Ballet Shoes. A Story of Three Children on the Stage. - Rare Book Insider
book (2)

Ballet Shoes. A Story of Three Children on the Stage.

London; Dent, Pennant Books. 1968. 8vo.; publisher's forest-green and acid-yellow cloth, in pictorial dustwrapper; pp. [viii], ix-[x] + 231 + [i]; with line illustrations throughout by Ruth Gervis; a near fine copy, both inside and out, with a tiny dint to bottom edge of upper cover, in a near fine, price-clipped dustwrapper retaining the original bookseller's price sticker to upper flap (£1.10) and with slight fading to spine. Vintage edition with the original illustrations by Gervis, inscribed in ink by Noel Streatfeild to front blank, "For Davida Hodson, Noel Streatfeild". Signed copies of this title are rare in commerce. This is the first such copy handled by us in over thirty-five years and the only signed copy of the title located on the commercial market at the time of cataloguing.
More from Henry Sotheran Ltd
book (2)

Hans Andersen’s Fairy Tales.

London; Published by George Allen. 1893. 8vo.; 2 volumes; publisher's olive green cloth pictorially blocked in darker green with a full-size design to upper covers by Gaskin, vignettes to lower boards, and gilt lettered spines, top edges gilt, other edges untrimmed, green floral endpapers; pp. xii + 398; xii + 426; xii + 426; with woodcut title-page vignettes, woodcut frontispieces to each volume and 100 Arts-and-Crafts woodcuts by Gaskin throughout, presented as full-, and half-page plates, smaller vignettes, tailpieces and decorative initials; a sound set with external rubbing, fading and scuffing to spines rendering the lettering inconsistently legible, yellowish mark to spine of volume II, wear (but no splitting or fraying) to spine ends, volume II with bruises to forecorners; both volumes internally good with a neat, and early, ownership name to free endpaper of volume II, volume I with scattered foxing to prelims and final leaves and toning to uncut edges but otherwise clean throughout; volume II with occasional light marking and dusting internally with a few small stains to inner gutters, one upper corner crease, 5 leaves carelessly opened with marginal losses to fore-edge margins, catching text on page 91 with loss of about 5 words; an elusive set. First editions. A comprehensive collection of nearly 100 of Andersen's fairy tales including the most popular, "The Snow Queen"; "The Emperor's New Suit"; "The Little Mermaid"; "Thumbelina"; "The Ugly Duckling"; "The Little Match-Girl"; "The Wild Swans" and "The Red Shoes". Arthur Joseph Gaskin RBSA (1862-1928), with his wife Georgie Gaskin, was a leading member of the Birmingham Group of Artists. He worked as an illustrator and designer, practising in the Arts-and-Crafts style having studied, under Edward R. Taylor at the Birmingham School of Art.
book (2)

Don Quixote de la Mancha. Translated from the Spanish of Miguel Cervantes Saavedra. Embellished with Engravings from Pictures painted by Robert Smirke.

London, Cadell and Davies, 1818. Four volumes 8vo. Contemporary full calf, spines with raised bands, decorated and lettered in gilt, boards ruled in gilt, decorated in blind, edges of boards and inner dentelles gilt, all edges gilt; all half-titles present; steel-engraved plates and headpieces, front joints expertly fixed, occasional light spotting, overall a very attractive set from the the library of the British Prime Minister Anthony Eden with his engraved armorial bookplate inside front covers. First edition with these plates, and newly translated by the artist's daughter Mary Smirke, herself an artist, a well-regarded landscape painter. 'In May 1810, the artist Joseph Farington approached the publishers Thomas Cadell & William Davies with a suggestion from his friend Robert Smirke that a new translation of Miguel de Cervantes' novel Don Quixote be published with illustrations engraved from Smirke's paintings of significant moments in the story. Farington and Smirke had worked together on several of these paintings in the late 1790s and early 1800s, Smirke taking care of the figures, while Farington focused on the landscape, in particular trees, which were his speciality. The publishers approved of the idea and a translation was begun soon after. This was made by Robert Smirke's daughter, Mary Smirke, and Farington reported regularly in his diary on her progress. Smirke worked from previously published translations of the novel, in particular that of Charles Jervas (published 1742), to which she made corrections, often removing extra passages that were not present in Cervantes’s original … Smirke was paid 200 guineas for the project and on 9 April 1818, Farington recorded in his diary that Cadell had approached her shortly before the book went to press to ask if she would approve of her name appearing on the title page. She refused the offer, with her father instead suggesting that it could follow a dedication, perhaps to the Prince Regent, the future George IV. This idea was seen as acceptable, but rather than dedicating the work to the prince, it was instead dedicated to William Lowther, Earl of Lonsdale' (Royal Collection Trust, online). - This cataloguer failed to establish a witticism connecting Anthony Eden and Don Quixote.
book (2)

Visas for America. A Story of an Escape.

