History of the Fifty-FourthRegiment - Rare Book Insider
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History of the Fifty-FourthRegiment

1894
  • $1,000
[AFRICAN AMERICANA - 54TH MASSACHUSETTS]. EMILIO, Luis F. (1844-1918). History of the Fifty-FourthRegiment or Massachusetts Volunteer Infantry, 1863-1865. Boston: The Boston Book Company, 1894. 8vo. 20 plates, 7 maps and plans, 2 folding maps Publisher's black cloth gilt, wear to edges and rubbing to spine with wear to head and foot of spine, a few minor soiling marks internally. EXTREMELY RARE SECOND EDITION of the book "A Brave Black Regiment" but actually more important and RARER than the 1891 First diue to the new chapter (Appendix) included not in the 1891 edition on the treatment of African American Prisoners of War . Last copy art auction in 2023 of the 1891 sold for $4000 The Book details the storied journey of the 54th Massachusetts Infantry, the North's inaugural African American regiment during the Civil War. Renowned for their valiant effort in attacking Battery Wagner, the unit counted among its ranks two sons of abolitionist Frederick Douglass and William Carney, the first Black recipient of the Medal of Honor. The book also features a comprehensive list of members and more than 80 photographic portraits of its officers and soldiers. Luis Emilio was initially a member of the 23rd Massachusetts' Company F, enlisting at the war's outset and even falsifying his age to do so. He participated in the Roanoke Island battle and climbed the ranks to become a sergeant. After the Emancipation Proclamation led to the formation of the 54th Massachusetts, Emilio's prior military experience and his family's anti-slavery views helped him secure a position as a 2nd lieutenant.
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THE SIEGE OF BREDA

HUGO (HERMAN, SJ) THE SIEGE OF BREDA written in Latin. translated into English by C[aptain] H[enry] G [age], FIRST EDITION IN ENGLISH [Gent, J. Dooms], 1627. Small Folio 32 cm., 3 preliminary leaves, 152 pages. (lacking portrait) 15 plates (6 double; including map, plans) . VERY RARE IN COMMERCE. [STC 13926]. Contemporary calf, some wear to spine, small loss at top and hinges starting Particularly interesting as a rare English work priunted in Ghent and also notable for the unusual Chronogram in the colophon Sir Henry Gage (1597-1645), the translator, received his education in Flanders and subsequently served in the Spanish garrison at Antwerp. He made a name for himself during the 1622 siege of Bergen op Zoom and the 1624 siege of Breda. However, following the fall of Breda and the reduction of English regiments in Spanish service, coupled with the onset of war between England and Spain, Gage was compelled to return to England. He subsequently dedicated his time to studying the theory of war, with this translation being among his most notable scholarly contribution Ghent, being part of the Spanish Netherlands during this period, was under the influence of the Catholic Habsburgs. The Jesuits, like Herman Hugo, were a Catholic order, and their works might have found more support and less censorship in such environments compared to Protestant areas. This Catholic connection might have made Ghent a more sympathetic location for publishing a work by a Jesuit author.
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Johannes Oporinus’s copy (?) of a 1526 Macrobius

[Early Printing]. Macrobius. IN SOMNIUM SCIPIONIS LIBRI DUO et Septem Eiusdem Satumaliorum. Nunc denuo recogniti & multis in locis aucti. Coloniae: Apud Eucharium Ceruicomum, 1526. Folio. (6),140 leaves. Handome copy in 18th/early 19th century vellum, which reused a medieval manuscript. Internally, some toning and some small worming to text., edges died blue , blanks old but replaced. From the esteemed library of Georgius Klok with bookplate. PROVENANCE : signature of Oporinus in a 16th century hand to lower title page. With woodcut diagrams and WORLD MAP in the text. Marcrobius is now little known apart from the present collection of works, which includes his famous cosmographical commentary on Cicero's Somnium Scipionis (Scipio's Dream). First published in 1472, the works enjoyed wide popularity well into the sixteenth century. The handsome title page illustration can be attributed to Hans Holbein, who crafted a title page with a three-dimensional, ornamental style that included an image of Cleopatra engaging in suicide by snake, possibly an Egyptian asp. The title "Acrobius. IN SOMNIUM SCIPIONIS LIBRI DUO et Septem Eiusdem Satumaliorum" refers to works by the ancient Roman scholar Macrobius, focusing on two major texts. "In Somnium Scipionis," or "The Dream of Scipio," is a fascinating philosophical exploration based on Cicero's work, delving into themes of cosmic and individual destiny, and the nature of the soul. It was widely read and revered in the Middle Ages and Renaissance for its rich insights into Neoplatonism. The second part, "Saturnalia," consists of seven books that discuss a wide range of topics, presented in the form of dialogues held during the Saturnalia festival, an ancient Roman feast. This work serves as a comprehensive compilation of Roman social and cultural customs, philosophical thoughts, and literary criticism, providing a snapshot of intellectual life in late antiquity. Very possibly the copy of Johannes Oporinus, who holds a significant place in the history of printing and intellectual discourse due to his daring role in the dissemination of radical and groundbreaking texts during the Renaissance. As a printer in Basel, Oporinus not only facilitated the spread of scientific knowledge through the publication of Andreas Vesalius' seminal work on human anatomy, "De humani corporis fabrica," but also engaged in the religious and philosophical debates of his time by printing texts from reformers like John Calvin. His courageous decision to print the first Latin translation of the Quran introduced European scholars to Islamic religious texts, broadening the scope of religious and cultural understanding. Oporinus' work exemplifies the pivotal role of printers in the Renaissance as agents of change, challenging established norms and expanding the boundaries of knowledge. His contributions helped pave the way for modern scientific inquiry and religious tolerance, making his imprint on history both indelible and profound.
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1653 Woman English Printer Gertrude Dawso

