsylov. NUC adds a copy at the Library of Congress; COPAC adds copies at the British Library and Cambridge. Provenance: Inscribed and signed by the author to Dmitry Yegorovich Benardaki (sometimes spelled Dmitrii Egorovich) (1799-1870), presumed to be the inspiration for Murazov in Nikolai Gogol's novel "Dead Souls." Already in the 1830s Benardaki had amassed an enormous fortune through speculation on wheat. He was first introduced to Gogol by the Russian historian Mikhail Pogodin, a relationship rather novelistically described by Henri Troyat in his biography of Gogol "Divided Soul" (1973): "From [Benardaki's] conversation...Gogol discovered the ruthless world of competition and profit, and the struggle for market control. The eloquent and astute Benardaki became for him a personification of the practical man. The Russian of the future must be modeled upon this man. What a fine character for a novel this Christian millionaire would make!" (p. 200). A rather more grounded description of the relationship can be found in David Christian's article "The Neglected Great Reform," published in "Russia's Great Reform, 1855-1881") (1994). According to Christian, Benardaki loaned Gogol some money in 1839 "and it may be that a grateful Gogol took him as his model for the virtuous tax farmer Muzarov" (p. 113). In any case, Benardaki's 1863 patent of nobility sold at Sotheby's in 2007 for an eye-watering sum.
  • $18,500
  • $18,500
Anatomy

Anatomy, Descriptive and Surgical

GRAY, Henry; H.V. Carter, illus Philadelphia: Blanchard and Lea, 1862. Second American from the Revised and Enlarged London Edition. Large octavo (26cm.); publisher's full sheep, black gilt-lettered spine label; xxxii,[33]-816pp.; hundreds (395 to be exact) woodcut illus. throughout. Leather quite scuffed with some peeling along margins, most notably to upper cover, old dampstain along bottom edge of upper cover slightly bleeding into early preliminaries, several contemporary pencil ownership inscriptions to front free endpaper, as well as 20th century ownership rubberstamp to front free endpaper and dedication page. Overall a Good to Very Good copy, internally clean and sound. The most comprehensive, and as yet enduring, medical textbook produced by the modern Western world. Rather than run the risk of hyperbolizing, we've turned to the academics to do it for us: "[T]his workhorse of medical pedagogy has remained in everyday use far longer than any medical instruction manual of modern times, and is likely to go on, and on, and on--as far as the futuristic eye can see. [The 39th edition, from 2014] out-lives one after another of its now-huge stable of editors, even though much of the text in its pages, and a great multitude of its illustrations, have not significantly changed since its original publication in 1858" (Sherwin Nuland, "Books and Men, Redux," in "Proceedings of the American Philosophical Society," Vol. 158, no. 1, March, 2014, p. 7).
  • $2,250
  • $2,250
Vocabolario degli Accademici della Crusca. Impressione napoletana secondo l'ultima di Firenze con la giunta di molte voci raccolte dagli autori approvati dalla stessa Accademia

Vocabolario degli Accademici della Crusca. Impressione napoletana secondo l’ultima di Firenze con la giunta di molte voci raccolte dagli autori approvati dalla stessa Accademia

ACCADEMIA DELLA CRUSCA Napoli: A spese di Giuseppe Ponzelli / Nella stampería di Giovanni di Simone, 1746. Six volumes in five; folio (42.5cm.); uniformly bound in full contemporary vellum, gilt spine lettering, all edges speckled grey and orange; collated and complete (collation available upon request); engraved illus., head- and tail-pieces, and initials throughout. Minor wear, chiefly at corners, textblock occasionally rather foxed and darkened from exposure to ink, else a Very Good, quite attractive set of this superlative edition. Updated edition of this monumental dictionary first published in 1612 after nearly thirty years of research (the Accademia itself was founded in 1583). Like most Renaissance dictionaries of vernacular language, the "Vocabolario" laid a heavy emphasis on the written language and usage of Florentine authors of the 15th century, entirely excluding the spoken language and dialects of the lower and craft classes. This edition, published the year Voltaire joined the Accademia, finally broke the mold of its predecessors. Under the guidance of signor Don Pasquale di Tommasi, the "Vocabolario" was finally "enriched with so many words overlooked by Florentine scholars" (Ferdinando Galiani in his preface to the second edition of "Della Moneta"). Not just an improvement on earlier examples, the Naples edition is one of exceptional beauty, adorned throughout with engraved vignettes blending words found in the present volume, often in humorous and imaginative ways (a fluffy, possum-like animal rooting through a cloud of flour: "Grufolando infarinato"). VANCIL, p. 2.
  • $2,750
  • $2,750
Broken Run of Twenty-Two Issues of "The Nation

