De rerum natura iuxta propria principia, liber primus, & secundus, denuo editi. [bound with, of the same author:] De his, quae in aëre fiunt; & de terraemotibus, liber vnicus. [bound with, of the same author:] De colorum generatione opusculum. [bound with, of the same author:] De mari, liber vnicus." - Rare Book Insider
book (2)

TELESIO, BERNARDINO"

De rerum natura iuxta propria principia, liber primus, & secundus, denuo editi. [bound with, of the same author:] De his, quae in aëre fiunt; & de terraemotibus, liber vnicus. [bound with, of the same author:] De colorum generatione opusculum. [bound with, of the same author:] De mari, liber vnicus.”

"Naples, Giuseppe Cacchi": 1570
  • $19,240
"4to (222 x 157 mm.), 4 works bound together in a good 19th cent. vellum binding, with manuscript title at lower edge, a clean copy, with wide margins; a very light touch of color at printer’s devices. Each work with title-page and printer’s device, leaves 95, (1 orig. blank); 14 [i.e. 13], [1 orig. blank]; leaves 7, [1 orig. blank]; leaves 12, [2]. A fine Sammelband with four works by Telesio, the first is the scarce second edition of his major work ‘De rerum natura’, which had been already appeared in Rome, printed by Blado in 1565, whereas the three other works by Telesio are first editions, incl. his scarce work on atmosphere and earthquakes. ‘T. was, unwittingly, helping to contribute to the breakdown of the barrier that Aristotle had set up between celestial and sublunary physics, the breakdown triumphantly announced by Galileo in his 'Dialogue Concerning the Two Chief World Systems'. T. also introduced concepts of space and time that anticipated the absolute space and time of Newtonian physics’ (DSB). ‘Bernardino Telesio (1509–1588) belongs to a group of independent philosophers of the late Renaissance who left the universities in order to develop philosophical and scientific ideas beyond the restrictions of the Aristotelian-scholastic tradition. Authors in the early modern period referred to these philosophers as ‘novateurs’ and ‘modern’. In contrast to his successors Patrizi and Campanella, Telesio was a fervent critic of metaphysics and insisted on a purely empiricist approach in natural philosophy—he thus became a forerunner of early modern empiricism. He had a remarkable influence on Tommaso Campanella, Giordano Bruno, Pierre Gassendi, Francis Bacon, Thomas Hobbes and on free thinkers like Guillaume Lamy and Giulio Cesare Vanini [.] He was perhaps the most strident critic of metaphysics in late Renaissance times. It was obviously due to his excellent relationships with popes and clerics that he was not persecuted and was able during his own lifetime to publish his rather heterodox writings, which went on the index shortly after his death. His principal work is the aforementioned De rerum natura iuxta propria principia (‘On the Nature of Things according to their Own Principles’), which in the last augmented edition of the author's hand appeared in Naples in 1586. The De rerum natura is a huge treatise in nine books which deals with cosmology, biology, sense perception, reason and ethics. (These) Smaller treatises deal with a variety of themes such as colours, dreams, geology and meteorology, (De iis quae in aere fiunt et de terremotibus; De colorum generatione; De mari).», Stanford Encyclopedia of Philosophy. I. Adams T 292; Houzeau-L. 2641; Riccardi I/2, 512, 4. II. Adams T-290, Poggendorff II, 1077; Riccardi I/2, 512, 1; III : Adams T-289; Riccardi I/2, 512, 2; IV. Adams T-291; Riccardi I/2, 512, 3."
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Relatione intorno l’origine, solennità, traslatione, et miracoli della Madonna di Reggio.”

ISACHI, ALFONSO" "4to (232 x 162 mm.), good 18th cent. speckled brown calf binding, gilt spine with raised bands, golden fillets, title on orange label (hinges, head and foot of spine carefully repaired), nice colored paper of the time at flyleaves and pastedowns, colored edges, generally a clean copy with wide margins (small marginal spots to first leaves). Engraved allegorical frontispiece, pp. (24, incl. the front.), numb. 237 (i.e. 229, misnumb.), and 3 nn. at the end, of which 2 original blanks. Dedicated to Cesare d'Este, duke of Modena and Reggio. e Modena, this work is finely illustrated with 11 folding engraved plates, of which 8 (engraved by Giovanni Luigi Valesio, 1583-1650, a pupil of Ludovico Carracci) depicting the beautiful triumphal chariots of the local religious brotherhoods for the feast of the translation of the image of the Madonna, and 3 plates illustrating the façade, the interior and the plan of the new church built and devoted to the Madonna of Reggio. This church was built thanks to the offerings of the faithful following a miracle linked to an image of the Virgin that once stood in the area and replaced a simpler construction erected by the friars to whom the place had belonged since 1313. In early times there was an image of the Madonna, painted on the wall of the garden of the friars, which was copied on paper by the painter Lelio Orsi (1569) and repainted by another called il Bertone (in 1573) and eventually in 1596 moved to a small chapel. The chronicles of the time report the story of a deaf-mute, who would have regained the use of speech and hearing following a miracle of the Virgin. Six days later, on 5 May 1596, another miracle would take place, being the sudden recovery of a woman, Margherita, who had been ill for eighteen years, so in a short time the place became a pilgrimage destination and, thanks to the offerings of the people, it was decided to build a new temple that could contain the painting linked to the miracle. The first stone of the building was placed on 6 June 1597 - when the first edition of this work was edited - in the presence of the Duke and Duchess Margherita Gonzaga, demolishing part of the previous convent. In 1619 the church was already well finished and on 12 May it was consecrated, and the present book edited to celebrate such event. The author describes the history of the cult paid to the Madonna, the feasts and records as many as 175 alleged miracles. Cat. Ruggieri 776; Vinet 810; Lipperheide 2790; Berlin Kat. 3199; Cat. Vinciana 218; Lozzi 4000."
  • $6,413
  • $6,413
book (2)

