PROVINCIAL POETRY METHODISM.
Miscellaneous Poems and Hymns. Published for the Benefit of the Methodist Sunday School in Nottingham
Nottingham: Printed by Alcock and Sutton.MDCCXCIII: 1793
- $735
FIRST EDITION. 12mo, 175 x 104 mms., pp. iv, 5 - 94 [95 Stationer's Hall registration, 96 blank], bound in not-so-recent quarter dark green morocco, linen boards, gilt spine; first six leaves are mounted on stubs, the title-page is slightly frayed and is firmly attached to the recto of the preceding leaf, ex-library with bookplate of City of Nottingham Public Libraries on front paste-down end-paper, with bookseller's note in pencil on recto of front free-endpaper. A pencil annotation at the top of page 5 identifies the author os some of the poems: "Many of these verses were written by Wm Singleton." "On Christmas Day" on page 26 is "By the Rev. J Moon." The preface begins, "The following original Poems and Hymns, ae published for the benefit of the Methodist Sunday School in Nottingham."; ad ends: "The Poems andHymns are all new, what other excellencies they have I leave to the Reader to determine, - if they be of use to any one, God shall have all the glory." The present copy appears to be unique in naming, with a manuscript note, one of the main authors of the poetry, who is not named in the printed text of the book. A pencilled annotation at the top of page 5 reads, "Many of these pieces were written by Wm Singleton." Notably, there is no author named William Singleton recorded in the online Jackson Bibliography of Romantic Poetry. There was also no writer named William Singleton found by James Ward in his extensive Descriptive Catalogue of Books Relating to Nottinghamshire (1892). Yet there is a well-known William Singleton who flourished in Nottingham in the 1790s, and he is very likely indeed to be the author of these poems. This is the William Singleton credited with founding a pioneering school for adult learning: "In 1798 an Adult Sunday School for Bible reading and instruction in the secular arts of writing and arithmetic was opened in a room belonging to the Methodist New Connection in Nottingham, by William Singleton, himself a Methodist. He had help from a Quaker tradesman, Samuel Fox, who afterwards became specially identified with the school. Before long it came, indeed, to be principally conducted by Mr. Fox " (John Wilhelm Rowntree and Henry Bryan Binns, A History of the Adult School Movement (1903), p. 10). In this copy there is also one other manuscript annotation giving an author attribution on page 26. The single poem titled "On Christmas Day" is said to be by "the Rev. J Moon." he only other copy of this first edition that I have located is the one held by Cambridge University Libraries, and their online catalogue does not mention any manuscript annotations. The copy on offer is therefore most likely to be not only an extremely rare example of the text as first printed, but additionally significant historically for its being uniquely embellished with authorship attributions in manuscript.
More from John Price Antiquarian Books
An Inquiry Into the Rise and Establishment of the Royal Academy of Arts To Which Is Prefixed, a Letter to the Earl of Bute.
FIRST AND ONLY EDITION. 8vo, 178 x 112 mms., pp. vi [vii Errata, viii blank], 141 [142 blank], bound in contemporary polished calf, neatly recornered and rebacked with original spine laid down, new red label, a very good and clean copy. The Scottish engraver Sir Robert Strange (17211792 In 1768, troubles in the Incorporated Society of Artists, of which Strange (1721 - 1792) was a member, led to the foundation of the Royal Academy. Strange opposed those breaking away, and he came to believe that the exclusion from the Academy of engravers was leveled against himself. His rival Francesco Bartolozzi was elected, ostensibly as a painter. With other engravers (William Sharp, John Hall, and William Woollett), Strange declined associate membership. In 1775 he published on his grievances in An Inquiry into the Rise and Establishment of the Royal Academy of Arts. He moved to France in 1775 and spent the next five years there.The Paisley Magazine or Literary and Antiquarian Miscellany. MDCCCXXVIII.
[MOTHERWELL (William)] FIRST EDITION. Large 8vo, 336 x 137 mms. pp. iv, 692, viii, engraved frontispiece, additional engraved title-page, recently rebound in half calf, buckram, gilt spine, black morocco label. A fine copy. The poet and editor William Motherwell (17971835) is probably best-know for a work that appeared a year earlier, 1827, Minstrelsy Ancient and Modern, described by ODNB as a "carefully compiled collection of ballads, with a critical introduction surveying previous collections. During its compilation he corresponded with Sir Walter Scott, whose Minstrelsy of the Scottish Border he much admired. In 1828 Motherwell founded and edited the Paisley Magazine." Motherwell published several of his own verses in the magazine, "a respectable provincial work; and in it, for ?the first time, appeared some of the poet's best pieces, such as The Sword Chant of Thorstein RaudiMidnight and MoonshineThe Water! The Water!The Wooing Song of Jarl Egill Skallagrimand Wearie's Well" (preface to the second edition of Motherwell's works). A citation to the work appears in the Journal of Folklore Research (1994),- $956
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The Book of Games; or, A History of Juvenile Sports, Practised at a Considerable Academy near Londonj. Illustrated by Twenty-Four Copper Plaes.
