Bible. Psalms. Latin.
Decorated leaf from a Book of Hours Manuscript on vellum.
ca 1550: 1550
- $350
One vellum leaf, 125 x 180 mm, with text within 80 x 95 mm guidelines. Text in manuscript recto and verso including eight capitals decorated in gold leaf and colors, and six spacers also decorated in blue, red, and gold leaf. Chapter incipit in red.
More from Rodger Friedman Rare Book Studio
In the Matter of J. Robert Oppenheimer. Texts of Principal Documents and Letters of Personnel Security Board, General Manager, Commissioners.
United States Atomic Energy Commission. Printed wraps, 15 x 23 cm; 67 pages. Ex library, with stamps and shelf-marks on upper wrap. A little tired, but unmarred within. The documentary evidence brought in the case against Oppenheimer.- $2,000
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Liberty: British Colour Pattern A voyage of discovery.
Rieber, Marie-Therese . 29 cm; 97 pages and [19] additional materials, including postcards, folded sheets, facsimiles of sketches and a poster inserted in pockets. In uniquely designed slipcase. Variations on surface of slipcase. "This heritage brand with its foot firmly in the future is known for its eclectic, avant-garde design and unmistakeable Art Fabrics. The book showcases not only its historic beginnings, from Arthur Liberty's 'Eastern Bazaar' to its Art Nouveau furniture, jewellery and clothing designs, whimsical window displays and the iconic Art Fabrics, but also to the innovations in design and printmaking today." Complete with an interview with Ringo Starr.- $60
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Nothing is Eternal (WIl Hudson Type Specimen Broadside.)
Santayana, George; WiIl Hudson. Broadside sheet, 38 cm. Printed in red and black. Slight blemish at upper left corner. The venerable Canadian type designer and printer Wil Hudson produced this leaf for the retiring president of the University of British Columbia in 1967. The press work was accomplished by the University librarian.- $25
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Romance at the wheel. A romantic play in three acts
Hagan, Kataleen Laurette; José B. Rios. Manuscript score. 245 x 317 mm. [10] 187, [1] pages. Title page, second leaf with coat of arms, list of musical numbers in elaborate black and gold ink with watercolor illumination. Music inscribed completely by hand on Carl Fischer staff paper, with libretto and lyrics typed in black ribbon, ink while titles, stage directions, and section heads are typed in red ribbon ink. The whole bound in flexible leather. Leather worn from corners and edges, with upper and lower portions of spine perished. All edges gilt. Elaborate manuscript score for musical theater, with libretto and lyrics attributed to Kataleen Laurette Hagan, and the musical score to José B. Rios. Despite the highly sophisticated composition of the operetta (if that is what it is--there are no speaking roles), and the clever lyrics, we find no reference either to any production of Romance at the Wheel or to its composer and librettist. It was obviously written for stage rather than for private performance, as the sheer number of cast members and choruses indicate. In any case, we consider this manuscript, with its highly decorated preliminary pages, a valuable artiffact of New York theater culture of the 1920s.- $400
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Abydos. Bas reliefs de Seti I; Vue lointaine des Colosses.
Lekegian, G. Two albumen-silver photographs on paper, mounted on board. Abydos: 256 x 214 mm. Signed and titled in plate. Lightly toned to sepia. Colossi: 285 x 225 mm, signed and titiled in plate. Remains of photo album linen hinge on left edge of board.- $150
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Karnak. Ruins de la salle hypostyle, vue de l’intérieur Silver albumen print
Bonfils, Felix. Silver albumen photograph on paper. 275 x 215 mm. Signed and titled in plate. Toned to sepia. Edges a bit chipped in places. Crease across lower right portion of image. Number 149 in the photographer's "Souvenirs d'Orient" series. Felix Bonfils (1831-1885) was an active and prolific pioneer of photography in the Middle East, yet details of his life and work remain obscure. "All we know of Bonfils", said photographic historian Beaumont Newhall, "is that he was a genius." Recent information gathered under the direction of Harvard Semitic Museum curator Carney Gavin shows that Bonfils, a French bookbinder and printer, moved to Beirut with his family in the 1860s. His training in photogravure in France prepared him for his career as photographer in the Middle East, where, together with his wife and son, he enterprisingly produced souvenir photos and books for European travelers. The books were all hand-made, each photograph printed from the original glass negative and pasted into place. This print of a single photograph, never mounted, must have been made for inclusion in a bound volume that never reached completion.- $60
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