Lexicon Plutarcheum et Vitas et Opera Moralia Complectens, ad Editionum Oxoniensem Emendatius Expressum
Wyttenbach, Daniel Two volumes in one, pp vi,1-434 [2] (ads); title pages of Vol, II, pp. [345]-938. In a later 19th- or early 20th century brown cloth binding. Some age toning, light scattered foxing, else clean and sound. Text in Greek and Latin. The Life of Christ and Other Poems.with an Introductory Notice by her Husband
Phelps, Mrs. Adaliza Cutter 7" x 4.5", pp xv, 286, with frontis portrait of the author, in original brown cloth with blind-stamped decoration. Some nibbling to cloth at spine ends, old dampstain visible on first few leaves. Otherwise sound and clean, with stenciled ink stamp reading "E.F. Phelps, Meriden, N.H." on front free endpaper. The Complete Works of Gaius Petronius Done Into English by Jack Linsday, with One Hundred Illustrations by Norman Lindsay, Comprising the Satryricon and Poems
Lindsay, Jack; Lindsay Norman Undated, but ca. 1927. Number 373 of a limited edition of 650 copies, signed by Jack Lindsay on the limitation page. Privately printed for sale to subscribers only. 12.5" x 9.25", in original binding of three-quarter dark red vellum and marbled boards. Light rubbing and scuffing to boards; internally sound and clean. Gothic Sculpture in France, 1140-1270
Sauerlander, Willibald; Hirmer, Max 12" x 10", 527 pp, with 605 illustrations, including 4 tipped-in color plates, bibliography, index. Fine copy in fine dust jacket. As new. "The first comprehensive, fully documented, and fully illustrated study of French cathedral sculpture during the period 1140-1270" (jacket). Oversized; shipping cost will be more than standard for priority or international orders. Across Canada from Atlantic to Pacific Canadian National Railways
Stapled booklet. 39 pages, illustrated, about 4.5 x 9.5 inches when folded. Interesting promotional text about different areas of Canada, with copious of statistics about natural resources and industries, as well as nice train illustrations. Not dated, but ca. 1921 based on dates mentioned in text. Edgeworn, covers detached; text clean. Arizona Nights [Estelle Doheny Copy]
White, Stewart Edward; Wyeth, N.C. (Illustrator) 351 pp + ads, with mounted cover illustration and 7 color plates by Wyeth. Binding sound, corners runbed and lightly bumped. Three bookplates on front endpapers: Edward Laurence Doheny, Carrie Estelle Doheny, and "From the Library of Estelle Doheny at 8 chester Place, Los Angeles."
Convention Note Book for the Delegates to the Convention of the Church of the Brethren, Calgary, Alberta, Canada
"Facts in a Nut Shell" issued by the Calgary Board of Trade. Stapled booklet, about 8.25 x 3.75 inches, with 26 pages of text and illustrations plus additional lined pages for taking notes. Primarily information on Calgary's history and economic development. Grass Blades from a Cinnamon Garden
88 pp, bound in the Japanese style in red paper wrappers with mounted label, with 4 tipped in color wood block prints by the author. A very good or better copy with a light bump to one corner and a touch of dust soiling to the wrappers. Housed in the original red cardboard chemise with orange paper lining. Chemise is edgeworn and scuffed and lacks one (of 2 bone clasps). Lilian May Miller (1895-1943) was a painter, printmaker and poet born in Tokyo to an American diplomat and a British teacher. "Her printmaking education began at the atelier of Kano Tomonobu (1843-1912) at the suggestion of a family friend, artist Helen Hyde. Though she learned the traditional process of shin-hanga woodblock printing, in which a team of artisans executes the carving and printing once the artist has created the image, she preferred to do all of the steps herself, much like her Western teachers. By age twelve she had held her first exhibition of woodcuts" (Annex Galleries). According to a biography provided by Moonlit Sea Prints, "Miller's career flourished during a time when female artists faced significant challenges and limited opportunities. Despite these obstacles, she forged her path as an independent artist, successfully blending Eastern and Western aesthetics in her works. Miller's art often depicted serene landscapes, delicate flowers, and traditional Japanese