Broken Run of Twenty-Two Issues of “The Nation

[SPANISH-AMERICAN WAR] New York: The Nation, 1899. First Edition. Twenty-two volumes; quartos (30.5cm.); uniformly stitched self-wrappers. Collection comprises the following issues: Nos. 1714 (May 5, 1898), 1716-19, 1721, 1724, 1730-2, 1734, 1736-7, 1746-7, 1751-2, 1754, 1762-3, 1766, & 1770 (June 1, 1899). Condition ranges from Near Fine to Good only, with a few of issues starting to split at spine, two issues with upper covers separated but present, and the earliest issue with rather large loss along bottom margin affecting text of the publisher's ads; additionally, most have contemporary pencil marginalia to upper covers. A substantial collection covering the major events of the Spanish-American War, the earliest issue opening with General Dewey's "annihilation" of the Spanish fleet in the Philippines in early May. However, as sick and wounded troops began to return and the conditions of the war came to light, the weekly news magazine's tone shows a marked shift. Within a couple of weeks, the magazine's pro-expansionist articles had shifted entirely in the opposite direction, and by September 8th the opening segment begins: "The sad condition of our returning troops has raised this inquiry to the minds of those whom Mr. Lincoln called 'the plain people': If we cannot administer affairs in our own territory better than Camp Algers, Thomas, Wikoff, and Black have been administered, how are we likely to administer the Philippine Islands ten thousand miles away?" Indeed, the coverage of the Treaty of Paris on December 10th speaks to the disillusionment wrought by the war. The opening segment on December 15th begins: "The treaty has been signed at last and we are in possession of Cuba, Porto Rico, and as much of the Philippines as the Spaniards possessed, which is not much.
  • $150
Gedichte von Friedrich Wilhelm August Schmidt. Mit Kupfern und Music.

Gedichte von Friedrich Wilhelm August Schmidt. Mit Kupfern und Music.

Schmidt, Friedrich Wilhelm August. Berlin: Haude und Spener, 1797. 12mo (13.5 cm, 5.31"). Engr. t.-p., iv, 306 pp. (pp. 303–06 bound between 286 & 287); 15 plts. (5 col.). Elegant little printing of these pieces from a poet known for focusing on the simple joys of rural life — and for being mocked for that by Goethe, who did acknowledge, however, that Schmidt showed genuine poetic merit. The minute but legible text is graced with => a copper-engraved title-page, 15 attractive copper-engraved plates, and two folding leaves of sheet music for settings of "An den Mond" and "Liebe," composed by Johann Friedrich Reichardt. In this copy, => five of the engravings are skillfully and subtly hand-colored, four of those having been excised and mounted (sans captions) back in the appropriate places.     This is the second edition, following the first printed by Spener in 1795; the text has been => completely reset, appearing here in roman type rather than the fraktur of the first edition.     Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.          VD18 11236914 (for 1795 ed.). Contemporary tan paper–covered boards, spine with gilt-stamped title-label; cocked, rubbed overall, spine paper largely lost and label rubbed with lettering all but lost. Pastedowns with small adhered spots of blue paper, and title-page partially separated; most guard leaves present, some crumpled; mild to moderate foxing to pages. Worn condition notable; still => a production and a copy both appealing and worthwhile.
  • $550
A warning voice from a watery grave! Or a solemn proof of the uncertainty of life

A warning voice from a watery grave! Or a solemn proof of the uncertainty of life, and importance of an early preparation for death! In the instance of the melancholy and untimely fate of the much esteemed and lamented Miss Sophia W. Wheeler.