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Historical Memoirs of the Irish Bards. Interspersed with Anecdotes of, and Occasional Observations on the Music of Ireland. Also, an Historical and Descriptive Account of the Musical Instruments of the Ancient Irish. And an Appendix, Biographical and Other Papers, with Select Irish Melodies.
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Advice to Mothers, on the Best Means of Promoting the Health, Strength, Beauty, and Intellectual Improvement of their Offspring; With Instructions Respecting their own Health and Happiness . Interspersed with much original and interesting Matter.
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Dudley et Claudy ou, L’Ile de Ténériffe . Traduit de l’Anglais de Mlle O’Keefe, par Madame de Montolieu
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The Life of Thomas Stothard, R.A. With Personal Reminiscences. With Numerous Illustrations from His Works.
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The Life of Dr. Sanderson, Late Bishop of Lincoln. Written by Izaak Walton. to which is added, Some short Tracts of Cases of Conscience, written by the said Bishop
SANDERSON (Robert) . WALTON (Isaac) FIRST EDITION. 12mo, 175 x 108 mms., pp. [240], recently and unsympathetically recased in quarter buckram, marbled boards; lacks portrait. A Calvinist, Bishop Robert Sanderson, (1587-1663) made an impact his contemporaries, including Charles I, as Walton records, "I carry my ears to hear other Preachers', said the king, 'but I carry my Conscience to hear Mr. Sanderson, and to act accordingly." ONDB records, "A doctrinal Calvinist, Sanderson had tried to resolve the controversy created by Richard Mountague's books in the mid-1620s by offering a slight alteration of the sublapsarian doctrine of predestination. Nevertheless, he insisted that the Church of England held that divine act of election was entirely gratuitous and to suggest otherwise was 'quarter-Pelagian and Arminian novelty' (Works, 5.277). Marginal notes condemning the Arminians and 'their Semipelagian subtilties' continued to appear in all editions of his sermons until 1657, and vigorous efforts in the late 1650s by Henry Hammond, Thomas Pierce, and others to change his mind had little success. Sanderson's soteriology, his denunciations of usury and idleness, and his support for the reformation of manners show that he had much in common with puritans. Izaak Walton's biography of Sanderson wholly ignores his Calvinism, his agreement with puritans on many issues, and his quarrels with Hammond and the churchmanship that Hammond and his friends represented. However, throughout his long career he rejected puritan arguments against ceremonies, probably in part because of his observation of the actions of John Cotton and his followers at nearby Boston. Sanderson, deeply concerned to retain protestant unity against Rome, was an anti-puritan in the Whitgiftian mould, an excellent example of the way 'that even men who shared great tracts of ideological terrain with the Puritans could end up hating them with a passion' (Lake, 115)." I suspect that the number of scholars who would be familiar with and under stand the issues, doctrines, and beliefs in those few sentencdes would be very feew.- $221
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New Idyls by Gessner. Translated by W. Hooper M D. With A Letter to M: Fuslin on Landscape Painting and the Two Friends of Bourbon. A Moral Tale.
GESSNER (Salomon) Large 8vo (in 4s), 270 x 173 mms., pp. [vi], 129 [130 blank], engraved title-page followed by drop-title leaf, 9 full-page enraved plates, 10 engraved tail-pieces, and 2 engraved head-pieces, with later inscription and date,"William Burton/ October 1807" and a transcription of a letter in French by Fuslin to Gessner and Gessner's response on three pages, bound in contemporary calf and expertly rebacked with new red morocco. A very good copy This first translation of Moralische Erzæhlungen und Idyllen (Zurich, 1756) is easily the best-known work of Salomon Gessner (1730 1788), the Swiss artist, poet, government official, etc. The plates are indeed rather splendid. The Monthly Review for 1776 commented, "Perhaps there is no object in poetical criticism that requires a more consummate judgment than to work with certainty the dividing line between what is simple and what is silly. The innumerable errors of this kind, that we have met with confirm the truth of this observation, and it has occurred once or twice on the view of the publication before use." Ah. well: enjoy the illustrations. Martin Bircher, et al., Salomon Gessner: Maler und Dichter der Idylle 17301788. Herzog August Bibliothek, Wolfenbüttel 1982,- $662
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History of May-Flower. A Circassian Tale. Second Edition.
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