Orationes Quatuor contra Philippum a Paulo Manutio latinitate donatum. (Bound with, of the same author:) Demosthenis Orationes tres olynthiacae; et prima, et secunda contra Philippum, in latinum ab Iacobo Grifolo Lucinianensi conuersae. Xenophontis rhethoris Hieron, vel Tyrannicus ab eodem conuersus. Florence, Laurentius Torrentinus ducalis typographus, 1550. (Bound with:) GREGORIUS NAZIANZENUS, St. – De pauperibus amandis et benignitate complectendis oratio. Petro Francisco Zino interprete. Venice: s.n.t. [Giovanni Griffio the elder], 1547.”

DEMOSTHENES" "4to (205x140 mm.), 3 works bound together in one volume in contemporary brown morocco with border of thin fillets on boards, small central fleuron tooled in gold, as well as fleur-de-lys corner tools, gilt spine with raised bands, tooled with golden rosettes in compartments, bleu edges, generally a good, well-margined copy (light marginal foxing, careful repairs to corners and head/foot of spine). Ist work: Aldine device on title, text printed in roman type, leaves nn. (52). II. Printed in roman type, pp. 114, 2 blank. III. Half-page woodcut device, and a different one at the end, printed in roman type, leaves (24) nn., sign. A4-G4, last original blank preserved. Nice ‘sammelband’ of 3 works, all of them rare on the market, the first one an uncommon edition of the latin translation by Paulus Manutius, of the four Philippics of Demosthenes (384-322 BC), orations made to rally the Athenians against Philip of Macedon who was beginning his conquest of Greece. Renouard 146.6, BMC STC It. p. 213, Adams D-288. The 2nd work is a rare translation of three orations on the same topic, by Jacopo Grifoli, who had published 2 years before with Paulus Manutius in the aldine printery a collection of orations. Rare, not in Adams, BMC STC it. suppl. p. 33; Moreni Ann. Torrentino n. XVII, p. 67. 3rd work, first edition of this translation, not in Adams and in BMC STC It, Edit16 CNCE 21743."
  • $2,565
  • $2,565
book (2)

Sphaera mundi seu Cosmographia demonstrativa, ac facili Methodo tradita: in qua totius Mundi fabrica, una cum novis, Tychonis, Kepleri, Galilaei, aliorumq[ue] Astronomorum adinventis continetur. Accessere I. Brevis introductio ad Geographiam. II. Apparatus ad Mathematicarum studium. III. Echometria, idest Geometrica tractatio de Echo. IV. Novum instrumentum ad Horologia describenda.”

BIANCANI, GIUSEPPE" "Folio (290x196 mm.), contemporary vellum with manuscript title on spine, a good genuine copy. Two parts in one volume, each with title-page, and printer’s device/vignette, 1st part has: pp. [12], 232 pp., with 2 folding tables, the woodcut plate at pp. 112/113 has been mounted (as part of) in the volvelle at p. 113; 2nd part has pp. 24, [2], with 1 double-page woodcut table and [3] leaves of plates, containing 18 engraved illustrations. Text illustrated throughout with almost 120 woodcut illustrations and diagrams. Collation: (*6), A-S6, T8; A-B6 [*1]. The unnumbered text leaf in the 2nd part, bound after p. 16, contains the ‘Apparatus ad calculandas altit. singularum horarum ab occasu in utroque Tropico ad latit. 44’. Third, last and according to Cinti (Bibl. Galileiana) best edition of this influential astronomical work (first published in 1620), which showed a slight movement of the church towards the acceptation of recent astronomical discoveries by Galileo, Kepler and Brahe, although author’s expressed support for Galileo's ideas never managed to pass the censorship of the inquisition. ‘Biancani was perhaps the first to suggest, in this book, that comets may return’ (Thorndike VII, p. 51). Riccardi I, 127; Biancani's Sphaera includes three appendices on various topics only loosely related to cosmology. The first, on geography, contains a discussion on the origin of mountains that influenced Bernhardus Varenius' Geographia generalis (1650). The second appendix, ‘Apparatus ad mathematicarum studium’, is an introduction to mathematical disciplines addressed to students. The third appendix to the book, ‘Echometria’, is devoted to acoustics. Carli-Favaro 83; Cinti 95 (third ed.)."
  • $4,104
  • $4,104
book (2)

Note overo Memorie del museo del conte Lodovico Moscardo.”