[Weild, C.]. New York: Pr. for the publisher by Sackett & Sargent, 1840. 8vo (21.7 cm, 8.54"). 24 pp.; illus. Just 18 years old and about to be married, Wheeler was "one of the many unfortunate victims who perished by the awful conflagration on board the ill-fated steamboat LEXINGTON, on her passage from New-York to Stonington, Jan. 13, 1840" (per the title-page). Here, the untimely end of the Massachusetts native — and almost everyone else aboard the luxury vessel — provides a cautionary tale to Christians in need of preparing themselves for eternity.     => This sole edition of "A Warning Voice" opens with the poem "Sister Spirit Come Away," illustrated with a wood-engraved scene of angels watching over the victims as they drown; a poem written by Eliza Perkins. Portions of several other poems about the catastrophe are included, one written specifically for Sophia, and one that begins "Death follows in the wake of Time and sweeps / Away the aged and the blooming young."     Also present are lists of officers, crew, and passengers of the Lexington, and an account of the various ways in which they perished. The authorial attribution comes from the copyright information.     This item is => scarce, with very few institutions reporting hard-copy holdings.          Sabin 101453; American Imprints 40-6819. Removed from a nonce volume; sewing going, with some leaves all but separated. Upper and lower edges waterstained, into margins but not text; pages age-toned overall with occasional foxing.
  • $250
The history of Pennsylvania

The history of Pennsylvania, in North America, from the original institution and settlement of that province, under the first proprietor and governor William Penn in 1681, till after the year 1742.

Proud, Robert. Philadelphia: Zachariah Poulson, Jr., 1797-98. 8vo (21.5 cm, 8.5"). 2 vols. I: 508 pp., [1] leaf of plates (portrait). II: 373, [1], 146 p., [1] folded map. An important and standard late 18th-century history of Pennsylvania by a native of Yorkshire, England, who settled in Philadelphia in 1759 and remained there (here!) until his death in 1813. In addition to its standard fare (i.e., "The history of Pennsylvania, 1676–1709"; "The history of Pennsylvania, 1709–1763"; "A view of the province of Pennsylvania ... between the years 1760 and 1770"), the work's appendix includes "Certain Conditions, or concessions, agreed upon by William Penn," "The Frame of the Government of the Province of Pensilvania, 1682, 1683, 1696," "The Charter of the City of Philadelphia, 1701," and the "Journals of Christian Frederick Post, from Philadelphia to the Ohio, 1758–59."     John James Barralet (approx. 1747–1815) supervised Alexander Lawson (1773–1846), the engraver of the William Penn portrait that serves as the frontispiece to vol. I, and James Thackara (1767–1848) was the engraver of the map in vol. II.     Binding: Contemporary tree calf, spines divided into compartments by attractive and thoughtful gilt tooling; red leather title-labels with additional delicate gilt bordering. Volume numbers gilt to small black leather shields defined by additional modest gilt.     Provenance: Hannah Ann Morris Buckley on fly-leaf of vol. I; signature of Sarah Wistar in top blank area of each title-page. The Morris and Wistar families were important Philadelphia families and much intermarried.          Sowerby, Catalogue of the Library of Thomas Jefferson, 460; Evans 32729, 34421; ESTC W020454; Howes P 639; Sabin 66223. Bound as above, volumes scuffed with joints outside starting to open from tops yet solid. Foxing and age-toning as would be expected, only; map in good condition. => Overall, a very nice set.
  • $600
Compleat clerk containing the best forms of all sorts of presidents

Compleat clerk containing the best forms of all sorts of presidents, for conveyances and assurances.

H., J. [i.e., John Herne?]. London: Pr. by G. Sawbridge, T. Roycroft, & W. Rawlins for H. Twyford et al., 1677. 8vo (23.5 cm, 9.25"). [4], 936, [80] pp. Important legal reference work here in its fourth, expanded, 1677 edition, following the first of 1655. The text is printed in roman, italic, and blackletter with typographic headpieces; one page bears an illustration of the notary's mark on an "antient" resignation (p. 599). The present copy lacks the additional engraved title-page dubbing the work "The Conveyancers Light," but does include the appendix of titles, cities, weights, and personal name variants in Latin, the glossary of obsolete words, and the table of kings' reigns, as well as => "The several Parts of the Bodies of Men, Women, Children, Beasts, Birds, Trees, Plants, Hearbs . . . both in Latine and English. The like whereof hath never been done before, and will be much for the ease and benefit of the Attorney and Clerk."     Provenance: Front pastedown with armorial bookplate of Richard Hopton of Canon Frome, Hereford; and with ownership inscription of I.A. Shapiro, noted scholar of 17th-century literature.          Wing (rev. ed.) C5636A; ESTC R25473; Sweet & Maxwell, I, 480:16. Contemporary calf, framed and panelled in double blind fillets with blind-tooled corner fleurons, spine with blind-ruled raised bands and gilt-stamped leather title-label, board edges with gilt roll; small scuffs and some rubbing to binding with a few pinhole spots of insect damage to spine. Front pastedown with bookplate and inscription as above, additional engraved title-page lacking, title-page with small early inked annotation in lower portion; text age-toned with offsetting and foxing ranging from faint to moderate. One leaf with short tear from outer margin, not touching text; one leaf with small repair in upper outer margin. => A sturdy, usable copy in a dignified contemporary binding.
  • $1,500
  • $1,500
Typed Letters Signed.