[WOMAN PRINTER] [ANTI-SEMITISM] Eleazar Bar-Isaiah, pseud. "A Jew born." A Vindication Of The Christians Messiah, (Viz.) That Jesus Christ the Sonne of God is the true Messiah prophesied of, or foretold by all the holy men of God who were the Writers of the old Testament, from Genesis unto the Prophet Mallachy. As also proved out of their own beloved Talmouth. Wherein is also declared, the Coherence which the Old Testament hath with the New, as to that particular. As also a clear proof of the Trinity in Unity, (Viz.) That the Father, Sonne, and Spirit, are but one God. Against the generall received opinion of the Jewes. London, Gertrude Dawson, 1653. 4to., 18 x 13 cm., T.p. toned and frayed, last leaf with some toning and fraying. Complete. (10), 66 p. dedicated: To the Supreám Authority, the Parliament etc. Binding: Modern boards and half morocco. VERY RARE IN COMMERCE. No copies in the auction records since 1984. Eleazar Bar-Isaiah evidently served in the Royalist army prior to this treatise against the Jews that fits in the with the greater trends towards Sabbatean and Messianic beliefs, spurred by the tumultuous times of the Interregnum. It is recorded however that his conversion may have also been disingenuous and prompted largely by the love of a woman who refused otherwise to marry him. This is also a very interesting imprint by one of the more notable women printers of 17th century England, Mrs. Gertrude Dawson, who had an establishment opposite Half Moon tavern, Aldersgate Street, London. Dawson inherited the printing house in 1648 and demonstrated an interest in fine printing despite the increasingly commercial and cheap productions of the period. She inherited ornaments, such as a variation on an Aldine device form her husband, but also had herself cut a new font of roman type after taking over the business - something unusual and enterprising as she could have clearly relied upon the still functioning inherited typefaces. In that regard, it might be noted the rather charming detail that the headers in the tract are are unusual example that incorporates a little "bat"
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WILKINS, John (1614-72). Mathematical Magick

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TWO VERY RARE LEGAL WORKS BOUND

TWO VERY RARE LEGAL WORKS BOUND

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c. 1816 Manuscript of General James Wilkinson – Secret American Agent #13

SECRET AGENT AND ONE OF THE MOST ENIGMATIC CHARACTERS IN AMERICAN HISTORY ORIGINAL MANUSCRIPT WILKINSON (GEN, JAMES). Manuscript leaf. s.d. circa 1816. 1 page as depicted. possibly from his "Memoirs," accusing President Monroe of misuse of public funds. : "I recollect that mystery and reserve was the outcry against Gen. Washington's administration, but to mystery and reserve, those who hated him and traduced him, Monroe particularly, have added the masks of falsehood and 'hypocrisy to conceal or to justify their follies." Sold at auction Anderson Gallery in 1912 Lot 289 from the Library of Benson Lossing, Benson John Lossing (February 12, 1813 - June 3, 1891) was a prolific and popular American historian, known best for his illustrated books on the American Revolution and American Civil Warand features in Harper's Magazine. He was a charter trustee of Vassar College. As the Governor of the Louisiana Territory, Wilkinson, known as "Agent 13," almost jeopardized the Lewis and Clark expedition because he saw it as a threat to his personal and perhaps Spanish interests. Later, during the Monroe administration, his reputation was further tainted when his past machinations with Spain were brought to light, but he was cleared in a court-martial due to lack of solid evidence. Throughout his career, Wilkinson's loyalty to the United States was frequently in question, making him one of the most enigmatic figures in early American history.
  • $1,500
  • $1,500