MOSCARDO, LODOVICO" "Folio (300 x 200 mm.), two parts in one volume, nicely bound in late 19th cent. half morocco with large corners, golden fillets and title on spine, marbled paper on boards, cailloutè paper at endleaves, internally a very good, clean copy. Engraved allegorical frontispiece, printed title-leaf, many large woodcut floral initials and typographical ornaments throughout the text. Pp. (16 nn. incl. front. And title), pp. numb. 488, widely illustrated with more than 200 engravings and woodcuts in the text, mostly half-page. Second edition, partly original, much increased by a second part (which almost doubled the work), dedicated to his new acquisitions (these last mostly illustrated by woodcuts). The original edition was published in Padua, by Paolo Frambotto, in 1656. The illustrations, engraved by the Veronese artist Alberto Pasi, consists of remarkable mix between fauna, natural curiosities, minerals, precious stones, archaeological objects, votive figures, early marbles with ancient inscriptions, etc. A Veronese collector, Count Lodovico Moscardo (1611-1681), acquired a large part of the collection of Francesco Calzolari which considerably enriched his own. He passionately collected medals, various natural oddities and artifacts, many ancient objects (especially Egyptian), amulets, etc. The reputation of this museum was such that it aroused the curiosity of many visitors during the second half of the 17th century. Nissen, ZBI, 2898; Grinke, From Wunderkammer to Museum (this edition), n. 23; Cicognara, 3412 (quoting the 1656 1st edition); Graesse IV, 613 (quoting this 1672 edition): Lib. Vinciana, n. 1733; Olschki, Choix, 19651."
  • $7,055
  • $7,055
book (2)

Illustrium imagines, ex antiquis marmoribus, nomismatibus, et gemmis expressae. Quae exstant Romae, maior pars apud Fulvium Ursinum [bound with:] Ioannis Fabri in imagines illustrium ex Fulvii Ursini bibliotheca, Antverpiae à Theodoro Gallaeo expressas. Commentarius.”

GALLE, THEODOR" "4to (215x165 mm.), 2 parts in 1 vol. in attractive contemporary red morocco gilt on covers with central golden fleuron and corner tools, raised bands on spine, gilt in compartments, internally some browned for the quality of the paper, but a genuine copy. Engraved allegorical frontispiece at part I, pp. 8 (incl. front.), (4 nn. of index), then 151 numbered engraved plates; part II has pp. (2, half-title), 17 engr. plates (numb. A-R); text with own title-page and printer’s device, pp. (8), 88, (6) with woodcut printer’s device on last leaf. Second, enlarged edition (the first in 1598, but without commentary) of this very interesting collection of 168 engraved portraits of historic characters and authors from classical Antiquity, after sculptures, coins and gems (mostly) held in the Roman collection of Fulvio Orsini. The Flemish engraver Theodore Galle (1571-1633) had been introduced, during his stay in Rome, in 1596, to the famous antiquarian Fulvio Orsini (1529-1660). He returned to Antwerp with an album of nearly 250 drawings of the objects forming this extraordinary collection, a kind of wunderkammer. In 1598, he engraved a series of 151, which he had printed at his own expense, at Plantin's, without commentary. This second edition published eight years later, at the request and at the expense of Orsini, joined to these 17 additional engravings, gathered in the appendix, and a commentary by Giovanni Faber, forming the second part.BL Low Countries, 1601-1621, p. 218; Imhof, G-14; Brunet, V, 1019; Funck 403; Ebert 23217."
  • $5,131
  • $5,131
book (2)

L’idea dell’architettura universale.”

SCAMOZZI, VINCENZO" "Folio (350 x 220 mm.), 2 parts in one volume in its contemporary limp vellum with manuscript title (faded) on spine, lower edge of first leaves carefully repaired, occasional marginal foxing and/or signs of use or minimal staining, generally a good, clean copy (flyleaves renewed). Each part with beautiful architectonical engraved title-page, woodcut printer's device on letterpress title-pages, woodcut initials and tailpieces, the work completely illustrated with full- or double-page woodcuts or engravings (all of them by Scamozzi, except one which is thought to be by Titian or his grandson Tizianello), without the blank leaf after p. 90 (which has a rough, old repair in the margin, affecting one word), but with the blank leaf at the end of vol. I; this copy is complete with the rare leaf (often missing) containing the register which is a singleton leaf, not belonging to any gathering, and therefore printed separately (here placed between the two parts). First edition of Scamozzi's detailed architectural treatise (which concluded the theorization of the orders and of architectural rules after Palladio) which contains books 1-3 and 6-8 of his projected ten books; the remaining books were not completed before Scamozzi's death in 1616. It was published at the author's expense and each book was dedicated to a different potential patron in the hope of financial support, which does indeed seem to have been successful with Cosimo II de' Medici, the dedicatee of book 6. Fowler 292. Berlin Kat 2605; Cicognara 651; BAL RIBA 2917."
  • $9,620
  • $9,620