Typed Letters Signed.

Bailey, Albert William. Rhodesia & Angola, 1912–1921. Folio (34.29 cm, 13.5"). [32] pp.; 1 photo.. Large-format album of 16 missives from the Rev. Albert William Bailey (1873–1955), Baptist missionary to Africa and leader of the first attempt to establish a Christian mission among => the Nkoya. The collection opens with a black and white photographic portrait of Bailey, followed by 14 letters variously addressed to his brother, son, and friends, and two typed manuscripts entitled "A Promise Redeemed" (ca. 1914) and "A Shaking Among the Bones" (ca. 1918).     Along with accounts of his preaching, his school and the students there, his work on => translating the Gospel of John into the Mbunda language, and his day-to-day experiences (including cobra encounters!), the letters include thoughts on mission and church finances, American politics (particularly the presidential election), and crime in New York — as well as an assurance to his son that yes, he had seen crocodiles, although not yet shot one.     Most of the letters are typed, with handwritten signatures, postscripts, and occasional corrections, while one is entirely handwritten. Two notable running themes are Bailey's unshakable conviction in the importance of his work in Africa, and the complexity of his long-distance relationship with his son (left behind in America with his aunt and uncle), whom he alternately praises and criticizes; one letter acknowledges with sadness and resignation that the beloved but wayward Paul has left the Baptist church in favor of "the Universalists." Overall, this is => a remarkable look at the work of an influential missionary then at his peak. 20th-century mustard-colored leather–covered album; minimal shelfwear. Page sleeves and backings age-toned; one sleeve starting to split from foot of inner margin. Letters age-toned with occasional edge chips. => Unique and fascinating.
  • $900
Hierozoicon

Hierozoicon, sive bipartitum opus de animalibus s. scripturae.

Bochart, Samuel. Lugduni Batavorum: Apud Cornelium Boutesteyn & Samuelem Luchtmans, 1712. Folio (39.5 cm, 15.5"). [8], 63, [1] pp., 1094 cols., 91 (index), [3] pp., 888 cols., 79 (index), [1] pp.; illus. (lacking 1 prelim. f. & 1 plt.). Early, handsome edition of this treatise on the animals of the Bible, written by an eminent French Protestant biblical scholar, natural historian, and student of Oriental languages. The Hierozoicon was first published in 1663 and widely acclaimed at the time for its erudition and its => comprehensive presentation of classical material relating to every creature mentioned in Scriptures; it appears here in its stated fourth edition, originally issued as vols. II and III of Bochart's Opera omnia with spine labels reflecting that.     This large volume's title-page is printed in red and black and features an attractive engraved vignette, as does the separate title-page of the second portion, while the text is printed in => Latin, Hebrew, Greek, and Arabic.          Brunet, I, 1022 (for Opera). Contemporary mottled calf, rebacked in the 19th century with sheep, spine with gilt-stamped red and black leather labels; worn overall, sides scuffed, leather chipped and cracking, joints tender and starting from extremities. Front pastedown with small institutional bookplate, preliminary leaves with pencilled and (small) inked numerals, title-page institutionally rubber-stamped (quite neatly, and volume properly deaccessioned). Light to moderate foxing largely confined to margins, light soiling as of old use; in fact a clean, attractive volume. As noted, not present here is the other volume of Bochart's Opera; also lacking are the one-page "Praefatio praemissa editioni anni CICICCXCII" (not found in all copies) and the engraved portrait of the author. => This Hierozoicon is textually complete in and of itself.
  • $800
Sacra Biblia vulgata editione

Sacra Biblia vulgata editione, translat. ex Hebraeo sanctis Pagnini, transl. Romana ex Septuag. & Chaldaicae paraphrasis transl. congesta fratris Fortunati Fanensis Ordinis erem. S. Augustini studio et labore.

