CAPOTE, Truman.
Breakfast at Tiffany’s.
London Hamish Hamilton: 1958
- $333
First UK edition, first impression; 8vo; light spotting to prelims and endpapers, slight toning to leaves, else unmarked internally; publisher's red cloth, silver lettering to spine, with the unclipped dustjacket by Patricia Davey, crentral horizontal crease running around jacket, light spotting and soiling to rear panel, minor rubbing to extremities, else very good. The first UK edition of Truman Capote's renowned novella, the basis for Blake Edward's film of the same name, starring Audrey Hepburn and George Peppard.
More from Shapero Rare Books
Quatre Lithographies
The complete set of four lithographs in colours, 1986, on Arches wove paper, each signed and dated in pencil, numbered from the edition of 100 (there were also 50 in Roman numerals), in the original card portfolio case with text sheets, printed by Art Estampe, published by Editions de la Différence, Paris, each sheet 71 x 63.5 cm. (28 x 25 in.) Untitled SF79-011 (Acrylic Collage)
Acrylic painting and collage 1979, on wove paper, stamp signed by the artist, with the Sam Francis Estate Stamp on the reverse, paper size: 43 x 54.5 cm. (16 7/8 x 21 1/2 in.) This work is identified with the interim identification numbers of SF79-011 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Untitled SF87-071 (Acrylic), 1987
Acrylic painting, 1987, on handmade paper, stamp signed in ink with artist's signature 'Sam Francis' verso and it bears the ink stamp of the Sam Francis Estate, verso, the reference numbers 'S1-91I SF-87' are annotated, verso, paper size: 68 x 50 cm. (26.8 x 19.7 in.) This work is identified with the interim identification number of SF87-071 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Untitled, from The New York Collection for Stockholm portfolio
NOLAND, Kenneth Screenprint in colours, 1973, on wove paper, stamp signed, from the edition of 300, printed by Styria Studio, Inc., New York, published by Experiments in Art and Technology, New York, 23 x 30 cm. (9 x 11¾ in.).- $1,815
- $1,815
Three Forms, 1988
MOTHERWELL, Robert Etching and aquatint in colours, 1988, on wove paper, signed in pencil by the artist with his monogram, 'RM', numbered from the edition of 50 (there were also ten artist's proofs numbered with Roman numerals), printed and published by the artist, New York, sheet size: 50 x 78.5 cm. (19.7 x 30.9 in.) Another impression of this subject is held in the collection of the Walker Art Gallery, Minneapolis.- $14,520
- $14,520
Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88
MOTHERWELL, Robert Lithograph in colours with collage, 1986, on wove paper with Guarro watermark, signed in pencil by the artist, numbered from the edition of 100 (there were also 20 artist's proofs and 10 hors commerce impressions), printed and published by Polígrafa S.A., Barcelona, sheet size: 56 x 38 cm. (22 x 14.9 in.) This work was included in the portfolio "Carpeta Commemorativa 12e Aniversari" (Commemorative 12th Anniversary Portfolio), consisting of 20 lithographs and etchings by numerous artists.- $4,840
- $4,840
Planes of the Great War 1914-1918 With a Foreword by Capt. W.E. Johns.
LEIGH, Howard (illustrator). First edition; 4to (254 x 190 mm); 50 tipped-in collotype plates after etchings by Howard Leigh with descriptions printed opposite, minor spotting most margins but only affecting one or two plates, otherwise good; publisher's black cloth, gilt lettering to spine and upper cover, stain to lower, inner corned, a few spots to endpapers, illustrated dust-jacket, toned, rubbed at extremities and chipped at spine ends and upper corners of flap-folds, otherwise good.- $182
- $182
The Prime of Miss Jean Brodie.
SPARK, Muriel. First edition, first impression; 8vo; minor toning to leaves, else unmarked internally; publisher's sea-green cloth, gilt lettering to spine, slight rubbing to extremities, with the price-clipped pictorial dust-jacket designed by Victor Reinganum, a little rubbed on corners and spine ends, slight rubbing and soiling to rear panel, else very good. First published in 'The New Yorker', the novel achieved international success and is recognised as one of the best English novels of the 20th century.- $212
- $212
Utz.
CHATWIN, Bruce. First edition, first impression; 8vo; unmarked internally; publisher's black cloth, gilt lettering to spine, with the unclipped pictorial dustjacket, slight creasing close to spine, else very good. Shortlisted for the Booker Prize in 1988, shortly before the author's death.- $91
- $91
The Viceroy of Ouidah.
CHATWIN, Bruce. First edition, first impression; 8vo; unmarked internally; publisher's brown cloth, gilt lettering to spine, map endpapers, with the price-clipped pictorial dustjacket, Jonathan Cape price label to front flap; near-fine. First edition of the author's second book.- $151
- $151
New Illustrations of Zoology, containing fifty coloured plates of new, curious, and non-descript birds, with a few quadrupeds, reptiles and insects.