Sydney, Villon Press, [1952]. 8vo. Original cloth with illustrated dust-wrappers; pp. [vi], 267, [3 publisher's advertisement for another work by the author]; near fine. Incredibly rare first edition in English, number 23 of 'fifty special copies … numbered and signed by the Author' (however, this not signed). Translated by E. Baker, revised by E. Bell-Smith and with a foreword by Herbert V. Evatt, this is a novel about a Jewish refugee couple escaping last-minute from Nazi-occupied Germany, informed by so many similar real cases in the 1940s. 'Because human dignity suffered such damage, one must be eternally vigilant lest mankind is ever again enforced to endure such ultimate misery' (foreword). 'The author and poet Salamon Dembitzer was born in Cracow (Krakà w, Poland) in 1888. As a teenager he moved to Germany, first to Frankfurt and then to Kassel, where he worked as an editor for the Kasseler Volksblatt. At age 16, some of his poetry was already published. Until the 1930s, Dembitzer worked for several newspapers in Amsterdam, Berlin and Vienna, and continued publishing his poems and - starting in 1930 - his novels and dramas. In 1941, he moved to New York and later to Sydney, Australia. In 1958, Salamon Dembitzer moved to Lugano, Switzerland, where he died in 1964' (Leo Beack Institute, online, they are holding a second edition only). COPAC locates two copies, which might be the 2nd, trade edition, at Senate House and in the British Library. - We can not trace any other copy of this title on the market, past and present.
book (2)

A Voyage in the ‘Sunbeam’ our Home on the Ocean for Eleven Months .

BRASSEY, Anna ['Annie'], Lady BRASSEY. London, Spottiswoode and Co. for Longmans, Green, and Co., 1886. 8vo. Original red pictorial cloth, all edges gilt; pp. xix, 492; wood-engraved frontispiece, title-vignette, illustrations in the text by G. Pearson after A.Y. Bingham, large folding colour-printed lithographic map by Edward Weller (re-attached); extremities with a little wear, hinges strengthened ownership inscription on verso of frontispiece resulting in a little ofsetting on recto, otherwise an attractive copy. New edition. Encouraged by the success of her travel books The Flight of the "Meteor" ([s.l.: 1866) and A Cruise in "Eothen" (London: 1873), Baroness Brassey (1839-1887) and her husband Thomas, Baron Brassey (1836-1918), decided to undertake a circumnavigation in the Sunbeam, their 531-ton, three-masted, topsail schooner, with a 350-horsepower steam engine, which had been launched in 1874. The Sunbeam embarked on 1 July 1876 with a complement of forty-four comprising the Brasseys and their children, a small party of friends, a professional crew, and a complete domestic staff. Their voyage took them 'across the south Atlantic, through the Strait of Magellan into the Pacific Ocean, continuing by way of Tahiti, Hawaii, and Japan to Penang and thence to Ceylon, Aden, and the Red Sea. While the Sunbeam passed through the Suez Canal, Annie Brassey and the children went overland to Cairo to visit the pyramids, rejoining the party at Alexandria. Their arrival at Hastings on 27 May 1877 completed the eleven-month voyage. It had been a complete success, uneventful except for a dangerous flooding of the decks in a high sea off Ushant and their rescue of the crew of a ship on fire near Rio. The monotony of the days at sea was varied by excursions ashore, planned and led by Annie Brassey to the colourful street markets of Rio, ValparaÃso, and Singapore, and to scenes of natural beauty in Tahiti, Ceylon, and Hawaii with its thrilling volcanoes. The voyage was to make Annie Brassey a celebrity not because she had been round the world in a luxury yacht, but because she struck exactly the right note in her book about the adventure, using the entries in her journal to describe rambles ashore and daily life afloat: this was lively enough with five children under fourteen, a dog, three birds, and a kitten aboard. A Voyage in the "Sunbeam" (1878) was a solid work of 508 pages with maps and wood-engravings. It was a best-seller overnight, reached its nineteenth edition in 1896, and was translated into French, German, Italian, Swedish, and Hungarian [.] The cruises of the Sunbeam may have resembled family picnics rather than voyages of discovery, but Annie Brassey, who inspired and organized them, is not to be denied the status of a true traveller. A poor sailor, never really well at sea, she dared all it could do to her, in order that she might visit the farthest corners of the earth. As her husband wrote, "the voyage would not have been undertaken and assuredly it would never have been completed without the impulse derived from her perseverance and determination"' (ODNB). The 'Preface to the New Edition' states that 'the letterpress has only been slightly curtailed and a copious selection has been made from the original series of illustrations' (p. vii), and the Appendix on pp. [481]-492 contains a summary of the entire voyage, compiled from the log-book. Cf. Theakstone p. 32 (1st ed.).
  • $230