themes, showcasing her technical skill and artistic vision. During her time in Japan, Miller interacted with notable artists and scholars, some of whom became her contemporaries and collaborators. One such artist was Bertha Lum, who also specialized in Japanese woodblock prints. Lum's friendship and artistic partnership with Miller helped foster a supportive environment for their respective endeavors. In addition to her artistic achievements, Miller's career was significantly impacted by the Great Kanto Earthquake of 1923. The devastating earthquake and subsequent fires destroyed much of her artwork and forced her to relocate. This event marked a turning point in Miller's life and art, prompting her to experiment with new styles and techniques. Miller's work also reflected her engagement with feminist ideals. As a female artist in a male-dominated field, she challenged societal norms and strove for recognition and equal opportunities. Through her art and advocacy, Miller contributed to the broader feminist movement and the empowerment of women in the arts." (Sources: Davidson, S. R. (2007). Lilian Miller and Japanese woodblock prints. Print Quarterly, 24(4), 376-381. Lakdawalla, E. (2019). Miller, Lilian May. In Oxford Art Online). American Natural History
Second edition. Three-volume set, octavo, uniformly bound in contemporary full calf, each volume with an extra engraved title page, frontispiece of "Petalsharoo, Son of Latelsha, Knife Chief of the Pani-Loups, in full dress" in Volume I. Set contains a total of 48 full-page plates, most of north American mammals (a few of skeletons or skulls, two of Native Americans). Scuffing to boards, mild to moderate foxing throughout, otherwise clean and sound. A copy of the American Tract Society pamphlet "Memoir of Dr. John D. Godman" by Thomas Sewall is laid in. Godman was a physicial and anatomy professor who pioneered "a holistic method of teaching anatomy whereby the different parts of the body were considered in terms of their relationship to one another instead of as isolated segments.His innovative teaching methods and textbooks advanced anatomical education in the United States, while his writings on American natural history provided a firm scientific base on which future naturalists could build" (ANB). Volume III includes considerable content on whales and whaling. Sabin 27663. Three New Mexico Chronicles: The Exposicion of Don Pedro Bautista Pino 1812; the Ojeada of Lic. Antonio Barreiro 1832; and the additions by Don Jose Agustin de Escudero, 1849 (Quivira Society Publications Volume XI)
No. 6 of 557 copies printed. 342 pp. with frontispiece and two folding maps, facsimiles, index. Brown boards with parchment spine. One scuff mark on spine, upper corner of front board bumped, otherwise clean and sound. Translation of important early works with extensive notes. Howes P383: "Pino, supplemented by Barreiro, is the chief source of New Mexico's last years as a Spanish province and of her beginnings as a Mexican state." A Bibliography of Early American Secular Music [18th Century]
Sonneck, Oscar George Theodore; Upton, William Treat [Revision] xvi, 616 pp, in original dark brown cloth. Slight dust soiling to top edge of text block, else fine. Revised, enlarged edition, inscribed on the front free enpaper by William Treat Upton in 1945. Sonneck served as Chief of the Music Division of the Library of Congress for many years and built one of the world's great collections of music and music books. A History of the Ranchos of San Diego County, California
85 pp, with map, illustrations, bibliography. Some creasing and general handling wear; text clean, binding sound. Inscribed on the front free endpaper in 1939 from Frank G. Forward, Vice President of Union Title and Trust of San Diego (publishers of the second edition of this book, in 1940), "To William McPherson with every good wish." McPherson was a historian of Orange County and collector of Southern California books and ephemera. This booklet offers a short history of the early days of land ownership in San Diego County, based on information gathered as part of a WPA project. Engravings on wood and cover design by Frank C. Barks of the San Diego Federal Art Project. Kino’s Biography of Francisco Javier Saeta, S.J.