BROWN, Peter. First edition; 4to; titles and text in English and French, 50 hand-coloured engraved plates after the author, some numbered in manuscript; modern red crushed morocco gilt, all edges gilt by Sangorski & Sutcliffe, a very good, clean copy. Notable for being the first book to include an illustration of an Australian bird. Brown (fl.1766-1791) was reported by Thomas Pennant to be a Dane by birth, and 'a very neat limner' (a painter of ornamental decoration). He was appointed Botanical Painter to the Prince of Wales in 1783. The Australian bird was the Blue bellied parrot, painted by Brown in 1774, following Captain Cook's first voyage. The book also contains an engraving of a New Zealand Creeper. The work is principally based on specimens in the natural history collections of Marmaduke Tunstall who kept a museum in London, and Thomas Pennant. It also includes plates after drawings by the Ceylonese artist P.C. de Bevere in Java and Ceylon. Forty-two of the plates depict birds, 5 mammals, 2 insects and one an amphibian. Much of the text was supplied by Pennant, whilst the work was published by Gilbert White's brother, Benjamin. Nissen IVB, 151; Wood p.264; Zimmer pp101-102.- $7,865
- $7,865
Berlin nebst Potsdam und Umgebungen. Separat-abdruck aus der 19 auflage von Baedeker’s Nord-Deutschland.
BAEDEKER, Karl. Second edition.pp. vi, 78, 12 street appendix at rear, 4 maps and plans, several floor plans, publisher's red cloth gilt; an excellent copy. Berlin in German was first published in 1878 and continued until 1936. Maps include Berlin and its surroundings and Potsdam and its surraoundings. The first three editions are all extremely scarce and rarely appear on the market. Endpapers dated "Juli 1880". Hinrichsen D201.- $1,815
- $1,815
In Patagonia.
CHATWIN, Bruce. First edition, first impression; 8vo; frontispiece map, plates, map endpapers, unmarked internally; publisher's blue boards, titles to spine gilt, spine ever so slightly cocked, with the unclipped pictorial dustjacket; a superb copy in the jacket without the typical fading at the spine. First edition of the author's first book. Scarce thus without the fading at the spine that plagues most copies.- $1,513
- $1,513
The Songlines.
CHATWIN, Bruce. First edition, first impression; 8vo; page stock somewhat toned (as often); publisher's black cloth, gilt lettering to spine, with the unclipped pictorial dustjacket, slight toning to spine, minor creasing to head of spine, else very good. Widely considered to be the best work by the British novelist and travel writer, The Songlines is a poignant, elegiac, and cosmic exploration of Australian Aboriginal creation myths interspersed with a running philosophical reverie on the nature of nomads.- $151
- $151
Stuttgart Extract from Baedeker’s Stuttgart.
BAEDEKER, Karl First and only edition. 8vo (17 x 13 cm), 32pp; publisher's pictorial wrappers, very slightly; overall a very good copy This rare publication is an extract from the German language "Stuttgart", published the same year. This rare pamphlet was aimed at the English and American forces. "It is contemplated to prepare an English edition specially adapted to the requirements of American and English readers". However the full English version was never published and a very few copies of this extract were ever published. Very scarce Hinrichsen N3- $2,118
- $2,118
Histoire Naturelle des Perroquets.
LEVAILLANT, François; BARRABAND, Jacques (illustrator). First edition, first state; 2 vols; folio (53 x 35 cm); half-titles, 145 etched plates after illustrations by Jacques Barraband printed in colour and finished by hand, table of contents to end of each vol., occasional light spotting, mostly to margins; contemporary burgundy straight-grained morocco gilt, upper and lower panels with wide gilt borders of palmettes, enclosing Meander roll in blind and inner gilt panel, gilt spine in 7 compartments, all edges gilt, minor restoration to corners and spine caps, each vol. housed in red cloth clamshell case with contrasting black calf lettering-pieces to spine. First edition in the preferred folio format of this celebrated work, which stands in the front rank of ornithological books. An excellent copy of Levaillant's celebrated Histoire Naturelle des Perroquets, illustrated with 145 hand-finished etched colour-plates after original drawings by the French artist Jacques Barraband (d.1809), often considered one of the most beautiful colour-plate books of Napoleonic France. This copy has the title of volume one in its first state, with the date An IX (1801). 'After he had made himself Emperor, it was part of Napoleon's deliberate policy to initiate a series of magnificent publications that would vie with those undertaken to the orders of Louis XIV. These were sent as presents to crowned heads, men of science, and learned bodies, in evidence of the splendours of the Empire. In this manner many glorious books came into being, and it is in this light that we should see Redouté's Les Liliacées and his two works on the flowers of La Malmaison. The works of Levaillant owe their sumptuous character to the same impetus' (Fine Bird Books). Levaillant (1753-1824) inherited a passion for observation and travel from his childhood in Dutch Guiana, where his father was the French consul. He returned to France with his family, where he eventually became a merchant of natural history specimens. At 27, he travelled to Southern Africa with the Dutch East India Company, likely sponsored by Jacob Temminck to collect specimens for his collection. Levaillant was among the first explorer-naturalists to venture into the field to see and study birds in their natural habitats, resulting in some of the finest ornithological works ever produced. He was also a pioneer of travel writing; his colourful accounts of his journeys describe him as wearing 'court suits of "Blue-Boy" silk, with white gloves, ostrich-plume hat, and lace ruffs' to show respect for the animals he hunted (Fine Bird Books). He writes extensively about his close relationships with African companions and condemns the Dutch for their violence against Indigenous people in the region. His work is also notable for his use of French descriptive names for birds such as La Perrouche à face bleue, as opposed to the standard binomial nomenclature introduced by Carl Linnaeus. The artist Jacques Barraband had honed his skills as a draughtsman at the renowned Gobelins tapestry manufacturer in Paris, allowing him to create illustrations unparalleled in their delicacy and beauty. His drawings for the present work were printed in colour by Langlois, the great master of French colour printing in the early 19th century. The names of three of the birds described commemorate the artists involved in the production of the plates: Barraband, Langlois, and Bouquet, who executed the engravings. Anker 303; Fine Bird Books p.90; Zimmer p.392.- $151,250
- $151,250
Patagonia Revisited.