Bible. Latin. Vulgate. 1609. Venetiis: Apud Antonium Pinellum, 1609. Folio (29.6 cm, 11.65"). 3 vols. in 2. I: [24], 1102, [2] pp. II: [8], 674 (i.e., 678, some pagination repeated), [10], 326, [34 (index)] pp. Fortunato Scacchi's edition, from the press of eminent Venetian printer Antonio Pinelli. These volumes present the Vulgate Latin version of the Pentateuch alongside Latin translations from the Hebrew (done by Pagninus), from the Septuagint (by Flaminio Nobili et al.), and the "Chaldee" paraphrase (as in the Antwerp Polyglot), laid out in four parallel columns across two pages. Joshua through Ezra appear in parallel columns with the Septuagint across the foot of each page, per the Vulgate and Pagninus, with subsequent books being variously given in that layout or with the Vulgate and Septuagint side by side; and the New Testament is given in the Vulgate and in the translation from the Syriac by Guido Fabritius Boderianus (Guy Le Fe?vre de La Boderie).     Each volume opens with an engraved title-page in an architectural border, highlighting the arms of Cardinal Scipione Borghese. The text columns are set in alternating roman and italic type, with ornamental capitals and attractive woodcut tailpieces; the title-pages (including the separate New Testament title) are printed in red and black, and the colophons feature the Pinelli tree device in an elaborate frame.     Binding: Mid-18th centry mottled sheep, covers framed in gilt double fillets and board edges gilt also; spines with gilt-stamped leather title and volume labels, raised bands, and gilt-extra compartments in filigreed, beaded patterns. The unusual, striking endpapers are of mauve paper gilt-stamped in an ornate pattern of acanthus leaves, pomegranates, and assorted flowers. Thanks to Sandrine Hermine Salières-Gagloff for identifying the paper as from the atelier of Iohann Wilhelm Meyer. II, of Ausgburg and dating from ca. 1755. All page edges marbled.          See Darlow & Moule 6201. Bound as above with sides scuffed, joints and edges rubbed; vol. I spine head pulling away and foot leather chipped partially revealing binding structure, vol. II with joints and spine extremities nicely refurbished. Vol. II with hinges (inside) and one leaf's margin neatly reinforced some time ago, and endpapers unevenly faded; vol. I and II title-pages and vol. I colophon mounted. Instances variously of small marginal worming or spotting; of short tears, closed or affecting a border or a few letters only; and of light waterstaining with a few leaves actually browned. One page with substantive annotation in Latin. => An edition not widely held institutionally, here in an impressive set.
  • $1,850
  • $1,850
The Eagle cook book and household manual.

The Eagle cook book and household manual.

Hufcut, Rebekah S. New York: Brooklyn Daily Eagle, copyright 1928. 8vo (26.1 cm, 10.27"). 112 pp.; illus. Sponsored and published by the Brooklyn Daily Eagle, this magazine-format cookbook (vol. XLIII, no. 2 of the Eagle Library, serial no. 274) offers "general recipes" along with suggested menus for seasonal breakfasts, luncheons, and dinners, as well as special occasions, school lunches, and midnight suppers. The recipes are interspersed with advertisements for Cox's Gelatine, the Great Atlantic & Pacific Tea Co. (better known as A&P), Hecker's Flour, Scranton & Lehigh Coal Co., the Sylvan Electric Bath, and a large number of Brooklyn-area banks; one ad for a driving school offers "Special Ladies' Classes" to "learn to drive through traffic" (p. 106), while the Prudence Company pitches its Women's Investment Service and the Lamb's Business Training School proclaims "every graduate placed" after training in shorthand, touch typing, filing, bookkeeping, and secretarial practice — these advertisements providing => an interesting contrast to editor Hufcut's stated principle that "Woman's place is in the home."     Hufcut was director of the Home Economics Department of the Young Women's Christian Association of Brooklyn; her biography page here notes that she "comes from that sturdy mid-Pennsylvania stock that for generations knew and appreciated the best in life" (p. 5). Publisher's color-printed paper wrappers, front one with Dutch child and blackbird-containing pie illustration; wrappers showing light wear overall, slight dust-soiling. Small area of bump/tear-damage to lower outer margins of perhaps a dozen leaves, one with part of a closed tear running into print area, without loss of text; otherwise, expectable age-toning only. => A scarce survivor, in very usable, browseable condition.
  • $150
Humpty Dumpty and his wonderful adventures.
A new version of the Psalms of David. Fitted to the tunes used in churches.

