Sarony & Major
Kate
Sarony & Major, New York: 1846
- $125
Hand-colored lithograph; 13 1/2 x 9 1/2; edges a bit unevenly trimmed; a small, closed cut to left margin; faint discoloration to bottom edge; in about very good condition.An image of a beautiful lady, seated in front of a window, it was created by the lithographic partnership of Napoleon Sarony (1821 - 1896), who had worked for Currier & Ives before co-founding his own company, and brothers Henry Major (1820 - 1877) and Richard Major (1825 - 1894). Sarony was also known as a great photographer, especially for his portraits of the stars of the 19th-century American theater.
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The Coming Great Northern Confederacy or The Future of Russia
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The Death and Burial of Cock Robin; with Moral Comments Thereon, Addressed to Young Children by F. P. Palmer and Illustrated with Curious Conceits, Designed by Alfred Crowquil
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A Small Group of Bills of Landing of the Quaker Shipping Merchants Abraham Bell & Son
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Manuscript Inheritance Receipt of a Colonial Businesswoman
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Privy Dear
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Midget Pocket Cigar Lighter and Lamp
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A Circular, Regarding the Second Naturalized American to Be Sent to the Soviet Union to Face a Pending Death Sentence
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Uot Uitmen. Poeziia griadushchei demokratii (Walt Whitman. Poetry of the Future Democracy)
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A Small Group of Currier & Ives Lithographs
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Jane Scott
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John Beltramo, Wanted for Grand Larceny, $50 Reward
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How to Make Dainty “Rosette” Wafer & Patties
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Joseph Haydn
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General Plan. Tenth Annual California Flower Festival, September 15th – 19th, 1934, Exposition Bldg – Oakland. Alameda County’s Most Colorful Civic Event
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The Romance of California Land Titles
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Krasnaia shapochka (Little Red Riding Hood) [A Movable Book]
Anonymous First edition, n. d. (1920s); 9 x 7; pp. [10]; card stock wraps, with a chromolothograph to the front wrap, incorporating two illustrations from the story, a frame within a frame; illustrated with black-and-white lithographed drawings and four full-page chromolithographed plates with pull-tab, movable parts; small rust spots around staples; a bit of wear to edges and corners; in very good condition.According to a lengthy research by Walter Iwaskiw and Barbara Dash of the Library of Congress on this beautiful and rare edition of the classic fairy tale (as per OCLC - the only copy at an institution) - ".sometimes the circumstances surrounding the publication of a single book can lead one into an unfamiliar realm of publishing and cultural history." The first question asked was why would Orenshtein, an Ukrainian-Jewish publisher, release a book in Russian, in the town of Kolomyia, or even in Kyiv, which were under Austrian rule from 1772 until 1918. Even more puzzling, for the fact that his publishing firm, founded in 1903, was known for its high-quality, affordable Ukrainian-language books. The answer to this might have been that after Galicia was occupied by Russia, then recovered by Austria, and then reoccupied by Russia between 1914 and 1918, all Ukrainian cultural institutions were shut down and efforts were made to introduce Russian into the educational system. Or, the book was intended as a special item to be marketed among Russophiles in the area. At some point during that time, Orenshtein was arrested and exiled to Russia, ceasing publishing altogether. After the end of WWI, he reemerged in Kyiv, where he opened a bookstore. He also founded a publishing house with branches in Leipzig and Berlin and between 1919 and 1932 he would publish many literary works, dictionaries, and approximately 40 children's books. Ultimately, Orenshtein would perish in the Jewish ghetto in Warsaw during WWII. The second question was who was the artist and who supplied the movable paper technology for a very-modestly-produced publication. It turned out that Sully and Kleinteich in New York had published, around the same time, an English-language edition of "Red Riding Hood" with the same four movable chromolithographs (possibly) by Ethel Dewees. Did Orenshtein obtain the plates during a trip to the US he took in 1921? Or, as was the tradition of that period to have the major publishers of American and British children's illustrated books get their color printing done in Germany, perhaps Orenshtein had acquired the plates from the same European source? (W.R. Iwaskiw and B.L. Dash, "The mystery of Yakiv Orenshtain's Little Red Riding Hood" in Slavic & East European Information Resources, vol. 11, nos. 2-3 (Apr.-Sept. 2010), p. 120-135).- $1,250
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