CHATWIN, Bruce & THEROUX, Paul. First edition, limited issue, number 240 of 250 copies, signed by the authors; 8vo; illustrations by Kyffin Williams, unmarked internally; publisher's red and grey patterned cloth, gilt lettering to spine, with original glassine dustjacket; a fine copy. One of 250 copies, signed by the authors. A superb copy in the original glassine dustjacket, illustrated by Kyffin Williams.- $333
- $333
The Flight from the Enchanter.
MURDOCH, Iris. First edition, first impression; 8vo; light offsetting and tape residue to endpapers, else unmarked internally; publisher's brown cloth, gilt lettering to spine, unclipped pictorial dustjacket by Edward Bawden, with Book Society wraparound band, spine slightly tanned, else an exceptional example. The author's second novel, with intriguing jacket artwork by Edward Bawden (1903-89), one of the most influential artists of his generation. Hard to find in such good condition, especially with the Book Society wraparound band.- $1,513
- $1,513
Eating People is Wrong.
BRADBURY, Malcolm. First edition, first impression; 8vo; unmarked internally; publisher's maroon cloth, silver lettering to spine, with the unclipped printed dustjacket, tanning to top edge, spine and flap folds, dust-soiling to rear panel, slight chipping to head of spine, else very good. First edition of the author's first book. Sir Malcolm Stanley Bradbury CBE, author and academic, he is often compared with David Lodge, his friend and a contemporary as a British exponent of the campus novel genre. Bradbury drew on his career as a University Lecturer, at Hull, Birmingham and from 1965, the new University of East Anglia where, in 1970, he became professor of American studies; he was to remain in Norwich for the rest of his life.- $151
- $151
Men at Work. Photographic Studies of Modern Men and Machines.
HINE, Lewis W[ickes]. First edition, presentation copy inscribed on the front free endpaper; 4to (253 x 203 mm, 10 x 8 in); black-and-white photographs printed in gravure; minor foxing to endpapers, green cloth-covered boards, titles to upper side in black, mottling to boards along fore-edge, photo-illustrated dust-jacket, minor wear to edges, minor foxing to verso, price-clipped for presentation, a near-fine copy in a remarkable example of the rare dust-jacket; [48]pp. [With:] LOVEJOY, Owen R. The Negro Children of New York. New York, The Children's Aid Society, 1932. An important presentation copy in a remarkable example of the rare dust-jacket, inscribed: 'To Owen R. Lovejoy / for his never-failing appreciation / of our work, many of the results / being the direct outgrowth of his / suggestions and optimistic criticism. / May his vision never grow dim.' Owen R. Lovejoy was a vehement opposer of child labour. He served as the general secretary of the National Child Labor Committee from 1907 to 1926, where Lewis Hine was a staff photographer and art director of their magazine 'Charities and Commons (later 'The Survey') between 1908 and 1917. Men at Work contains photographs made between 1920 and 1931, issued amid the worst employment crisis the United States had ever known. Hine saw it as a way of reaching out to schoolchildren, providing them with constructive role models and emphasising the human element of industry, with photographs of railroad employees, coal miners, aeroplane assemblers, steelworkers, and others. Among the most striking photographs are Hine's images of the construction of the Empire State Building, which Empire State, Incorporated, had used widely for publicity purposes. Hine always insisted on exerting control over the layout of his photographs, regularly requesting to see magazine proofs before publication. It is probably for this reason that he was not selected to work for the Farm Security Administration during the 1930s, with Roy Stryker, head of the Historical Division of the FSA, expressing concern that Hine may be difficult to employ and that it would be impossible to make the type of arrangements that he would have found satisfactory. Men at Work is the only book of Hine's photographs published in his lifetime. The Photobook: A History I, p126; The Open Book pp1089; Auer Collection p187.- $18,150
- $18,150
Sartre: Romantic Rationalist.
MURDOCH, Iris. First edition, first impression, signed by the author; 8vo; unmarked internally; publisher's russet cloth, gilt lettering to spine, with the dustjacket, minor rubbing to head of spine and corners, else very good. First edition of the author's first book, a title in the 'Studies in Modern European Literature and Thought' series. Signed by Murdoch on the title page.- $2,118
- $2,118