Polzer, Charles W.; Burrus, Ernest J.; Kino, Eusebio Francisco Sources and Studies for the History of the Americas, Volume IX. xv, 363 pp, with folding map at rear. Original blue cloth, gilt lettering on spine. Some minor scuffing and spotting to front board, internally clean and sound. Spanish and English text on facing pages. Includes notes on the Spanish text and the English translation, as well as an Appendix of Documents, bibliography, and index. Saeta (1665-1695) was an Italian Jesuit missionary sent to evangelize the Pima people in Sonora. He died at the hands of hostile locals. Au Royaume de la Perle [SIGNED]
Number 610 of 1500 copies. Signed with brief inscription by Leonard Rosenthal on the limitation page and illustrated with 10 mounted color plates by Dulac, each with a tissue guard printed with the caption. 12 x 9 1/8 in., 139 pp, in original blue textured wrappers with mounted title label. Lacks glassine jacket. Partial split to wrapper at lower spine, rubbing and some creasing to spine, upper corner bumped. Text and plates clean. Chas. Rippe, Manufacturer of Tents, Flags, Paulins, and Festooning, Wagon and Stack Covers
6" x 3.5", 32 pp, in original stapled wrappers. Illustrated price list from this St. Louis manufacturer of tents, flags, awnings, bunting, and related products. Small stain at outer margin of front wrapper, else fine. In 1876, Charles Rippe joined the existing tent and manufacturing firm of Martin Zittlosen (founded in 1866), and by 1882 Rippe appears to have been running the company on his own. In a short introduction, he acknowledges that this catalogue "is not as showy as that issued by my competitors," but promises "plain figures and low prices" as well as high quality materials. Products offered include both U.S. and foreign flags, flagpoles, photographers' tents, stable tents, circus tents, miners' tents, haystack covers, wagon covers and umbrellas, tarpaulins for covering agricultural equipment, window and door awnings, "the best paper festoonng ever offered," and more. 1884-’85 Annual Catalogue. The H.C. Staver Implement Co., Manufacturers of the Improved Buckeye Feed Grinders, Buckeye Corn Shellers, Lake City Feed Cutters, Wood Saws, &c
8 3/8" x 6", 26 pp, Illustrated. Ink stamp of "Geo A. Lowe, Agent, Salt Lake Utah" on front wrapper, some creasing, tear (no loss) to page 25/26; about very good. TThis catalogue offers the company's popular Buckeye Feed Mills ("no mill has ever been offered to the farmer with so many advantages and with such a marked success as the Buckeye has attained"), as well as other agricultural machinery, with illustrations for each, as well as testimonials in both English and German. The Story of the Mikado
9.75" x 7.5", 114, (1) pp, with illustrated endpapers, 6 color plates (including frontispiece) and addition b/w illustrations in the text. Original illustrated paper-covered boards slightly toned at edges, very lightly bumped at corners and spine ends. Internally sound and clean. In a partial original dust jacket, which is missing large chips from both panels and the lower spine. Introduction to Experimental Cookery
317 pp, with index, tables, and a few illustrations. One tiny spot on front cover, else a fine copy. Part of the McGraw Hill Home Economics Series and intended "primarily for students who will meet food problems in their professions but who are not primarily interested in food research for its own sake." Includes chapters on acidity, flavors, jellies, foams, emulsions, "new concepts of proteins," eggs and egg cookery, flours, batters and doughts, crystallization, fruits and vegetebles, and meat cookery. Theory of Light (Volume IV of Introduction to Theoretical Physics)
216 pp, indexed, in original green cloth. No dust jacket. Some pale staining to front board, spine slightly sunned; internally sound and clean. Divided into three sections: Optics of Isotropic and Homogeneous Bodies; Optics of Crystals; and Dispersion of Isotropic Bodies. Maud
Number 8 of 100 copies of this edition, which is hand-illumined and signed by both Elbert Hubbard and illuminator Edith Andrews. 80 pp, with hand-colored initials, title-page border, and other decorative elements. Bound in fulll limp suede with red satin pastedowns and ribbon bookmark. Yapp edges are scuffed and have some chipping, free endpapers are significantly toned, otherwise clean and bright.