A new version of the Psalms of David. Fitted to the tunes used in churches.

Bible. O.T. Psalms. English. 1790. Tate & Brady. Boston, MA: Pr. by Joseph Bumstead for David West & E. Larkin, Jun., 1790. 12mo (15.1 cm; 5.94"). 358, [2 (adv.)] pp. The Tate and Brady metrical translation of the Psalms succeeded, in 1696, the Sternhold and Hopkins version as that preferred for use in many of the parishes of the Church of England. It was sometimes published with the music, though not in the present Boston printing; included here are "Hymns, collected chiefly from Dr. Watts's hymns" (pp. 277–358), and a final leaf of bookseller's advertising. This copy of the popular hymnal was => owned by (at least) two musical clergymen (see below).     Provenance: Front cover gilt-stamped "R. B[oyd]." Front pastedown with ex libris of the Rev. Frederick Lucian Hosmer (1840–1929), an American Unitarian hymn-writer and professor of hymnody, partially overlapping older armorial bookplate of the Boyd family; front free endpaper with bookplate of the Rev. Stanley Armstrong Hunter (1888–1959), author of Music and Religion and The Music of the Gospel, and pastor of first the North Presbyterian Church of Pittsburgh, PA and then St. John's Presbyterian Church of Oakland, CA.          Evans 22351; ESTC W5075. Contemporary sprinkled sheep, covers each with diamond-shaped smooth and unsprinkled panel, front panel stamped "R.B." as above. Binding slightly cocked, acid-pitted and worn overall; spine leather showing cracks with both joints cracked and barely holding, back one reinforced inside some time ago; offsetting from turn-ins to early and late leaves. Bookplates as above, Boyd's with rubber-stamp of a religious institution (properly deaccessioned) overlapping its lower edge and Hosmer's with later inscription in pen of Stanley Astunler [?]. One leaf with closed tear into text without loss, another with lower outer corner torn away also without loss; general age-toning with one signature more noticeably browned and variable vut never more than "moderate" foxing throughout. => An obviously well-loved copy with pleasing provenance.
  • $450
Galleria Dantesca Microscopica

Galleria Dantesca Microscopica

Miniature Book. 2 1/8 x 1 5/8 inches. Unpaginated. [84] pp. Half-title, title page printed in red and black inks, 30 original photographic images mounted on plates with tissue guards, decorative initials, tailpieces, index; text unmarked, title page repaired with cellophane tape with corresponding toning, pages toned, some leaves with small marginal chips, text and tissue guard torn at images 15 and 16, ms. notation on half-title. Full tan morocco, elaborately gilt, raised bands, tan leather spine label titled in blind, red leather on-lays within a medallion in the center panel of both the front and rear cover, all edges gilt, gilt green patterned end-papers, turn-ins gilt; binding square and tight, spine and rear cover with some toning. SA1019-030. SCARCE. Very Good. THE FIRST MINIATURE BOOK TO CONTAIN PHOTOGRAPHIC IMAGES. This work was issued as a companion volume to Ulrico Hoepli's La Divina Commedia (Milan, 1878, known affectionately as the Dantino). "It contains thirty original photographs in black-and-white of the paintings by Scaramuzza [which] represent the earliest use of photography in a miniature book." Bromer and Edison. Of the Galleria Dantesca Microscopica, Bondy writes, "the few copies we have been able to see were bound in publisher's citron morocco with finely gilt-tooled covers, and an ornamental centre design on oval maroon leather onlays, raised bands, gilt edges, inside dentelle and endpapers decorated in silver and gold." Bondy. The photographs are of the paintings of Francesco Scaramuzza's (1803-1886) graphic depictions of Dante's Divine Comedy. Scaramuzza was an Italian painter and poet of the Romantic period in Northern Italy. He painted mythologic and historic canvases, but is best known for his interpretations of literary subjects including Dante, an enterprise to which he dedicated decades. Scaramuzza was trained at the Academy of Fine Arts of Parma where he was a professor from 1860-1877. See: Wikipedia. REFERENCES: Bondy, Miniature Books, p. 95; Bromer & Edison, Miniature Books, pp. 47-9; Welsh, A Bibliography of Miniature Books, No. 2178.
  • $750